Hardy

Overview

Thomas Hardy : a mean, snobbish, impotent pessimist who had little understanding of women, and who suffered from a feeble intellect. Or so the popular myth encouraged by previous biographers, particularly Robert Gittings, and Michael Millgate would have us believe. But Martin Seymour-Smith claims that this picture of Hardy is plain wrong, that the writer has been disastrously misinterpreted. Hardy, he maintains, was a sensitive, intelligent, profoundly ironic man who cared deeply about his fellow beings - ...
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Overview

Thomas Hardy : a mean, snobbish, impotent pessimist who had little understanding of women, and who suffered from a feeble intellect. Or so the popular myth encouraged by previous biographers, particularly Robert Gittings, and Michael Millgate would have us believe. But Martin Seymour-Smith claims that this picture of Hardy is plain wrong, that the writer has been disastrously misinterpreted. Hardy, he maintains, was a sensitive, intelligent, profoundly ironic man who cared deeply about his fellow beings - including his two wives and the other women he loved.

This radical reappraisal of Thomas Hardy--who, with Jane Austen and Charles Dickens, is one of the three most read authors in English literature--is based on years of exhaustive research, and brims with wonderfully evocative literary stories, presenting Hardy as he actually was. Photo insert.)P

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Most biographers portray novelist and poet Thomas Hardy (1840-1928) as an awkward rustic who rose above his class. In this dense, overwritten but important biography, Seymour-Smith, by contrast, presents Hardy as a determined, confident literary man, a deep thinker who drew inspiration from Arthur Schopenhauer, Edmund Burke and Charles Fourier. Quoting liberally from poems, diaries and letters, Seymour-Smith (Guide to Modern World Literature) demolishes the image of Hardy as a sexually impotent misogynist fostered by biographers Michael Millgate and Robert Gittings. Hardy's first marriage, to Emma Gifford, was ``much less disastrous'' than is commonly believed, the author argues. He further maintains that Hardy loved both his wives and that, contrary to his previous biographers, Emma did not become insane after their breakup. Providing detailed critiques of the novels and of Hardy's epic Napoleonic drama The Dynasts (1901-1908), Seymour-Smith gives us a multifaceted Hardy-a novelist of feminist and comic sensibilities, anti-imperialist war poet, animal lover and pessimist-whose concept of a flawed Creator-God has parallels in gnosticism. Photos. (Dec.)
Library Journal
British author Seymour-Smith's (Rudyard Kipling, LJ 2/1/90) focus is not so much on the critical evaluation of Hardy's works as on his life, especially his relations with his lovers and his not-always-happy marriages. This is not a Freudian or psychoanalytic biography but a revisionist one that argues, often acidly, against the portraits drawn by previous biographers (most notably Gittings and Millgate) to make its points. The author presents Hardy as a pessimistic thinker and communicating member of the established church whose highly complex creative and emotional life brought forth novelistic explorations of male and female sexuality that subverted the pieties of the time. Far from being naive, passive, impotent, or a misogynist, he was canny in managing his literary and business affairs and possessed a robust and healthy sexuality as well as a sense of humor. There is plenty of information and plausible interpretations here, but the argumentative tone (sometimes with little more than intuition as evidence) can be intrusive. For informed readers.-Richard Kuczkowski, Dominican Coll., Blauvelt, N.Y.
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Product Details

  • ISBN-13: 9780312118198
  • Publisher: St. Martin's Press
  • Publication date: 11/7/1994
  • Edition description: 1st U.S. Edition
  • Edition number: 1
  • Pages: 886
  • Product dimensions: 6.54 (w) x 9.54 (h) x 2.28 (d)

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