Harlan Ellison's Watching

( 1 )


Most overviews of film are written from some high, sunlit mountaintop. In this first collection of Harlan Ellison’s cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner ...

See more details below
Other sellers (Paperback)
  • All (10) from $1.99   
  • New (6) from $6.15   
  • Used (4) from $1.99   
Harlan Ellison's Watching

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
BN.com price
(Save 15%)$9.99 List Price


Most overviews of film are written from some high, sunlit mountaintop. In this first collection of Harlan Ellison’s cinema criticism (with expanded, never-before-collected articles as well as an essay written especially for this volume) come from the darkened interiors of a thousand movie houses where this most peculiar of all Observers of the Passing Scene has spent much of his life. The view is guaranteed to make you grind your teeth in anger, nod your head in blessed agreement, and open your eyes in a manner of judging films that is definitely not plebeian. Harlan Ellison’s love affair with movies is obvious. As an essayist, he has no equal; as a film critic he has no friends. Take care.

Read More Show Less

Editorial Reviews

Library Journal

When he wasn't churning out top-shelf stories, Ellison doubled as a film critic. This 1989 volume collects his musings on film of the 1960s on up (more than 50 essays). He's not a guy to pull his punches when offering his opinions; in fact, he'll actually cram them down your throat with glee. Whether you agree with him or would prefer to string him up by his Buster Browns, Ellison is always greatly entertaining. This edition sports a new intro by Leonard Maltin.

—Michael Rogers
Library Journal
Popular author, screen- and teleplay writer, and all-around bete noir , Ellison collects his 25-years' output of writing on film, from a 1951 high school piece to 1989 columns for Magazine of Fantasy and Science Fiction. Ellison was never a reviewer, even when he was hired to be one, for the 1960s' Los Angeles Cinema magazine, so one doesn't get the critical analysis of a Kael, Canby, or Kauffmann. What one does get is Ellison, the world's youngest curmudgeon, entertainingly sounding off, sometimes on idiosyncratic tangents, on his likes and dislikes. A long introductory essay amusingly tells us how he got to be the way he is. This is an enjoyable, irascible collection, surprisingly fully indexed, and a welcome companion to Ellison's 1970 collected TV musings, The Glass Teat .-- David Bartholomew, NYPL
Read More Show Less

Product Details

  • ISBN-13: 9781595820563
  • Publisher: Dark Horse Comics
  • Publication date: 3/26/2008
  • Pages: 248
  • Sales rank: 1,416,764
  • Product dimensions: 6.02 (w) x 8.95 (h) x 1.42 (d)

Read an Excerpt


by George Kirgo

It takes but the reading of a single review in this collection to be aware that this is not your normal critic at work--nor, for that matter, your normal person.

Listen to Mr. Ellison as he writes of seeing Joe: "At the end of the film, it took my director friend, Max Katz, and his lady, Karen, to help me up the aisle. I could not focus. I was trembling like a man with malaria. There was a large potted tree on the sidewalk outside the theater. I managed to get to it, and sat there, unable to communicate, for twenty minutes. I was no good for two days thereafter."

But did he like the movie?

What sets Harlan Ellison apart from nearly all other reviewers is that he unblushingly exposes his psyche and personal prejudices with every film he views. He watches viscerally, reacts viscerally, writes viscerally. If you have the stomach for it, you will be rewarded. This book is, of course, just one man's opinion. But the man has a uniquely individual voice, a voice that never minces its words.

"Spaceballs," he writes, "rivals L'Avventura as the single most obstinately boring film of all time. An invincibly tasteless farrago of lame jokes, obvious parodies, telegraphed punchlines, wretched acting, and idiot plot."

He didn't like the movie.

Having made enemies, he cements the enmity in print. Steven Spielberg and Gene Roddenberry are thrashed, and trashed, by Ellison's lash. More than occasionally, he is guilty of overkill; for example, the venom wasted on Gremlins. But, again, this is Ellison's Way. Passion governs his every thought and word. He's been like that at least since April 1964, when wefirst met, on the Paramount lot, both of us writing features. Twenty-five years (at least) at high pitch! I would be exhausted. Harlan isn't. As of April 1989, he remains one of those "who (wear) at their hearts the fire's center."

"Oh, God, the movies," he writes. "For four hours every Saturday afternoon," the movies transported him "away from that miserable lonely charnel house of childhood." The picture show continues to provide joy to Ellison the adult. "...the basic tenets of the Ellison Moviegoing Philosophy: (the movie) kept me rapt and happy all the while it danced before me. What the hell more can one ask from a mere shadow-play?"

And the keynote of the Ellison Movie Reviewing Philosophy: "I will, first and always, try to entertain."

He meets his own high standards. Never does he fail to beguile us. To pique us--even when one finds one's self in disagreement with his judgments.

It never occurred to me that Mickey One was "the finest American film of the year, and possibly of many years!" Is the "compelling" Lolly-Madonna XXX the same one I saw and found to be the opposite of compelling? Brazil "...one of the greatest motion pictures ever made ... in the top ten ... "? (Is criticizing the critic permitted? I've never been a Foreword person before.)

Yet when he and I share a judgment (which I find, to my astonishment and alarm, is almost always), Harlan approaches bull's-eye perspicacity. "2001 is a visually exciting, self-indulgent exercise ... no story ... no plot." And besides that, it's "seriously flawed."

Because of the times, I must get political. When Harlan and I wrote our first movies at Paramount (the titles will remain shameless; Fifth Amendment), the studio was a quiet little village; only a couple of pictures were being made. The lot was a summer playground for two kids, Gregg Hawks and Nick Kirgo, who wandered through dark and empty soundstages while their fathers, Howard and George, labored on a film.

Almost twenty-six years later, Paramount is doing record-making business. But some things, as Harlan points out, remain the same. The writer is still given the shortest shrift available, and since that era of benevolent paternalism, writers have had to strike four times (most recently six long months in 1988) to achieve any semblance of financial or creative progress. As president of the Writers Guild of America, west, I can testify to Harlan's unionist ardor (he's served two terms on the Board of Directors) and his devotion to the cause of his colleagues.

Ellison boldly fights the writer's war. He reminds the reader that every film he reviews began with a blank page (is the truth a cliché?). His essays are celebrations of films and celebrations of screenwriters. When a picture fails, he does not (always) pin the rap on the director, the producer, the actors, the agents, the cinematographers, the studios, the best boy, the gaffer or the gofer. Every film is the writer's responsibility, his blame--and his triumph.

Read More Show Less

Customer Reviews

Average Rating 3
( 1 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted December 24, 2010

    No text was provided for this review.

Sort by: Showing 1 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)