"This delightfully eerie anthology…[is] a great entry into the warped sensibility that animated Gorey’s twisted genius." —Kirkus Reviews
The Haunted Looking Glassby Ward Gorey, Edward Gorey
The Haunted Looking Glass is the late Edward Gorey's selection of his favorite tales of ghosts, ghouls, and grisly goings-on. It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.
ALGERNON BLACKWOOD, "The Empty House"
W.F. HARVEY, "August Heat"
CHARLES DICKENS, "The Signalman"
L.P. HARTLEY, "A Visitor from Down Under"
R.H. MALDEN, "The Thirteenth Tree"
ROBERT LOUIS STEVENSON, "The Body-Snatcher"
E. NESBIT, "Man-Size in Marble"
BRAM STOKER, "The Judge's House"
TOM HOOD, "The Shadow of a Shade"
W.W. JACOBS, "The Monkey's Paw,"
WILKIE COLLINS, "The Dream Woman"
M.R. JAMES, "Casting the Runes"
"This delightfully eerie anthology…[is] a great entry into the warped sensibility that animated Gorey’s twisted genius." —Kirkus Reviews
Read an Excerpt
THE HAUNTED LOOKING GLASS
By EDWARD GOREY
NEW YORK REVIEW BOOKSCopyright © 1959 Edward Gorey
All right reserved.
Chapter OneTHE EMPTY HOUSE by Algernon Blackwood
CERTAIN HOUSES, LIKE certain persons, manage somehow to proclaim at once their character for evil. In the case of the latter, no particular feature need betray them; they may boast an open countenance and an ingenuous smile; and yet a little of their company leaves the unalterable conviction that there is something radically amiss with their being: that they are evil. Willy nilly, they seem to communicate an atmosphere of secret and wicked thoughts which makes those in their immediate neighborhood shrink from them as from a thing diseased.
And, perhaps, with houses the same principle is operative, and it is the aroma of evil deeds committed under a particular roof, long after the actual doers have passed away, that makes the gooseflesh come and the hair rise. Something of the original passion of the evildoer, and of the horror felt by his victim, enters the heart of the innocent watcher, and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the blood. He is terror-stricken without apparent cause.
There was manifestly nothing in the external appearance of this particular house to bear out the tales of the horror that was said to reign within. It was neither lonely nor unkempt. It stood, crowded into a corner of the square, and looked exactly like the houses on either side of it. It had the same number of windows as its neighbors; the same balcony overlooking the gardens; the same white steps leading up to the heavy black front door; and, in the rear, there was the same narrow strip of green, with neat box borders, running up to the wall that divided it from the backs of the adjoining houses. Apparently, too, the number of chimney pots on the roof was the same; the breadth and angle of the eaves; and even the height of the dirty area railings.
And yet this house in the square, that seemed precisely similar to its fifty ugly neighbors, was as a matter of fact entirely different—horribly different.
Wherein lay this marked, invisible difference is impossible to say. It cannot be ascribed wholly to the imagination, because persons who had spent some time in the house, knowing nothing of the facts, had declared positively that certain rooms were so disagreeable they would rather die than enter them again, and that the atmosphere of the whole house produced in them symptoms of a genuine terror; while the series of innocent tenants who had tried to live in it, and been forced to decamp at the shortest possible notice, was indeed little less than a scandal in the town.
When Shorthouse arrived to pay a "weekend" visit to his Aunt Julia in her little house on the sea front at the other end of the town, he found her charged to the brim with mystery and excitement. He had only received her telegram that morning, and he had come anticipating boredom; but the moment he touched her hand and kissed her apple-skin wrinkled cheek, he caught the first wave of her electrical condition. The impression deepened when he learned that there were to be no other visitors, and that he had been telegraphed for with a very special object.
Something was in the wind, and the "something" would doubtless bear fruit; for this elderly spinster aunt, with a mania for psychical research, had brains as well as will power, and by hook or by crook she usually managed to accomplish her ends. The revelation was made soon after tea, when she sidled close up to him, as they paced slowly along the sea front in the dusk.
"I've got the keys," she announced in a delighted, yet half-awesome voice. "Got them till Monday!"
"The keys of the bathing machine, or——?" he asked innocently, looking from the sea to the town. Nothing brought her so quickly to the point as feigning stupidity.
"Neither," she whispered. "I've got the keys of the haunted house in the square—and I'm going there tonight."
Shorthouse was conscious of the slightest possible tremor down his back. He dropped his teasing tone. Something in her voice and manner thrilled him. She was in earnest.
"But you can't go alone——" he began.
"That's why I wired for you," she said with decision.
He turned to look at her. The ugly, lined, enigmatical face was alive with excitement. There was the glow of genuine enthusiasm round it like a halo. The eyes shone. He caught another wave of her excitement, and a second tremor, more marked than the first, accompanied it.
"Thanks, Aunt Julia," he said politely; "thanks awfully."
"I should not dare to go quite alone," she went on, raising her voice; "but with you I should enjoy it immensely. You're afraid of nothing, I know."
"Thanks so much," he said again. "Er—is anything likely to happen?"
"A great deal has happened," she whispered, "though it's been most cleverly hushed up. Three tenants have come and gone in the last few months, and the house is said to be empty for good now."
In spite of himself Shorthouse became interested. His aunt was so very much in earnest.
"The house is very old indeed," she went on, "and the story—an unpleasant one—dates a long way back. It has to do with a murder committed by a jealous stableman who had some affair with a servant in the house. One night he managed to secrete himself in the cellar, and when everyone was asleep, he crept upstairs to the servants' quarters, chased the girl down to the next landing, and before anyone could come to the rescue threw her bodily over the banisters into the hall below."
"And the stableman—?"
"Was caught, I believe, and hanged for murder; but it all happened a century ago, and I've not been able to get more details of the story."
Shorthouse now felt his interest thoroughly aroused; but, though he was not particularly nervous for himself, he hesitated a little on his aunt's account.
"On one condition," he said at length.
"Nothing will prevent my going," she said firmly; "but I may as well hear your condition."
"That you guarantee your power of self-control if anything really horrible happens. I mean—that you are sure you won't get too frightened."
"Jim," she said scornfully, "I'm not young, I know, nor are my nerves; but with you I should be afraid of nothing in the world!"
This, of course, settled it, for Shorthouse had no pretensions to being other than a very ordinary young man, and an appeal to his vanity was irresistible. He agreed to go.
Instinctively, by a sort of subconscious preparation, he kept himself and his forces well in hand the whole evening, compelling an accumulative reserve of control by that nameless inward process of gradually putting all the emotions away and turning the key upon them—a process difficult to describe, but wonderfully effective, as all men who have lived through severe trials of the inner man well understand. Later, it stood him in good stead.
But it was not until half past ten, when they stood in the hall, well in the glare of friendly lamps and still surrounded by comforting human influences, that he had to make the first call upon this store of collected strength. For, once the door was closed, and he saw the deserted silent street stretching away white in the moonlight before them, it came to him clearly that the real test that night would be in dealing with two fears instead of one. He would have to carry his aunt's fear as well as his own. And, as he glanced down at her sphinx-like countenance and realized that it might assume no pleasant aspect in a rush of real terror, he felt satisfied with only one thing in the whole adventure—that he had confidence in his own will and power to stand against any shock that might come.
Slowly they walked along the empty streets of the town; a bright autumn moon silvered the roofs, casting deep shadows; there was no breath of wind; and the trees in the formal gardens by the sea front watched them silently as they passed along. To his aunt's occasional remarks Shorthouse made no reply, realizing that she was simply surrounding herself with mental buffers—saying ordinary things to prevent herself thinking of extra-ordinary things. Few windows showed lights, and from scarcely a single chimney came smoke or sparks. Shorthouse had already begun to notice everything, even the smallest details. Presently they stopped at the street corner and looked up at the name on the side of the house full in the moonlight, and with one accord, but without remark, turned into the square and crossed over to the side of it that lay in shadow.
"The number of the house is thirteen," whispered a voice at his side; and neither of them made the obvious reference, but passed across the broad sheet of moonlight and began to march up the pavement in silence.
It was about halfway up the square that Shorthouse felt an arm slipped quietly but significantly into his own, and knew then that their adventure had begun in earnest, and that his companion was already yielding imperceptibly to the influences against them. She needed support.
A few minutes later they stopped before a tall, narrow house that rose before them into the night, ugly in shape and painted a dingy white. Shutterless windows, without blinds, stared down upon them, shining here and there in the moonlight. There were weather streaks in the wall and cracks in the paint, and the balcony bulged out from the first floor a little unnaturally. But, beyond this generally forlorn appearance of an unoccupied house, there was nothing at first to single out this particular mansion for the evil character it had most certainly acquired.
Taking a look over their shoulders to make sure they had not been followed, they went boldly up the steps and stood against the huge black door that fronted them forbiddingly. But the first wave of nervousness was now upon them, and Shorthouse fumbled a long time with the key before he could fit it into the lock at all. For a moment, if truth were told, they both hoped it would not open, for they were a prey to various unpleasant emotions as they stood there on the threshold of their ghostly adventure. Shorthouse, shuffling with the key and hampered by the steady weight on his arm, certainly felt the solemnity of the moment. It was as if the whole world—for all experience seemed at that instant concentrated in his own consciousness—were listening to the grating noise of that key. A stray puff of wind wandering down the empty street woke a momentary rustling in the trees behind them, but otherwise this rattling of the key was the only sound audible; and at last it turned in the lock and the heavy door swung open and revealed a yawning gulf of darkness beyond.
With a last glance at the moonlit square, they passed quickly in, and the door slammed behind them with a roar that echoed prodigiously through empty halls and passages. But, instantly, with the echoes, another sound made itself heard, and Aunt Julia leaned suddenly so heavily upon him that he had to take a step backwards to save himself from falling.
A man had coughed close beside them—so close that it seemed they must have been actually by his side in the darkness.
With the possibility of practical jokes in his mind, Shorthouse at once swung his heavy stick in the direction of the sound; but it met nothing more solid than air. He heard his aunt give a little gasp beside him.
"There's someone here," she whispered; "I heard him."
"Be quiet!" he said sternly. "It was nothing but the noise of the front door."
"Oh! Get a light—quick!" she added, as her nephew, fumbling with a box of matches, opened it upside down and let them all fall with a rattle onto the stone floor.
The sound, however, was not repeated; and there was no evidence of retreating footsteps. In another minute they had a candle burning, using an empty end of a cigar case as a holder; and when the first flare had died down he held the impromptu lamp aloft and surveyed the scene. And it was dreary enough in all conscience, for there is nothing more desolate in all the abodes of men than an unfurnished house dimly lit, silent, and forsaken, and yet tenanted by rumor with the memories of evil and violent histories.
They were standing in a wide hallway; on their left was the open door of a spacious dining room, and in front the hall ran, ever narrowing, into a long, dark passage that led apparently to the top of the kitchen stairs. The broad uncarpeted staircase rose in a sweep before them, everywhere draped in shadows, except for a single spot about halfway up where the moonlight came in through the window and fell on a bright patch on the boards. This shaft of light shed a faint radiance above and below it, lending to the objects within its reach a misty outline that was infinitely more suggestive and ghostly than complete darkness. Filtered moonlight always seems to paint faces on the surrounding gloom, and as Shorthouse peered up into the well of darkness and thought of the countless empty rooms and passages in the upper part of the old house, he caught himself longing again for the safety of the moonlit square, or the cozy, bright drawing room they had left an hour before. Then, realizing that these thoughts were dangerous, he thrust them away again and summoned all his energy for concentration on the present.
"Aunt Julia," he said aloud, severely, "we must now go through the house from top to bottom and make a thorough search."
The echoes of his voice died away slowly all over the building, and in the intense silence that followed he turned to look at her. In the candlelight he saw that her face was already ghastly pale; but she dropped his arm for a moment and said in a whisper, stepping close in front of him:
"I agree. We must be sure there's no one hiding. That's the first thing."
She spoke with evident effort, and he looked at her with admiration.
"You feel quite sure of yourself? It's not too late——"
"I think so," she whispered, her eyes shifting nervously towards the shadows behind. "Quite sure, only one thing——"
"You must never leave me alone for an instant."
"As long as you understand that any sound or appearance must be investigated at once, for to hesitate means to admit fear. That is fatal."
"Agreed," she said, a little shakily, after a moment's hesitation. "I'll try——"
Arm in arm, Shorthouse holding the dripping candle and the stick, while his aunt carried the cloak over her shoulders, figures of utter comedy to all but themselves, they began a systematic search.
Stealthily, walking on tiptoe and shading the candle lest it should betray their presence through the shutterless windows, they went first into the big dining room. There was not a stick of furniture to be seen. Bare walls, ugly mantelpieces, and empty grates stared at them. Everything, they felt, resented their intrusion, watching them, as it were, with veiled eyes; whispers followed them; shadows flitted noiselessly to right and left; something seemed ever at their back, watching, waiting an opportunity to do them injury. There was the inevitable sense that operations which went on when the room was empty had been temporarily suspended till they were well out of the way again. The whole dark interior of the old building seemed to become a malignant Presence that rose up, warning them to desist and mind their own business; every moment the strain on the nerves increased.
Out of the gloomy dining room they passed through large folding doors into a sort of library or smoking room, wrapt equally in silence, darkness, and dust; and from this they regained the hall near the top of the back stairs.
Here a pitch-black tunnel opened before them into the lower regions, and—it must be confessed—they hesitated. But only for a minute. With the worst of the night still to come, it was essential to turn from nothing. Aunt Julia stumbled at the top step of the dark descent, ill lit by the flickering candle, and even Shorthouse felt at least half the decision go out of his legs.
"Come on!" he said peremptorily, and his voice ran on and lost itself in the dark, empty spaces below.
"I'm coming," she faltered, catching his arm with unnecessary violence.
They went a little unsteadily down the stone steps, a cold, damp air meeting them in the face, close and malodorous. The kitchen, into which the stairs led along a narrow passage, was large, with a lofty ceiling. Several doors opened out of it—some into cupboards with empty jars still standing on the shelves, and others into horrible little ghostly back offices, each colder and less inviting than the last. Black beetles scurried over the floor, and once, when they knocked against a deal table standing in a corner, something about the size of a cat jumped down with a rush and fled, scampering across the stone floor into the darkness. Everywhere there was a sense of recent occupation, an impression of sadness and gloom.
Leaving the main kitchen, they next went towards the scullery. The door was standing ajar, and as they pushed it open to its full extent Aunt Julia uttered a piercing scream, which she instantly tried to stifle by placing her hand over her mouth. For a second Shorthouse stood stock-still, catching his breath. He felt as if his spine had suddenly become hollow and someone had filled it with particles of ice.
Excerpted from THE HAUNTED LOOKING GLASS by EDWARD GOREY Copyright © 1959 by Edward Gorey. Excerpted by permission of NEW YORK REVIEW BOOKS. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
Edward Gorey (1925–2000) was born in Chicago. He studied briefly at the Art Institute of Chicago, spent three years in the army testing poison gas, and attended Harvard College, where he majored in French literature and roomed with the poet Frank O’Hara. In 1953 Gorey published The Unstrung Harp, the first of his many extraordinary books, which include The Curious Sofa, The Haunted Tea Cosy, and The Epiplectic Bicycle. In addition to illustrating his own books, Gorey provided drawings to countless books for both children and adults.
In addition to illustrating his own books, Edward Gorey provided drawings to countless books for both children and adults. Of these, New York Review Books has published The Haunted Looking Glass, a collection of Gothic tales that he selected and illustrated; The War of the Worlds by H. G. Wells; Men and Gods, a retelling of ancient Greek myths by Rex Warner; in collaboration with Rhoda Levine, Three Ladies Beside the Sea and He Was There from the Day We Moved In; and The Unrest-Cure and Other Stories, a collection of tales by Saki.
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