Havana Run

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Overview

John Deal has spent much of his adult life trying to rebuild the Miami construction firm that his late father ruined. When the possibility of a major project in post-normalized Cuba arises, he can't help being intrigued - only to find that he's been lured to Havana for another, far more dangerous purpose: to help spring an American prisoner from a Castro jail. Deal wants nothing to do with it, until he discovers who it is: a man closer to him than he could possibly have imagined, and the holder of secrets - ...
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corners bumped, tiny top spine crease, otherwise a very good new book and dustjacket. John Deal, stars in this one. He has spent a lot of his time as an adult trying to rebuild ... his late father's failed business. He finds out about a project that might he might be able to get in post-normalized Cuba that sounds intriguing, but later learns that he has been conned into going to Havanna for another, much more dangerous reason. This is to help break out an American prisoner from a Castro jail. Though he wants badly to decline, he has a big problem that makes it hard to refuse. Secrets that more than one group would kill for are part of the picture in this fast-moving gripper. Read more Show Less

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2003 Hard Cover 1st Edition. 1st Impression. New in New jacket Signed by Author New in new DJ protected by mylar DJ cover. Tight no marks, bumps or blems. Signed by author on ... blank tipped in signature page. Signatures guaranteed, Purchased direct from Publisher. For pictures or additional info write me at info at abnormalbooks dot com or visit my site. Read more Show Less

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2003 Hard cover First edition. New in new dust jacket. Signed by author. Sewn binding. Cloth over boards. With dust jacket. 320 p. Audience: General/trade.

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Havana Run: A John Deal Mystery

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Overview

John Deal has spent much of his adult life trying to rebuild the Miami construction firm that his late father ruined. When the possibility of a major project in post-normalized Cuba arises, he can't help being intrigued - only to find that he's been lured to Havana for another, far more dangerous purpose: to help spring an American prisoner from a Castro jail. Deal wants nothing to do with it, until he discovers who it is: a man closer to him than he could possibly have imagined, and the holder of secrets - secrets that more than one group would kill for ... and soon do.
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Editorial Reviews

Publishers Weekly
This rock-solid novel, number eight in Standiford's line of South Florida crime capers (Deal on Ice; Raw Deal; etc.) is as blunt and powerful as a punch to the head from series hero John Deal himself. Deal is rebuilding the failed Miami construction firm he inherited from his father, dead by suicide. Soon after moving to Key West to oversee a major construction contract, Deal is approached by Antonio Fuentes, a mysterious businessman, who attempts to hire him to oversee a huge rebuilding project in Havana, slated to begin once Castro has departed the scene. Deal has his suspicions, especially after Fuentes offers a check for a million dollars as a retainer. Next to make Deal an offer is Norbert Vines, special agent from the Department of Justice. Vine convinces Deal to go along with Fuentes and report back to the department on what the businessman and his shadowy partners are really up to in Cuba. A few hours later, Deal is on Fuentes's lavish yacht, headed into Cuban waters. Once there, everything goes to hell in short order as it turns out that (surprise!) Fuentes hasn't been entirely on the level. Unsure who is friend and who foe, Deal is blindsided by a bombshell plot twist that will have readers flipping wildly back to the front of the book to see how Standiford pulled it off. From here on in, the action is searing and nonstop, blazing ahead to a satisfyingly violent conclusion. (May 9) Forecast: The murky jacket does the book no favors, but this is above-average Standiford and should keep fans coming back for more. Copyright 2003 Reed Business Information.
Kirkus Reviews
The world is too much with John Deal, once the very model of a genre swashbuckler (Bone Key, 2002, etc.). He used to deliver his punches and punchlines with maximum panache. But now the Zeitgeist seems to have passed him by. Maybe it's all that white-collar effort put into refurbishing the reputation of the Miami-based construction firm his flamboyant dad founded, then almost ruined. His eighth finds him desultorily finishing up a Key West job, sounding annoyingly Zen-like, when fed-up Fate decides to take a hand. Suddenly, picturesque people are evincing interest in John. Angie Marsh, who sports "matching dimples at her breastbones," kick-starts his libido in a most un-Zen-like way. Then there's the mysterious Antonio Fuentes, dedicated, he insists, to making John a rich man. Impressed by the growing reputation of DealCo, he asks John to travel to Havana with him to research the development possibilities of Cuba-after-Castro-waving about a million-dollar certified check as earnest money. But the entrepreneurial Mr. Fuentes isn't the only mysterious person wanting John to make the Havana run. So does the Department of Justice's enigmatic Norbert Vines, whose pitch turns out to be something akin to patriotism. Are these men precisely as they represent themselves? Is Angie Marsh who she says she is? Will Havana be as welcoming to John as promised? Secret agendas abound, but it all feels so mailed in. Bring back the brio. Agent: Scott Waxman/Waxman Agency
From the Publisher
[A] rock-solid novel...as blunt and powerful as a punch to the head...a bombshell plot twist that will have readers flipping wildly back to the front of the book to see how Standiford pulled it off...the action is searing and nonstop, blazing ahead to a satisfyingly violent conclusion. —Publishers Weekly
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Product Details

  • ISBN-13: 9780399150593
  • Publisher: Penguin Group (USA)
  • Publication date: 4/14/2003
  • Series: John Deal Series
  • Pages: 320
  • Product dimensions: 6.26 (w) x 9.36 (h) x 1.10 (d)

Meet the Author

Les Standiford

Les Standiford is the author of ten novels and of the recent nonfiction Last Train to Paradise. He is the director of the creative writing program at Florida International University in Miami.

Biography

Les Standiford is the co-author of Bones of Coral, a screenplay based on the novel of the same name by James W. Hall, for MGM-Pathe. He is a member of the Associated Writing Programs, Mystery Writers of America, and the Writers Guild.

He wrote the screenplay adaptation of Spill, which has been released as a feature film starring Brian Bosworth and seen recently on SHOWTIME. He is author of the text for the best-selling book of photographs by Alan S. Maltz, Miami: City of Dreams (1997), and of the history, Coral Gables: The City Beautiful (Riverbend Books, 1998).

He has contributed a chapter to the national best-seller Naked Came the Manatee (Putnam, 1997), with Carl Hiaasen, Elmore Leonard, James W. Hall, et al. He is contributing editor of The Putt at the End of the World, a collective novel of golf, published by Warner Books in June of 2000.

He has recently completed a work of nonfiction: Last Train to Paradise: Henry Flagler and the Spectacular Rise and Fall of the Railroad that Crossed an Ocean.

Standiford's short stories and articles have appeared in a number of magazines and anthologies, including The Kansas Quarterly, Writer's Digest, Fodor's Guide, Smoke Magazine, The Key West Reader, Confrontation, Three American Literatures (Modern Language Association), Perfect Lies: A Century of Classic Golf Fiction, and Communion: Contemporary Fiction Writers Reread the Bible. His novels have been reprinted in the United Kingdom, Holland, France, Germany and Japan. He has been a regular reviewer for The Miami Herald, Chicago Tribune, New York Newsday, and The New York Daily News.

He attended the Air Force Academy, Columbia University School of Law, and holds a B.A. in Psychology from Muskingum College in Ohio and the M.A. and Ph.D. degrees in Literature and Creative Writing from the University of Utah. He spent twenty years in the West, working at times for the U.S. Forest, the Utah Parks Company, and the U.S. Park Service. He is a former screenwriting fellow and graduate of the American Film Institute in Los Angeles.

He is a past recipient of the Frank O'Connor Award for Short Fiction, a Florida Individual Artist Fellowship in Fiction, and a National Endowment for the Arts Fellowship in Fiction. He is currently Professor of English and Director of the Creative Writing Program at Florida International University in Miami, where he has lived since 1985 with his wife and three children.

Author biography courtesy of the author's official web site.

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    1. Hometown:
      Miami, Florida
    1. Date of Birth:
      October 31, 1945
    2. Place of Birth:
      Cambridge, Ohio
    1. Education:
      B.A., Muskingum College; M.A. and Ph.D., University of Utah

Read an Excerpt

Havana Run


By Les Standiford

Poisoned Pen Press

Copyright © 2003 Les Standiford
All right reserved.

ISBN: 978-1-61595-308-0


Chapter One

Near Havana, Cuba

Midnight in Havana, the glow of the ancient city's lights curving above the distant horizon like some pale, enormous moon. Not as grand a glow as might have been cast in the days before the revolution, perhaps, but burning bright enough, even at this late hour. Beneath that curving halo to the east lay the still-busy streets of the Old City, sunburned Euro-tourists jostling from bar to bar along the cobblestones, past the sweet-smiling hookers and the rum- and cigar-hustling touts, all of them converged in a place you might mistake for some new-world Florence—when the lights were low, that is.

Saturday night in Habana Vieja, the old man thought, a person might have a couple of mojitos and forget the revolution had ever come.

Here, on the outskirts of Miramar, the fortunate suburb that had somehow managed to survive through everything, all was relatively dark and still, except for the idle clanking of halyards in the nearby marina and some faint son music drifting from the paladar on the far side of the harbor.

Was it a sinking moon or rising, the old man found himself wondering? He glanced at his watch, a good omen for his voyage or bad? In any case, his last view of the city, and who knew for how long.

"It is a good night," the Cuban beside him said, as a listless breeze picked up, then fell away again. It was late summer, hurricane season in fact, but the air lay heavy and the seas were calm.

The old man shook his head. "It's never a good night to leave Havana."

It brought a pause. "True," the Cuban said finally. "But the winds are in your favor. And you will be back."

"So you say," the old man told him. He wished they could stroll along the harbor's edge to the restaurant where colorful lanterns winked, join the late-night revelers for whatever catch might be on the menu and one or three icy Hatueys while the mournful music played.

"I am sorry," the Cuban said.

"It's not your fault." The old man shrugged and bent to pick up the valise he'd brought with him from the car that sat nearby. "One day El Presidente is your friend, the next day he's not."

He paused and glanced again at the car. "I've had a good run here," he said. "I'm surprised it's lasted this long, tell you the truth."

"The changes are coming to our country," the Cuban said. "Everyone knows it, even El Presidente himself. He grows older, his fears cloud his reason. The faces of his friends appear as enemies ..."

"Hell, he's right not to trust me," the old man said. "Nothing wrong with his judgment at all."

The Cuban laughed softly and reached out a hand. "We will meet again, my friend."

"I sure as hell hope so."

The Cuban pointed toward the nearby dock, one used ordinarily for equipment storage, the last slip in a distant corner of the harbor, where a lone cabin cruiser was tied, bobbing in the gentle swells. The boat would have slipped in just after dark, attracting little attention in this marina where even Americans might dock, if they were content not to make a show of themselves.

"The crew is Bahamian," the Cuban said at his side. "They know the out-island passages there well. We have worked with these men before, all of them. They are to be trusted. In any case, Rogelio will be with you."

The old man nodded, glancing at the broad-shouldered silhouette looming near the front of the car. He'd seen what Rogelio could do to Russian-trained mercenaries and a few of El Presidente's handpicked thugs. A crew of Bahamian boatmen hardly seemed a threat. Besides, they were being well paid for his safe passage to their country. He had little fear for his safety.

"You will be safe in Andros for as long as you wish," the Cuban said. "No one else here knows where you are going. And arrangements are in place for your transfer to Madrid; or to Buenos Aires, if you prefer. Whenever you are ready ..."

"How about Key West?" the old man asked. "A room at the Casa Marina and my old table at Sloppy's."

It brought another laugh from the Cuban, but there was a nervous hitch in the sound. Far less chance of such a visit than a stroll along the bay to a paladar; not in this life, anyway.

"Hell, don't mind me," he said, clapping the Cuban on the shoulder. "Why don't we just get saddled up?"

The Cuban turned and gestured to Rogelio, who moved to a rear door of the car, one of the ubiquitous Fiats that were gradually replacing the equally ubiquitous Russian Ladas on the island, though this Fiat was an uncharacteristically larger model. The door swung open and the young woman stepped out and came to embrace him, bringing with her the scent of lime and hyacinth, and a flood of memories that weakened him at his knees.

"I will miss you so," she said, wrapping her arms tightly about his neck.

"You'll come and visit," he told her, returning her tight embrace.

She didn't bother to reply. After a moment, she released her hold and stood back to regard him in silence.

"You're every bit as beautiful as your mother," he told her.

"I wish she could be here," she told him.

He felt another jolt at the back of his knees. He would have to move soon, or Rogelio would be carrying him down the dock. "Probably just as well she isn't," he said.

"You will return," she said, reaching to touch his hand.

"People keep saying that," he said. He would not have chosen to come to Cuba those many years before, all things being equal. But he had come to love it, despite the impossible politics, despite the many hardships. It was the most beautiful place he knew. And he had come to love those who lived here, as well.

He paused, fighting to keep the quaver from his voice. "You take care, now. I'd tell you to stay out of trouble, but that would be a waste of breath." She and the Cuban and the others who were with them had a cause, and those who believed in a cause were destined for trouble. As for himself, he was too old for causes, but he had come to love some of those who had them, and that was why he would have to leave.

She smiled, and he raised his hand to brush her cheek, then turned and started down the dock toward the boat. He heard the car door close behind him and Rogelio's heavy tread following along the boards of the dock. He heard the car motor start, die, then grind uncertainly to life again. He fought the urge to turn and wave ... dark after all, he could get away with it, who the hell would even see ...

... and that is when the first shot exploded, and he felt the splatter of wetness hot and sharp across the back of his neck.

He spun about as the shot echoed, to see Rogelio tottering at the edge of the dock, one hand thrown to his bloody face, another waving in the air, clutching for support. He lunged for the big man as another shot rang out, and another, two heavy thuds at Rogelio's back, and the big man went over into the water with a splash.

He heard the sounds of footsteps running toward him from the far end of the dock—men who'd been hidden there among the pilings and the hawser coils, he realized—and then the engines of the cabin cruiser were coughing to life, Bahamian crewmen fore and aft shouting alarm and scrambling to cast their lines free. Other men were coming from the direction of land, knifing between him and the Cuban, who was running toward the car.

Someone on the boat was shouting at him, Come now, come on now, a voice cut off by a roar of automatic gunfire and ending in a scream.

He ducked behind one of the dock pilings for cover, groping inside the valise for his pistol. The steel of the pistol was cold and slippery, and heavier in his hand than it had ever seemed, and for a moment he thought that he might be caught in some terrible dream.

But the gunfire and the cries and the roaring motors and the biting odor of cordite that stung his nostrils came from no dream. In the next moment he had the pistol out and his hand was braced against the piling, and he was squeezing off round after round toward the vague shapes that advanced from the end of the cluttered pier.

He heard a groan and saw someone fall, heard the shouts of others now diving for cover. He heard popping sounds from the boat and realized that someone there had joined the firefight as well. Just pray they didn't mistake him for the enemy, he thought.

He glanced in the direction of the car and saw the Cuban clawing at the door. The Cuban was not armed. He never was.

"Get her out of here," the old man cried. He sent shots toward the figures that advanced along the shoreline. "Get out now."

He heard the Fiat's engine catch hold finally and the sound of its tires tearing at the pavement. A man rose from the shadows to order the car to a halt, a rifle poised as if to fire. The car's bumper broke him at the knees, hurling him skyward, the rifle exploding aimlessly as he flew.

The boat was swinging away from the dock now, its engines maxed, the water at the pilings churning to a froth. He heard footsteps nearing in the darkness and turned to fire, but there came nothing but dull clicks from his pistol. He rose up and swung, clubbing steel into the face of the man who was lunging toward him.

He felt hands clutch him briefly, then slide away. He was running toward the boat now, could still make it with a mighty leap. He saw a crewman poised at the rail with his hands outstretched like the hobo in some train scene from an old movie, ready to pull his desperate pal on board.

Come on, old man, you can do it. One last burst of speed ...

And he might have made it, might have managed that terrific leap, except for the blinding flash that came, turning the darkness into a sudden negative of itself. Instead of leaping toward the boat, then, he was hurtling backwards, flung by a wave of heat and light that had once been the particles of a boat and its crew, now transformed into a roaring fireball, and just as suddenly it was nothing at all.

* * *

"¿Adonde?" the man with the automatic rifle asked, staring down through the still-swirling smoke at the motionless form at his feet. Where do we take him?

What was left of the cabin cruiser still smoldered nearby, a few spars jutting at an angle from the shallow marina waters. Though anyone nearby would have heard the shots or witnessed the explosion, there was little sign of it. Only the music from the paladar was silenced, and the lights of Havana still burned in the distance.

The armed soldier's superior, a man in a suit who carried no visible weapon, shrugged. "That depends," he said, then moved to nudge the form on the dock with the thick sole of his shoe.

There was a groan and a painful gurgling sound in response. Good, the man wearing the suit thought. It would not have gone well for them if their quarry had not survived.

The man in the suit used his heavy shoe again, then again, and finally turned to his underling with a smile. "We will take him to the Castillo Atares," he said, with a wave toward the distant city and the hilltop where their legendary headquarters was perched. "Where else do you think?"

Chapter Two

Key West, Florida, Present day

An especially bright day in the Florida Keys, the sky so blue, the nearby waters so turquoise-glassy, it seemed a crime to be doing anything that resembled work. Then again, it was his work that allowed him to be here in the first place, John Deal thought.

Were his estranged wife, Janice, around, she'd have termed it a conundrum, or something else vaguely Zen-like. But she wasn't around much these days, so Deal would settle for calling it a trade-off. Better to bust your butt in paradise than anywhere else, wasn't it? Nothing too hard to figure out about that.

"Here's a bunch of messages they said to bring down." It was Russell Straight, holding out a wad of pink memo slips in his big hand. He was practically shouting, trying to compete with the sound of a pile driver that was working the job site a dozen yards away.

"Thanks," Deal said. He palmed the memos and stuck them in the hip pocket of his khakis, his gaze on the piling that sank way too easily with every blow of the big machine smashing it into the earth. "We're headed for China with that," he called back to Russell, pointing.

Russell winced as the huge weight shot down the guidelines and slammed into the end of the girder. "That's what you get, trying to go deep on an island."

Deal nodded, but that didn't mean he agreed with the sentiment. The job site was situated on the eastern end of Key West, all right—one mile wide, four long, average elevation six feet above the surrounding Gulf and Atlantic waters—but they'd managed to set all the other support pilings for the main condo structure without a problem. It was just the last that was giving him fits.

A dozen feet below the surface, the piling had hit a pocket of sand that seemed bottomless, an ancient dune flooded over eons ago, but never dispersed before the next layer of an ever-evolving planet covered it over. They were thirty feet down now, according to the hastily painted gauge on the side of the steadily plunging beam. But there was nothing to be done but keep on going until they encountered limestone rock again. Pound and pray, he thought, something his old man might have said.

Russell waited for an upstroke of the pile driver before he spoke again. "The bookkeeper says she has to talk to you," he added.

"Then call her I shall," Deal said. He wondered vaguely where that odd phrasing had come from. It sounded to him like the ramblings of an other-era pirate. Too long down here, without the comforting press of civilization? Some form of island fever?

"Today," Russell added. There was a ka-chung as the hammer released and the pile driver slammed down its punctuation.

Deal glanced again at the piling. Still plunging through sand, he thought. Any minute now, there'd be voices from Peking rising up out of the hole. He glanced up into the brilliant summer sky, then back down at his watch.

"You had lunch yet?" he asked Russell.

"Never once had too much lunch," Russell said, patting his flat belly.

Deal nodded. Russell weighed two-forty and was no more than an inch or two taller than Deal's own six feet, but if there was any fat on that copper-skinned frame, you couldn't see it.

"Come on, then," Deal said. He lifted an arm to wave to the operator sitting in the air-conditioned cab of the pile driver. The man inside gave him what looked like a thumbs-up as the giant hammer slammed down again. Thumbs-up for what, Deal wondered? He turned away toward his truck then, motioning for Russell to follow.

* * *

"This is a lot better," Russell said, once they'd settled themselves at a table in the cool Pier House lounge.

Deal nodded. He felt something prodding him in the hip and reached to find the wad of memos Russell had given him earlier.

He tossed them on the table beneath his foreman's baleful gaze. "Don't you pretend I didn't give you those, now," Russell said.

Deal held up a hand in surrender, his gaze traveling over Russell's shoulder out the windows of the second-story lounge. A three-masted schooner was at anchor a hundred feet or so off the marina docks, its sails furled, its decks quiet. Deal had fleeting thoughts of Tahiti, flaming sunsets, grass skirts and flowers tumbling like snow. A dark silhouette on the central mast transformed itself as he watched, growing huge momentarily, then subsiding again.

"You ever see an osprey?" Deal asked Russell. Most of the company's work went on in Miami, but Deal had come down to Key West a year or so ago to see about this job, and now he was finding it hard to get the sand out of his shoes. He'd opened an office of DealCo in Key West, in fact, and had come to spend more and more of his time here. It had fallen to Russell to do much of the running back and forth.

"I don't get into fish," Russell said.

"It's a bird," Deal said. "Eagle of the sea. There's one right out there, perched on the mast of that ship."

Russell glanced out the window. "Looks like a crow to me," he said.

"It's bigger than a crow," Deal said. "Not to mention of a different color."

"Whatever," Russell said.

"I don't know that I've ever seen an osprey on a boat mast before," Deal said, thinking that there couldn't possibly be anyone on board. He looked at Russell. "Have you ever read The Rime of the Ancient Mariner? It takes up the matter of birds and boats."

"Every time I went to the prison library, they said that one was out," Russell said.

Deal nodded. "I've got a copy. I'll lend it to you."

"My stack is pretty thick right now," Russell said. He glanced toward the bar. "What's it take to get a drink around here?"

Deal raised his hand. In moments, a tall curly-haired guy with a square jaw, piercing eyes and wearing a floral-print shirt appeared from the service passage, wiping his hands on a towel. "What'll you have, Mr. Deal?"

"The usual for me," Deal said. "I'm not sure about my associate. He seems thirsty."

"We can fix that," the guy said, giving Russell his professional smile.

"Tom Selleck, meet Russell Straight," Deal said.

(Continues...)



Excerpted from Havana Run by Les Standiford Copyright © 2003 by Les Standiford. Excerpted by permission of Poisoned Pen Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Posted December 9, 2008

    more from this reviewer

    Fantic thriller

    Thirteen years ago, police officer John Deal learned that his father committed suicide. His face was so badly damaged that his son couldn¿t recognize him. The police find papers proving John was supplying his father with information that he used in his business dealings. Unable to demonstrate he was set up, the brass allowed him to retire. John took over Deal Co, the construction company his father ran into the ground................. In the present, Deal Co. is breaking even when Antonio Fuentes asks him to accompany him to Cuba. Fuentes represents a consortium who want to rebuild Cuba after Castro is gone and they want Deal to be their point man. Deal is about to turn him down when a government agent asks him to go along with Fuentes and in return they will give him proof that he was framed thirteen years ago. Deal goes to Cuba intending to play the spy but finds someone that has to be smuggled out of the country at any cost, making his deal with the government null & void....................... Readers get an inside look at the Cuba of today in HAVANA RUN and although the country is in a holding pattern different forces are ready to take control once the present leader is gone. Les Stanford raises the bar of the suspense thriller in the latest installment of his John Deal series. Though one must wonder about a government that hides the truth that would exonerate someone, this fits right into the storyline and Justice, American style. Readers will take to the protagonist right away because of the vulnerability that shines above this tough guy persona........................ Harriet Klausner

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