×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Healing Land: The Bushmen and the Kalahari Desert
     

Healing Land: The Bushmen and the Kalahari Desert

by Rupert Isaacson
 

See All Formats & Editions


Acclaimed by Rian Malan as "full of mystery, magic and strange coincidence," The Healing Land is a moving account of a remarkable personal journey through the Kalahari desert. Although brought up in “grey, drearily ordinary” London, Rupert Isaacson’s links to Africa have always been strong. His mother was once a South African and his father was

Overview


Acclaimed by Rian Malan as "full of mystery, magic and strange coincidence," The Healing Land is a moving account of a remarkable personal journey through the Kalahari desert. Although brought up in “grey, drearily ordinary” London, Rupert Isaacson’s links to Africa have always been strong. His mother was once a South African and his father was raised in what was then Rhodesia. Isaacson senior fled to England with no regrets, but Polly, Rupert’s mother kept her memories of Africa alive, and handed them on to her children via the Bushmen nursery stories and remembrances of her early life there. Thus, from an early age, Isaacson was fascinated: “Long before I ever went to southern Africa, its names and regions had been described to me so many times that I could picture them in my mind’s eye.”

Isaacson’s relatives, mostly his grandfather Robbie, a Rhodesian farmer, frequently visited with exotic gifts and stories in tow, leaving the little boy wide-eyed and curious to go to the land of his ancestors. At eight, Isaacson finally visited Robbie in Africa, and “found the place as seductively, intensely exciting as all the stories had led [him] to expect.” He also witnessed the other, less pleasant side of Africa. The war for independence was still being fought, and his grandfather’s farm was fenced in with barbed wire and guarded by armed men. This first visit, however, sealed his connection to the African continent, and from then on he considered himself part English, part African. His curiosity now knew no boundaries and by the time he was twenty he embarked on his first solo trip to Africa.

This marks the de facto beginning of the book as Isaacson, now a grown man, finds himself restless at home in England, yearning to be united with the Kalahari which he has made central to his identity as a young man. He visits Botswana’s capital Gaborone where he meets his cousin Frank Taylor, a rather atypical white African, living in an austere home where he moved with his family, quitting his prosperous farm in South Africa, in order to help Botswana’s rural poor. Isaacson learns of the plight of the Bushmen. Due to an upsurge in cattle ranching, the territories traditionally used for hunting have been fenced off and the game the Bushmen relied upon has been prevented from following the rain thus dying in droves. Eager to go deeper into the desert and to experience the Kalahari, Issacson makes several trips to the area during the following few years but never really makes it into the heart of the desert, but explores the areas surrounding it, living on a farm in Zimbabwe, traveling in South Africa and learning of its Bushman heritage. There he becomes enmeshed in the civil strife of 1993, which immediately preceded the first free elections and the rise of Nelson Mandela. He comes to experience the resentment of the black population towards the whites: he is attacked, mugged, chased by a mob of angry South African youths, but somehow all these events never put into question his resolve to come back.

Eighteen months later he is back with his girlfriend and a contract to write a guidebook to Zimbabwe, Botswana, and Namibia. They start off from the Namibian capital Windhoek and two days later encounter two Bushmen while camping under a great baobab tree. Greetings are exchanged and it turns out that one of the Bushmen works for an NGO helping the cause of the local population. He speaks perfect English and invites Isaacson to go hunting with him the next day. The couple is naturally thrilled, but when they show up early next morning in the Bushman village no one seems to be up. It takes quite a while for everyone to wake up (presumably from alcoholic stupor) but all is well, and they ultimately leave for the hunting ground. The experience is disappointing, as Benjamin and his friend Xau make several attempts to catch antelopes but fail rather miserably. On their way back to the village Isaacson once again learns of the Bushmen plight, this time first-hand, and the lack of interest by the government to resolve their claims. He decides to help and try to involve a London travel agency to package tours into the Kalahari from which the Bushmen would benefit financially. Meantime, he and his girlfriend become friends with most of the villagers, sharing stories and songs, buying trinkets, and in the end witnessing a full-blown tribal dance.

After his move to the USA that same year, Isaacson comes across an issue of National Geographic which features a photograph of two Bushmen kneeling in the red sand of South Africa next to a ancient figure of their dying father. According to the caption, it turns out this is a picture of the dying Regopostaan, patriarch of South Africa’s Xhomani Bushmen, the last remaining clan of traditionally living Bushmen in the country. They’ve been ejected from a National Park, which used to make up their traditional hunting grounds, and the park authorities are resisting the Bushman land claaaaaaim. After some research, Isaacson learns of the few South Africans who are trying to counter the government indifference and fight for the Bushmen rights. With the new Mandela government chances for the Bushmen winning the claim are better but still far from becoming a reality.

Later that year, in October of 1997, Isaacson arrives to the Xhomani village with a filmmaker friend who wants to make a documentary about the land claim. They meet Dawid Kruiper, the leader of the tribe, and one of the Bushmen from the National Geographic photograph, as well as the entire tribe. (Regopostaan was the tribal elder and Dawid’s father, and the other person in the picture, Dawid’s brother.) After spending time with them, recording interviews with Dawid, observing their day-to-day life, Isaacson begins to understand the extent of the Bushmen disenfranchisement. They are hardly the idealized hunters from his mother’s stories and seem to be at the bottom of the social hierarchy not only in South Africa, but in the entire Kalahari as well. Ruined by alcohol as well as by the indifference of the politicians to take up their cause, the traditionally living Bushmen have not only dwindled in number, but have been literally reduced to beggars having lost their land and their traditional means of subsistence, and with that their identity as a people has been profoundly threatened. Dawid, the tribal leader, was once a great healer but due to his bouts with alcohol he has lost his powers. Moved by what he witnesses, Isaacson is keen to find out the other side of the story, and hence decides to interview the officials at the National Park, which has become the bane of the Bushmen’s existence. The interview only serves to prove the underlying racism and corruption of the Park management which was just a few years ago a “whites only” establishment. What complicates matters even further and very much endangers the success of the Bushmen claim, is another parallel claim to the same land by another black tribe called Miet.

All throughout his travels and interactions with the Bushmen, Isaacson’s narrative displays an unusual sense of humanity, warmth, and openness. It’s precisely these qualities that distinguish The Healing Land, and allow Isaacson to bring out the truly extraordinary spiritual legacy of the Bushmen. Thus, both the reader and the narrator bear witness to some rather remarkable displays of the Bushmen healing techniques as well as a general sense of genuine magic.

The themes of healing, of Isaacson’s personal quest alongside the larger, political one involving the entire Bushmen population, come together in a poignant ending which features all of the leading personalities that inhabit this extraordinary book.

Editorial Reviews

The New York Times
In The Healing Land: The Bushmen and the Kalahari Desert, Isaacson's sensible writing about the Bushmen's drunken, violent life in exile from their lands is hugely enriched by his sense of what it might mean when healers talk to lions or men become leopards in a trance. The survival of the Bushmen is tangled up with the story of Isaacson's own family's longing for the Africa they once knew, as irrational and exasperating and sometimes lovely as a dream. — Michael Pye
Publishers Weekly
The son of a South African mother and a Rhodesian father but raised in London, travel writer Isaacson felt a longing for the Bushmen of his mother's stories and of Laurens Van Der Post's The Lost World of the Kalahari. Things are different today; in postapartheid South Africa, the question of the survival of the Bushmen is framed by their struggle to gain back their land. Dispossessed from their wide roaming areas by a series of foreign invaders over the course of the 20th century, Bushmen have gradually been moved to reservations where they can't hunt or heal in traditional ways. Alcohol abuse and domestic violence have become common. At first, Isaacson looks for the mythical Bushman, who rises before dawn to track and kill wild animals, stops for a reflective pause in the shade to offer spiritual parables and caps the day by a campfire barbecue with singing and dancing into the small hours of the night. But as Isaacson struggles with drunk villagers, broken-down vehicles and petty scamming by people accustomed to living off the stupidity of tourists, he loses his na vet and finds his real Bushmen, eventually forming his own bond with them. This isn't spiritual tourism; Isaacson's account is too funky and too honest about the very human weaknesses of real-life Bushmen. Still, readers come away with respect for the struggles of all indigenous people, coupled with an awareness that they may not live particularly pretty lives themselves. Agent, Kim Witherspoon. (Mar.) Copyright 2002 Cahners Business Information.
Library Journal
The author of several guidebooks (e.g., Southern Africa on the Wild Side), Isaacson grew up in London listening to nostalgic stories of the Kalahari from relatives, and his desire to visit the strange and mystic land led to a grown man's adventure. Isaacson demystifies the Kalahari of his boyhood imagination to present a sincere and charming chronicle of vanishing lifestyles and a touching account of the Bushmen and their land. His images are sometimes as exotic as those conjured by his relatives, but his story is warmer and more empathetic. Though history, adventure, and social commentary intermingle with the mysticism of legendary healers and trance dances, the book remains a journalistic report on a clash of civilizations and a microcosmic portrayal of a continent's evolution. Isaacson writes simply and well. Recommended for public and academic libraries.-Edward K. Owusu-Ansah, CUNY Coll. of Staten Island Lib., NY Copyright 2003 Cahners Business Information.
Kirkus Reviews
Encounters with the Bushmen of the Kalahari, retold by journalist and travel writer Isaacson. The Bushmen have been forced to move time and again, both within and outside their traditional lands. But, as Isaacson (The Wild Hunt, not reviewed, etc.) explains, they are currently facing a new threat, sort of their own private Highland clearance, as cattle ranchers fence the land they use, driving off or killing the game that Bushmen hunt for their livings. The Bushmen are perhaps the oldest surviving culture on Earth, so it isn't surprising that they aren't taking this state of affairs lying down. Land claims have been filed in the courts, and violent resistance has been resorted to. But suddenly the Bushmen must contend with a bureaucracy, and the methods of approach have caused crises and dissention in their ranks. There are quarrels between traditionalists and moderns and between young and old, the squabbling that comes with too much alcohol, the cultural anomie, the toll taken by years of genocide and degradation. Then again, Isaacson encounters the pure fabric of everyday resistance: Bushmen living by the hunt and women gathering foodstuffs, the dance and song that manage a cross-cultural leap and touch Isaacson's soul. There are also the healers, shape-shifters, and mischief-makers, one of whom performs a healing dance for the author-and it's impossible to doubt his feelings of bien-être after the experience. Isaacson polls the black ranchers, the remnant white population, and members of the game park profession, and he finds the whole range of feelings, from outright hostility to the Bushmen, through a bigoted paternalism, on to genuine respect. Isaacson reveals a world in flux andready for new seismic shifts. An expectant moment in the history of southern Africa-a whole culture's survival hangs in the balance-portrayed by an author who digs enthusiastically for signs of a genuine persistence of the Bushmen. Agent: Kim Witherspoon/Witherspoon Associates

Product Details

ISBN-13:
9780802140517
Publisher:
Grove/Atlantic, Inc.
Publication date:
03/11/2004
Edition description:
First Trade Paper Edition
Pages:
278
Sales rank:
898,570
Product dimensions:
5.44(w) x 8.22(h) x 0.77(d)

Meet the Author

Rupert Isaacson was born in London to a South African mother and a Zimbabwean father. Isaacson's first book, The Healing Land (Grove Press), was a 2004 New York Times Notable Book. He has travelled extensively in Africa, Asia, and North America for the British press and now lives in Austin, Texas, with his wife, Kristin, and their son, Rowan.

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews