Hearing Singing: A Guide to Functional Listening and Voice Perception
Ian Howell provides a fresh, actionable framework for the perception of the singing voice which will help guide singers toward efficient and expressive singing. The book dives deeply into the connections between voice acoustics, biomechanics, aerodynamics, functional listening, perception, and pedagogy.
1146443191
Hearing Singing: A Guide to Functional Listening and Voice Perception
Ian Howell provides a fresh, actionable framework for the perception of the singing voice which will help guide singers toward efficient and expressive singing. The book dives deeply into the connections between voice acoustics, biomechanics, aerodynamics, functional listening, perception, and pedagogy.
34.2 In Stock
Hearing Singing: A Guide to Functional Listening and Voice Perception

Hearing Singing: A Guide to Functional Listening and Voice Perception

by Ian Howell
Hearing Singing: A Guide to Functional Listening and Voice Perception

Hearing Singing: A Guide to Functional Listening and Voice Perception

by Ian Howell

eBook

$34.20 

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Overview

Ian Howell provides a fresh, actionable framework for the perception of the singing voice which will help guide singers toward efficient and expressive singing. The book dives deeply into the connections between voice acoustics, biomechanics, aerodynamics, functional listening, perception, and pedagogy.

Product Details

ISBN-13: 9798881804657
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 02/26/2025
Sold by: Barnes & Noble
Format: eBook
Pages: 254
File size: 6 MB
Age Range: 18 Years

About the Author

Ian Howell is the chief educator at the Embodied Music lab and was previously voice faculty at the New England Conservatory of Music where he directed the graduate voice pedagogy program. He received the Van L. Lawrence Fellowship in 2022.

Table of Contents

Brief Contents

Acknowledgements

Preface

Chapter 1: Introduction

Chapter 2 How We Got Here

Chapter 3 Refining Models for Understanding the Singing Voice

Chapter 4 What is Timbre?

Chapter 5 Pitch

Chapter 6 Time and Pressure Domain Considerations of Pitch and Timbre

Chapter 7 Perceptual Qualities of Auditory Roughness and Pitch Resolution

Chapter 8 Tone Color and Brightness

Chapter 9 Absolute Spectral Tone Color

Chapter 10 How To Annotate A Spectrum: Where Are Pitch, Auditory Roughness, And Tone Color?

Chapter 11 How to Teach Singing

Chapter 12 Pedagogic Practices and Functional Listening Examples

Appendix A: How to Read Graphs Related to Voice Production

Appendix B: List of Labs and Website URL

Index

About the Author

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