- Shopping Bag ( 0 items )
-
All (4) from $10.30
-
New (4) from $10.30
| Al Williams | Primary Artist |
| Tom Schuman | Keyboards |
| Alex Al | Bass |
| Scott Ambush | Bass |
| Wayne Bruce | Guitar |
| David Dyson | Bass |
| Ronnie Gutierrez | Vocals, Background Vocals |
| Chris Kent | Bass |
| Alfredo Mojica | Percussion |
| John Stoddart | Keyboards, Vocals, Background Vocals |
| Dan Leonard | Guitar |
| Alvin S. White | Guitar |
| Kevin Prince | Percussion |
| Aaron Broadus | Trumpet |
| Michael Ripoli | Acoustic Guitar, Guitar, Electric Guitar |
| George Gershwin | Composer |
| Alex Al | Bass Engineer |
| Scott Ambush | Composer, Programming, Producer, Engineer |
| Tony Coleman | Composer |
| Ira Gershwin | Composer |
| Mick Hucknall | Composer |
| Kevin Jackson | Engineer |
| Kathy Wakefield | Composer |
| Benjamin F. Wright | Composer |
| John Stoddart | Composer, Programming, Producer, Engineer |
| Marc Staggers | Composer |
| Neil Moss | Composer |
| Al Williams III | Composer |
| Michael Ripoli | Engineer, Guitar Engineer |
Editorial Reviews
All Music Guide - Alex Henderson
It isn't hard to understand why smooth jazz is the whipping boy of jazz reviewers. Much of the shlock that American smooth jazz/NAC stations play is boring, mechanical, robotic, and devoid of soul. But if one considers Grover Washington, Jr., David Sanborn, and early Ronnie Laws part of smooth jazz, then one has to say that some smooth jazz has artistic merit; Washington's Mister Magic album, in fact,, is a classic. Al Williams III's Heart Song won't go down in history as a classic, but it is a generally decent, if uneven, effort that is far superior to most of the bloodless elevator music that smooth jazz/NAC programmers have favored in the 1990s and in the 21st ...