Heaven of Mercury

Heaven of Mercury

2.8 5
by Brad Watson

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Finus Bates has loved chatty, elegant Birdie Wells ever since he saw her cartwheel naked through the woods near the backwater town of Mercury, Mississippi, in 1917. Having "caught hold of some loose line in her that would attach itself to stray wildness," and never let go, he's loved her for some eighty years: through their marriages to other people, through the


Finus Bates has loved chatty, elegant Birdie Wells ever since he saw her cartwheel naked through the woods near the backwater town of Mercury, Mississippi, in 1917. Having "caught hold of some loose line in her that would attach itself to stray wildness," and never let go, he's loved her for some eighty years: through their marriages to other people, through the mysterious early death of Birdie's womanizing husband, Earl, and through all the poisonous accusations against Birdie by Earl's no-good relatives.

A gorgeous portrayal of lifelong friendship, restless passion, marital discord and accommodation, aging and remembrance, death and afterlife, The Heaven of Mercury is inscribed in prose so eerily fine it is one of life's true pleasures.

Editorial Reviews

A honey-dipped tale about how an unrequited love affair -- nurtured for nearly a century -- affects the citizens of a backwoods Mississippi town, Brad Watson's first full-length novel expands the Southern Gothic style of his short stories (Last Days of the Dog Men) and presents an unforgettable community of vividly observed, deeply human characters.
Barry Hannah
Sort of a calm wail. Each page a deep pleasure.
Larry Brown
A novel so fine you don't want it to ever end.
Margot Livesey
Vividly peopled, full of surprises, The Heaven of Mercury is a deeply satisfying novel.
Gregory Rabassa
The best thing to come out of the South since A Confederacy of Dunces.
Beth Kephart
The place is Mercury, Mississippi, the year is 1916 and down by the river on a hot, lazy day, Finus Bates spies a naked Birdie Wells doing a cartwheel under the shade of trees at a campsite. It's all he'll ever need to love Birdie his whole life, but Birdie will go on to marry a womanizing shoe salesman named Earl, and Finus will get shackled to a cold and unforgiving fish named Avis. Add the evil dreck of Earl's calculating family, the odd religion of the town undertaker, the secrets of a backwoods medicine woman and the simmering rage of a maid named Creasie, and you have the stuff of this thrillingly ambitious first novel. Both time and truth are slippery in this tale; several scenes are replayed more than once, from different perspectives, and many obvious end points are superceded by new and eerier retellings. But it is the style of this book that is bound to get the most attention—the way Watson does not merely invoke Faulkner and García Márquez, but seems at times to speak straight through them.
Publishers Weekly
Watson traces a dark but resonant journey through the world of the Southern gothic in his bleak, touching debut novel (after his hailed collection, Last Days of the Dog-Men), set in tiny Mercury, Miss., in the first quarter of the 20th century. He takes some risks in employing genre cliches, starting with the romantic triangle in which young, sensitive Finus Bates watches the girl of his dreams, Birdie Wells, marry a more determined suitor, the shallow but ardent earl Urquhart. That leaves Bates to marry Birdie's best friend, Avis Crossweatherly, and both marriages fail miserably as Watson tracks his two would-be lovers through the years. At 16, Birdie is a victim of her slick husband's infidelity, which starts when he finds her sexually inadequate and turns his attention to other women, until he finally falls in love with a woman living in a nearby town. Bates, meanwhile, realizes that Avis has engineered Birdie's marriage, leaving Bates vulnerable to her own rapacious pursuit. To escape his shrewish wife, he immerses himself in his work on his smalltown newspaper, where he pens eloquent obituaries ("Disappointments flock to us like crows," he writes in one). Watson's subordinate characters - including the compassionate town mortician, whose first experience of death involves necrophilia; former slave, medicine woman and midwife Aunt Vish, who knows all the dark secrets of the community; Creasie, a taciturn maid - are observed with cool irony and invested with humanity. Several deaths punctuate the narrative, and casual, virulent racism is rampant, sometimes balanced by a grudging interracial respect. Watson's prose is lush and sometimes a bit too orotund and faux-Faulknerian, but it fits the narrative theme of metamorphoses from one life to another, from earth to a land beyond. 8-city author tour. (Aug.) Copyright 2002 Cahners Business Information.
Set in Mercury, a small, rural town in Mississippi, this novel details the life of Finus Bates, his friends, relatives, and acquaintances as they move through the 20th century. The main thread of the story involves Finus' love for his childhood chum, Birdie Wells, but that thread is woven into a tapestry involving many others. Both marry other people, yet have feelings for each other for nearly 80 years, until Birdie's death. Their relationship and those of many of their friends and acquaintances are interrelated throughout the story. This is a literary novel in style, and is finely written. Adults will enjoy this story and all of the rich embellishments and complex undertones; most high school age teens will not be able to appreciate it. KLIATT Codes: A-Recommended for advanced students and adults. 2002, Norton, 335p., Ages 17 to adult.
— Nancy Chrismer
Library Journal
Star-crossed lovers? Or victims of self-doubt and indecision? However one categorizes Finus Bates and Birdie Wells's love, the fact remains that it ruined two marriages and damaged the lives of the people nearest them. Finus and Birdie have known each other all their lives, but it was a chance glimpse of Birdie nude in the woods in 1917 that galvanized Finus's love forever. That he won her in a card game and lost her the same night and that he asked her to run away with him but didn't have the nerve to carry through cements their fate forever. In his first novel, Watson, author of the award-winning short story collection Last Days of the Dog-Men, tells the story of two ill-fated marriages and a second chance some 30 years later. In a Southern Gothic style reminiscent of Faulkner, Watson lays bare the lives and most intimate secrets of the richest and poorest families in Mercury, MS. The characters' racism may offend some readers, but it is an essential element of that particular time and place. Highly recommended for public libraries. [Previewed in Prepub Alert, LJ 4/15/02.] Thomas L. Kilpatrick, formerly with Southern Illinois Univ. Lib., Carbondale Copyright 2002 Cahners Business Information.
Kirkus Reviews
A seamless interweaving of narrative, remembrance, dreaming, and fantasy unifies a wealth of colorful tragicomic material-in a superb first novel by the Alabama storywriter (Last Days of the Dog-Men, 1996). Central protagonist Finus Bates is the octogenarian editor of his hometown newspaper, The Mercury Comet, and sometime radio personality-and, through the long years of an unhappy marriage and unmitigated grief over his only son's early death, the unfulfilled lover of Birdie Wells Urquhart, whom Finus has adored ever since he accidentally saw her naked many decades earlier. Watson sets their unaccomplished relationship within a roiling context that embraces such melodramatic local phenomena as the tomcatting prowess of Birdie's unfaithful husband Earl and his appalling father Junius; the stunted growth to manhood of Parnell Grimes, inheritor of both his father's funeral parlor and the persuasive rumor that the latter had prospered by "selling bodies and body parts to the Atomic Energy Commission"; and the secrets kept by Birdie's resentful black housemaid Creasie and the latter's spooky Aunt Vish, a healer and witch-woman whom Faulkner might have created. The Southern Gothic detail is both shuddery and deliciously absurd, but the real strength of the novel lies in its flexible structure, which allows us to overhear details of Mercury's overheated history as pieced together by several involved observers, and in Watson's delicate comprehension of the subtle gradations of aging and change as the years pass, Mercury's people settle into the grooves life seems to have reserved for them, and the boundaries separating black from white, humans from animals, the living from the dead, appear toblur and dissolve. Finus and Birdie are marvelous creations, and Watson surrounds them with such agreeable grotesques as Parnell Grimes's death-obsessed soulmate Selena Oswald and Mercury's unofficial intellectual elder, morose, moribund Euple Scarbrough. Southern storytelling is alive and well in Watson's capable hands. An excellent debut.

Product Details

Large Print Book Company, The
Publication date:
Edition description:
Large Print
Product dimensions:
6.00(w) x 9.00(h) x 1.00(d)

Meet the Author

Brief Biography

Date of Birth:
July 24, 1955
Place of Birth:
Meridian, Mississippi
Meridian Junior College; B.A., Mississippi State University, 1978; M.F.A., University of Alabama, 1985

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Heaven of Mercury 2.8 out of 5 based on 0 ratings. 5 reviews.
Guest More than 1 year ago
I wanted so much to escape with this book. At times I was very much wrapped up in the story and language. However, at other times I felt the subplots and descriptions were disjointed and pointless. The whole necrophilia thing was odd and added nothing to the novel.
Guest More than 1 year ago
This book was so overwritten it's pitiful! I love Southern writers, but this was way off the deep edge.
Guest More than 1 year ago
The book is very well written, but appears to me to have been written in two or three separate sessions. It is almost as if the author began the book, finished, and said, ¿I need some more content in the book¿. The book jumps from character to character, time period to time period, without any real clear direction. He describes the area (Mississippi) well, but does a poor job of having you love or hate it. He also does the same with the characters; do I hate this person or like them?
Guest More than 1 year ago
Watson's terrific short story collection Last Days of the Dog-Men hinted at the incredible narrative powers he displays in his first novel. This powerhouse book has the courage to take us through an entire century (the 20th) with a small town (Mercury, Mississippi) and to chronicle the lives of its most intriguing citizens, living and dead. Yes, the dead play prominent roles in this joyous book. They find themselves resurrected in the act of love-making, speak to the living and serve as tour-guides, and take us on trips back and forth in time. It is the closest thing I know to an American Siddhartha (Hesse), an unimpeachable vision of the eternal continuity of life. Like all great novels, this may try your patience at times. Buy it, test the waters with one toe, two, wade in, start swimming, try not to tire, be patient, Brad Watson will carry you on his back to the far shore.
Guest More than 1 year ago
What do you say about a book whose crowning literary moment is the description of an 89-year-old man taking a dump in the bathroom? Then there¿s this lovely image of a horse: ¿A long, slow f--- flabbered from the proud black lips of Dan¿s hole, and the smoke from it too trailed off in the air.¿ Curiously, intellectuals praise The Heaven of Mercury for how it ¿illumines every accurate detail¿ and delivers ¿just-right words.¿ The Heaven of Mercury is part love story, part murder mystery, and part taste of the South. These parts combine into a dull and dreary text. The love story offers no payoff to the reader. The murder mystery fails outright. It is so loosely developed, there are no clues for the reader to pick up. In the end the omniscient narrator just tells some back story to explain the mystery. As for the taste of the South, it is bland at best. The Heaven of Mercury does make a solid showing as a feminist text. In this book the men are weak, the women are strong. Finally, The Heaven of Mercury is yet another example of how the academic mind disdains plot. Here the story is not told in a linear fashion. A character who dies in one chapter may be alive in the next. This book of 333 pages piddles along to a dubious crescendo (the bathroom scene) near page 200, then for the next 133 pages the author fills in gaps left by the first 200 pages.