Hella Nation: Looking for Happy Meals in Kandahar, Rocking the Side Pipe,Wingnut's War Against the Gap, and Other Adventures with the Totally Lost Tribes of America

Overview

Read Evan Wright's posts on the Penguin Blog.

The New York Times bestselling author of Generation Kill immerses himself in even more cultures on the edge.

Evan Wright's affinity for outsiders has inspired this deeply personal journey through what he calls "the lost tribes of America." A collection of previously published pieces, Hella Nation delivers provocative accounts of sex workers in Porn Valley, a Hollywood über-agent-turned-war ...

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Hella Nation: Looking for Happy Meals in Kandahar, Rocking the Sid Pipe, Wingnut's War Against the Gap, and Other Adventures with the Totally Lost Tribes of America

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Overview

Read Evan Wright's posts on the Penguin Blog.

The New York Times bestselling author of Generation Kill immerses himself in even more cultures on the edge.

Evan Wright's affinity for outsiders has inspired this deeply personal journey through what he calls "the lost tribes of America." A collection of previously published pieces, Hella Nation delivers provocative accounts of sex workers in Porn Valley, a Hollywood über-agent-turned-war documentarian and hero of America's far right, runaway teens earning corporate dollars as skateboard pitchmen, radical anarchists plotting the overthrow of corporate America, and young American troops on the hunt for terrorists in the combat zones of the Middle East

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Editorial Reviews

Justin Moyer
It's refreshing to read first-person journalism by an unorthodox P.T. Barnum who refuses to put himself at the center of a three-ring circus.
—The Washington Post
Publishers Weekly

Rolling Stone writer Wright (Generation Kill), offers 12 tales of outsiders, people more or less living off the grid in mainstream America. He profiles, for example, a member of Delta Company in Kandahar in southeastern Afghanistan dueling with the Taliban; a fun-loving regular at a dance hall; a committed local anarchist engaging in street theater at a global trade conference; a pastor of the Aryan Nation preaching against the evils of blacks and Jews and other nonwhite "mud people"; and two HIV-infected former porn stars. As a former editor of Hustler magazine, Wright recognizes the magic in Seth Warshavsky, a con man with a mind full of schemes in the porn world of bartered desire. There is some top-drawer writing among weaker essays, but the total effect reflects a literary rebel who wants to break convention. (Apr.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Kirkus Reviews
A dozen unforgettable reports from the underbelly of American life, from Vanity Fair contributing editor Wright (Generation Kill: Devil Dogs, Iceman, Captain America and the New Face of American War, 2004). Shunning the "gonzo journalism" tag associated with the late Hunter S. Thompson, Wright notes that his work "has always been to focus on my subjects in all their imperfect glory." Well, almost: Two essays deal with Wright's adventures a decade ago in the pornography industry, at Hustler and at Internet Entertainment Group, where he worked for Seth Warshavsky, "the first and greatest con artist of the digital era." That background, along with his past struggles with drugs and alcohol, dissolves some of the traditional distance between reporter and subject. Whether covering skateboarders, Seattle anti-globalism protestors and ecoterrorists, neo-Nazis or peddlers of human-growth hormone, Wright investigates what he calls "rejectionists" of the American Dream without romanticizing or condescending. He may not approach these outsiders and misfits with the kind of raffish affection displayed by legendary New Yorker nonfiction chroniclers Joseph Mitchell and A.J. Liebling, but Wright's reports are every bit as memorable. His Motley Crue profile depicts the heavy-metal group as more cretinous than the fictional Spinal Tap. The quotes are frequently profane and virtually always pungent-for example, former Hollywood agent and sometime substance abuser Pat Dollard, ready to start bingeing again, urges the author: "Let's take ten grand, go to Las Vegas, get a bunch of hookers and blow, and have fun for a few days"-and Wright's sensory descriptions are searing, as when he evokes the discomfort ofAmerican soldiers in Afghanistan: "The first hot winds of the morning bear an overwhelming smell of raw sewage, spiced with the odor of disinfectant from the latrines outside the tent, not to mention occasional gusts of diesel fuel blowing off the line of helicopters on the nearby runway."Vivid confirmation of the arrival of a major chronicler of those who live on or beyond the margins of the American mainstream.
The Barnes & Noble Review
Evan Wright began his journalism career as an editor at Hustler magazine, and the amiable con man sensibility he developed in Porn Valley has served him well as an immersion journalist specializing in outsider culture. In 2003, he embedded with a Marine Reconnaissance battalion in Iraq for Rolling Stone, and his first book, Generation Kill, detailed his time there. Wright has returned with Hella Nation, a collection of his most outlandish adventures from 1997 to 2007, including an entrée into the Church of Jesus Christ Christian Aryan Nation compound in Idaho, a crime spree with the violent, tree-sitting anarchists of the West Coast environmental movement, and one deadly investigation of a human growth hormone con operation in Arizona. Wright's piece on Pat Dollard, however, manages somehow to eclipse the rest of the magnificent coverage in the book. Once a smarmy, coke-snorting Hollywood agent, Dollard became frustrated with what he considered the leftist coverage of the Iraq war, so he hopped a flight to Fallujah, embedded with a platoon, and returned with over 300 hours of film. Wright follows the drug-addled documentarian's efforts to sell his movie, Young Americans (often stalled by alcohol and amphetamine benders) -- the resulting Vanity Fair piece became the longest profile of a single person in the magazine's history. Wright's style owes a hat tip to Hunter S. Thompson, but he has one up on the bleary-eyed King of Gonzo. Instead of headlining his own white-knuckle exploits, Wright uses his extraordinary insider access to expose the meat and marrow of the nation's underbelly. --Nicole Tourtelot
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Product Details

  • ISBN-13: 9780425232378
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 3/2/2010
  • Pages: 352
  • Sales rank: 699,111
  • Product dimensions: 5.90 (w) x 8.90 (h) x 0.90 (d)

Meet the Author

Evan Wright

Evan Wright is the author of Generation Kill, now the basis of the HBO miniseries for which he served as co-writer.

Wright earned his degree in medieval and Renaissance studies from Vassar College, an education he soon put work at Hustler magazine, where he served as "Entertainment Editor." In the late 1990's he began writing feature articles for Rolling Stone.

At Rolling Stone Wright focused on youth subcultures, from radical environmentalists to skinheads to sorority girls. His work is characterized by immersion in his subjects' worlds, detailed reporting and dark humor.

After 9/ll he pitched his editor on the idea that since the US military was "basically another youth subculture," he ought to be writing about it. He has covered the wars in Afghanistan and Iraq.

He is the recipient of two National Magazine Awards, one for reporting on the war in Iraq in Rolling Stone and the other for a profile published in Vanity Fair.

Generation Kill received numerous awards, including the J. Anthony Lukas Book Prize, the Los Angeles Times book award, a PEN USA literary prize and the Marine Corps Heritage Foundation's award for "Best History of the Marine Corps."

He is currently at work on two books for Putnam:

Hella Nation, a collection of essays and reporting to be published in the Spring of 2009

The Seed, a reported memoir of brainwashing to be published in the Summer of 2010.

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Table of Contents

Introduction 1

Not Much War, but Plenty of Hell 17

Piss Drunk 35

Dance with a Stranger 48

Wingnut's Last Day on Earth 69

Heil Hitler, America! 106

The Bad American 119

Mad Dogs & Lawyers 160

Tough Guy 181

Portrait of a Con Artist 198

Scenes from My Life in Porn 224

Forever Fourteen 251

Pat Dollard's War on Hollywood 271

Acknowledgments 339

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Sort by: Showing all of 4 Customer Reviews
  • Posted April 9, 2009

    more from this reviewer

    The Lost Tribes of America

    What's it like to be the oddball, the type of "out of the box" person or group that most people pretend to admire - from a distance in reality? What makes such folks tick? And whether or not one judges with the terms dysfunctional, weird, strange, etc., etc., shouldn't one understand these outsiders since the world is full of same? Evan Wright, who previously wrote for "The Hustler" magazine and "Rolling Stone" newspaper brings the reader into the world of men and woman who have a very definite but different outlook on the American Dream.

    The author introduces the reader to his own evolution from a rebel using drugs to cope with reality into a sober, reflective person seeking to pen his explorations of what he calls a "tour of the Lost Tribes of America. Therefore, the reader is surprised that the opening account concerns American troops serving in Kandahar, a Taliban stronghold in southeastern Afghanistan. The area is a veritable dust storm waiting to happen and one gets an uncensored glimpse into the grinding, tense yet mundane atmosphere these soldiers endure daily, fantasizing and teasing newbies about the happy meals one can get in a nearby village and coping with unremitting sexual tension, fear of being killed and spurts of total inactivity.

    The scene then shifts to the world of a professional skateboarder, a daredevil who performs his most dangerous stunts when totally drunk but someone who makes a fortune in this field while claiming to reject most acceptable values and occupations. We continue to meet similar yet different characters, taxi-dance hall girls occupied by would-be fantasy partners, radical protestors with the best of intentions carried out with the most destructive possible means, neo-Nazi groups seriously believing in anti-everything-but-white living, con artists, porn professionals and so much more that defies one's most imaginative moments.

    Hella Nation raises more questions than it answers. It stretches the reader's definition from what is acceptable to offer a portrait of men and women who find satisfaction and purpose in unique situations that are rather dark, disturbing, frightening, sometimes funny in a skewed fashion, deceptive, laid back, sacred and profane. In a sense, Hella Nation defies description and in that goal Evan Wright has succeeded in presenting another side of America! The conclusion is yours!

    Reviewed by Viviane Crystal on April 9, 2009

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