Hello Starling

( 3 )

Editorial Reviews

All Music Guide - Thom Jurek
Idaho songwriter Josh Ritter has received a lot of attention for his fine, spare songwriting and his no-frills approach to performance. As a result of his excellent debut album Golden Age of Radio, he's become a critic's darling all over the U.S. and a full-tilt pop star in Ireland. He's like a lot of young people who are shining stars upon arrival, except for one thing: the proof of his staying power is on Hello Starling, his sophomore effort for Signature Sounds. Over the course of 11 new songs, Ritter reveals that not only is he not a fluke, but he seems to have arrived on the scene fully formed. He writes with the wisdom of someone twice his age, and a sense of tender, ...
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Editorial Reviews

All Music Guide - Thom Jurek
Idaho songwriter Josh Ritter has received a lot of attention for his fine, spare songwriting and his no-frills approach to performance. As a result of his excellent debut album Golden Age of Radio, he's become a critic's darling all over the U.S. and a full-tilt pop star in Ireland. He's like a lot of young people who are shining stars upon arrival, except for one thing: the proof of his staying power is on Hello Starling, his sophomore effort for Signature Sounds. Over the course of 11 new songs, Ritter reveals that not only is he not a fluke, but he seems to have arrived on the scene fully formed. He writes with the wisdom of someone twice his age, and a sense of tender, subtle humor is as important to him as is his ability to write a personality sketch or even a love song. Recorded with Curtis Mayfield's old gear in a ramshackle French farmhouse over 14 days, Hello Starling is seemingly straight-ahead folk-rock recording that accents the more unobtrusive aspects of living in the modern world. Like Rufus Wainwright, Ritter takes the approach of being in each setting he writes about. His power of observance, not only for scenery and characters but subtle emotional states, is remarkable. He may be the guy in the story or a tree on the sidewalk, but he's there. And while his topics would not indicate being any big deal, they are quite simply profound. "Kathleen" is the story of a young man who waits on the sidelines at a party to get the opportunity to drive a young woman home. His protagonist is full of the shy, geek-love need of a bystander who has long desired a woman who doesn't even know he's alive. But rather than merely ache with the unrequited love he believes he is entitled to, he summons his bravado -- buoyed by a Hammond B3, ringing electric guitars, and a poetry that is as shot through with Kenneth Patchen's last romantic ideals as it is with Mike Scott's Celtic pop melodic sensibility -- and makes his stand under the moonlight. It's an anthem for the shy. "Man Burning" is a glimmering rocker with acoustic guitars in the forefront and the B3 careening over the lyrics. The story is about a man whose regrets are shackled to him, yet he seeks to transcend them with his passion for living and for regret. But there is also the tenderness of the poet, whose metalinguistic tome about writing "Bone of Song" is heartbreakingly profound in its reverence for the craft and for the altar of the thing itself. Leonard Cohen would have been proud to write this song. Ritter's entire album can be summed up in the rocker "Snow Is Gone" when he sings "I'd rather be the one who loved than to be loved and never even know," with the kind of worldly wisdom Guy Clark has consumed himself with seeking over 30 years. Hello Starling is a step beyond Golden Age of Radio in craft, maturity, vision, and in kindness; it's one of the few recordings that has been released in recent years that will be being played a decade from now. Isn't that the true test of art, even when it's popular -- its endurance?
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Product Details

  • Release Date: 2/22/2005
  • Label: V2 North America
  • UPC: 638812726223
  • Catalog Number: 27262

Tracks

Disc 1
  1. 1 Bright Smile (3:01)
  2. 2 Kathleen (4:08)
  3. 3 You Don't Make It Easy Babe (2:32)
  4. 4 Man Burning (2:47)
  5. 5 Rainslicker (4:13)
  6. 6 Wings (4:07)
  7. 7 California (3:10)
  8. 8 Snow Is Gone (4:03)
  9. 9 Bone of Song (5:30)
  10. 10 Baby That's Not All (5:59)
  11. 11 The Bad Actress (3:39)
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Album Credits

Performance Credits
Josh Ritter Primary Artist, Guitar, Violin, Voices
David Hingerty Drums
David Odlum Guitar, Mandolin, Vocals
Darius Zelkha Drums, Vocals
Sam Kassirer Piano, Accordion, Hammond Organ, Wurlitzer
Zack Hickman Bass, Guitar, Lap Steel Guitar
Technical Credits
Jonathan Wyner Mastering
David Odlum Producer, Engineer
Josh Ritter Composer
Ed Braverman Cover Photo
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

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3 Star

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2 Star

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1 Star

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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    wowsa!

    I just saw Josh in concert last week in Seattle, and it happened to be his birthday (of course the audience got to sing to him that time!). I am impressed not only with his raw musical ability, but by his down-to-earth character, humility, and never-ending joyous smile he comparts as he shares his musical gifts!

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  • Anonymous

    Posted October 1, 2010

    Perfect folk/pop

    Enough hooks to let you sing along, but the songs never get boring. Josh Ritter manages to write lyrics that reach beyond the surface but don't leave you thinking he was just trying to be deep. He walks the folk/pop line perfectly.

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  • Anonymous

    Posted August 11, 2009

    No text was provided for this review.

  • Anonymous

    Posted July 23, 2011

    No text was provided for this review.

Sort by: Showing all of 4 Customer Reviews