Beyond Classic
Every forty or fifty years a book comes along that not only makes readers sit up and take notice while at the same time shaking beliefs we've grown up with. That, to me, makes for a book destined to become an American classic. For a country that prides itself on human equality, and for this reviewer who was brought up in the idealistic North, this book was a revelation that human inequality was alive and well in the 1960s. Although this story is set in the town of Jackson, Mississippi it could very well have been almost any city or town in the South. Bent on a career as a writer, Skeeter Phelan (white college graduate)applies for an editor's position with a New York firm. Her ambitions and ideals are high. While she awaits a response she goes about her normal routine: bridge club on Wednesdays, Junior League on Thursdays (she's the newsletter editor), church, and the rounds of events at the country club. Like her peers she has little interaction with the help (black maids) of her friends, although she dearly misses the black maid who reared her while her own mother was similarly occupied with social events. In an effort to win her coveted job, Skeeter is advised to submit something she wrote - something of substance about an idea or philosophy that means something to her. The first thing that comes to Skeeter's educated mind is the inequity of the way in which the black maids are treated. Set against the background of the racial crises of the 1960s and the very real threat of danger to not only Skeeter's life but that of the black maids and their families, Skeeter convinces Aibilene (the maid of one of her friends) to tell her story. When Skeeter's New York connection reads what she has submitted, Skeeter is asked to submit the remainder (Skeeter lies about having a dozen or so more maids to interview). If the New York publisher likes what she reads, she will publish the book. Over the course of a year, Skeeter eventually gets her story. Along the way we are introduced to two very strong characters in the guise of black maids - Aibilene (cautious and quiet)and her friend Minny (impetuous and mouthy). On the other side of the racial line are Hilly (white, president of the Junior League, and master manipulator) who is married to a political hopeful and Cecilia (white, low-class, born on the wrong side of the tracks) who is married to Hilly's former beau. In a seamless blending of viewpoints, Ms. Stockett gives us a rounded approach to everyday life in the South during the 1960s: from the blind acceptance of the white women expecting their black maid to do everything from housework to child rearing to the quiet understanding of the black maids that they are not worthy to share even the same bathroom as their employers. Ms. Stockett's characters are well-rounded and complex. We learn to love (or hate) each of them and sometimes want to reach out and shake one or two. A thoroughly enjoyable book that is destined to become an American classic. It should be on the reading list of every book club in America. I wish I could give it more than five stars.
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