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Here on Earth

Here on Earth

3.6 96
by Alice Hoffman

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In a review of Hoffman's previous novel, Practical Magic, Booklist wrote, "magic, fantasy, and full-tilt love-at-first-sight have figured in all of Hoffman's sexy, funny, and endearing novels. . . . in Hoffman's universe, all boundaries between inner and outer realms are erased. Fear brings whipping winds, a malevolent spirit causes lilac bushes to achieve


In a review of Hoffman's previous novel, Practical Magic, Booklist wrote, "magic, fantasy, and full-tilt love-at-first-sight have figured in all of Hoffman's sexy, funny, and endearing novels. . . . in Hoffman's universe, all boundaries between inner and outer realms are erased. Fear brings whipping winds, a malevolent spirit causes lilac bushes to achieve monstrous proportions, and love turns the air sweet and golden, melts butter, and makes everyone giddy." In Here on Earth, the darker, obsessive side of love is revealed in all of its power, and with all the havoc it wreaks.

After nearly twenty years of living in California, March Murray, along with her fifteen-year-old daughter, Gwen, returns to the sleepy Massachusetts town where she grew up to attend the funeral of Judith Dale, the beloved housekeeper who raised her. Yet returning to her hometown also brings her back to Hollis, March's former soul mate and lover. March's father had taken the teenaged Hollis, an abandoned child, and the product of a series of detention homes, into his house as a boarder, and treated him like a son. Yet March and Hollis's passionate love was hardly a normal sibling relationship. When Hollis left her after a petty fight, March waited for him three long years, wondering what she had done wrong.

Encountering Hollis again makes March acutely aware of the choices that she has made, and the choices everyone around her has made—including Mrs. Dale, who knew more of love than March could ever have suspected, and her brother Alan, whose tragic history has left him grief-struck, with alcohol as his only solace. Her attraction to Hollis is overwhelming—and March jeopardizes her marriage, her relationship with her daughter and her own happiness in an attempt to reclaim the past.

"Hoffman conveys the mesmerizing lure of a lost love with haunting sensuality," Publishers Weekly, said in an advance review and Library Journal said: "Hoffman takes great care here to examine the many facets of love and relationships, turning them like a prism to reflect on March and Hollis."

With Here on Earth , Alice Hoffman achieves once again the "iridescent prose, taut narrative suspense and alluring atmosphere" that The Boston Globe cites as her hallmark. Erotic, disturbing and compelling, this is without a doubt Alice Hoffman's most unforgettable novel.

Editorial Reviews

When March Murray and her teenage daughter return to the town of her youth to attend a funeral, she comes face to face with the troubled man she still loves desperately. Against the advice of everyone in town, she follows her heart and leaves a broken marriage in her wake. Read by Susan Ericksen.
"Book clubs, take note: in Here On Earth, her fantastic new novel about a mother's bittersweet trip home, the mistress of magical realism conjures up a world with shadowy undercurrents.... Oprah Winfrey, have I got a novel for you.... Here On Earth is Oprah lit at its finest, and I mean that as very high praise." --Entertainment Weekly

For more than 20 years, New York Times bestselling author Alice Hoffman has been writing stories that have touched the hearts of her legions of fans. Now, with her 12th novel, Here On Earth, Hoffman explores the hidden passions that lurk in suburban Massachusetts and the damaging results love can have.

After nearly two decades of living on the West Coast, March Murray, along with her feisty teenage daughter, Gwen, returns to her hometown in Massachusetts. She returns to attend the funeral of Judith Dale, the housekeeper who helped raised her. However, by returning to this sleepy suburb, she is reunited with Hollis, March's former soul mate and lover. Hollis was an abandoned child who March's father had taken in as a teenager and treated like a son. When Hollis left after a fight, March waited every day for three years for him to return, wondering what had gone wrong. Now she has been reunited with her long-lost love.

By encountering Hollis, March becomes painfully aware of the choices that she has made in life as well as the choices everyone around her has made -- including Judith Dale and March's brother Alan. March learns that Judith knew a lot more about love than she could have ever suspected. And Alan, who always resented Hollis's presence and was painfully malicious to him, has been left grief-stricken, with alcohol as his only solace.

March soon realizes that her attraction to Hollis has not died, and that she still has an overwhelming attraction to the onetime abandoned child, who is now a millionaire. March jeopardizes her marriage, her relationship with her daughter, and her own happiness in one final attempt to reclaim the past. Glamour magazine writes, "March quickly becomes obsessed with her long-lost love, Hollis, a bitter and difficult man whom March believes she alone understands. That big trouble will ensue seems all but inevitable. But Hoffman's taste for melodrama is balanced here by her uncanny ability to imbue even the most recognizable situations with supernatural vividness -- an unpredictable touch of magic that is this author's calling card."

Karen Karbo
Here on Earth' owes a lot to 'Wuthering Heights.' It is a testament to Hoffman's gifts for language and narrative -- not to mention her boldness -- that the novel works at all. . . despite Hoffman's confident lyricism, her novel's premise -- of doomed, fated love, submitted to without question -- never becomes fully plausible. -- New York Times
Publishers Weekly - Publisher's Weekly
Often, in her soulful novels, Hoffman (Practical Magic, etc.) lets mystical atmospherics-animals that take on superhuman qualities, intense colors and temperatures, minute vibrations in the air that signal ghosts or spirits-do all the work while her characters behave in strange and incredible ways under the influence of forces outside themselves. In this novel, the characters' behavior, while highly emotional, is initially at least traceable to psychological motivation. Unfortunately, Hoffman abandons psychological credibility halfway through, after which her protagonist, March Murray, behaves like an automaton. When March comes back to her childhood home in a small Massachusetts town after 19 years in California, she is swept with longing for Hollis, her former soul mate and lover who ran away in a fit of pique. March waited for him for three years, then married her next-door neighbor, Richard Cooper. When Hollis finally did return, he wed Richard's sister, who has since died. Hollis now determines to win March back, and she can't resist his single-minded pursuit. Hoffman conveys the mesmerizing lure of a lost love with haunting sensuality; but March's excuses for Hollis's violent personality and for his physical abuse of her and her teenaged daughter, Gwen, are well beyond the willed myopia of even obsessive love. Other love affairsbetween the housekeeper who raised March and the man who was her father's law partner; and between rebellious teenager Gwen (the best character by far, drawn with delightful realism) and March's reclusive brother's sonare described with much more insight and plausibility. The high drama of this novel, and Hoffman's assured and lyrical prose, may carry the day for readers who can accept the premise that a passionate obsession can make sweet reason, maternal protectiveness and the instinct for self-preservation fly out the window.
Library Journal
As this novel opens, March Murray Cooper returns to her hometown, ostensibly to bury the woman who raised her but needing to resolve the unfinished business of her youthful love for Hollis, from whom she has been separated for years. Hollis has now grown into a man embittered by loneliness. He has learned neither to forgive nor to forget, and March must discover whether he can ever learn to love. Hoffman (Practical Magic, LJ 12/94) takes great care here to examine the many facets of love and relationships, turning them like a prism to reflect on March and Hollis. Hoffman's evocative language and her lyrical descriptions of place contrast sharply with the emotional scars that her characters must uncover and bear. Her novel is a haunting tale of a woman lost in and to love; it will enthrall the reader from beginning to end. Highly recommended. Caroline M. Hallsworth, Cambrian Coll., Sudbury, Ontario
Courtney Weaver
[W]hat makes Alice Hoffman's fiction so consistently compelling? Is it her story lines, reminiscent of Harlequin romances but with occasionally peppery dashes of cultural savviness? Or is it her characters, Anne Tyler-esque in their oddities, but without the irony? Or perhaps it's that quasi-New Age voice, lulling you into a Marianne Williamson world where one's fate is left to the movements of the sun, the moon, the planets or just some unnamed Higher Being?

Hoffman's fans won't be disappointed by the airy-fairy Here on Earth, her 12th novel, which weaves all of Hoffman's usual themes into a dreamy, intricate family melodrama, complete with alcoholism, wife-beating, obsessional love and whiffs of murder. It's the story of March Murray, who returns to her ancestral home at Fox Hill in New England after spending decades away in "lemon-colored" Palo Alto. In tow is her difficult teenage daughter Gwen, who is described as "pretty ... in spite of all her sabotage." At issue is a death in the family, but we know that March is really back to face her old ghosts, this time in the form of her adopted brother Hollis, whom she has been obsessively thinking about ever since his disappearance 20 years earlier.

Confused? Don't be. Here on Earth, despite its convoluted plot threads and histories, is at heart a romance novel with a bite. As with a good made-for-TV movie, you can pretty much guess what will happen to poor old March, whose naiveté is at best frustrating and at worst unlikable. Nor is it any surprise that Hollis -- with his black, snapping eyes, and whose exits are followed by a blast of cold wind -- reveals himself to be Evil Incarnate: Subtlety is not one of Hoffman's strong points.

Still, this novel's comfy, confident voice is enough to lure you into an armchair for the better part of an evening. Hoffman's world is a place where emotions become aromas: Longing is "the scent of grass on her pillow"; anger is a "scorching scent"; mourning is "the scent of roses sweet and ripe and sorrowful." Moons peep out behind trees, fox-colored dogs herald the advent of evil and dreams are to be courted and followed.

Hoffman relies on her readers suspending a certain amount of disbelief, which may lull her into thinking she can get away with some occasionally terrible writing. "One look from him is more substantial than the wooden bar she's leaning her elbows upon," Ms. Hoffman breathlessly writes when March spies Hollis for the first time. "It's realer than the bottles of whiskey lined up behind the counter; realer than the pull of fabric as Susie tugs on her jacket." Thankfully, descriptions like that are few and far between. Ms. Hoffman may have more in common with Robert James Waller than Robert Louis Stevenson, but Here on Earth is no toothless romance. It's curiously pleasurable, and reading it induces only a minimum of guilt. --Salon

Kirkus Reviews
From the author of Practical Magic (1995), among others, a kind of inside-out Bridges of Madison County in which the middle- aged mother of a teenager falls in love with a bad man, leaves her husband for him, and winds up abused and isolated. The results are predictably depressing.

It might seem that March Murray has purely sentimental reasons for leaving her apparently happy life in California (nice house, professor husband) to attend her former housekeeper's funeral in Jenkintown, Mass., the bleak, suffocatingly tiny town where she grew up. After all, Mrs. Dale did help March's father raise her after the girl's mother died, and she remained a loyal friend until her death. But anyone who knew March in her teenage years must suspect that her real reason for returning with sullen teenage daughter in tow is for a reunion with Hollis, the bad boy March was once inseparable from. An abandoned child and the product of a series of detention homes, Hollis was brought to the Murray house as a charity-case boarder when he was in his teens. He kept his own counsel, except when sending smoldering glances March's way. The two became lovers until a misunderstanding split them apart—March to marry the rich boy next door, Hollis to amass a fortune, marry March's sister-in-law, and survive her to wait, brooding, for March's return. Their heated reunion leads to the breakup of March's marriage, and, despite the warnings of practically everyone in town, March moves into Hollis's gloomy mansion, puts up with his neurotic possessiveness, and watches him scare her daughter back to California before she realizes that the Hollis she lives with now is nothing but the evil, heartless relic of the wounded boy she once loved.

A chilly, hopeless love story with an unhappy conclusion. Hard to see what readers will find to like in such a tale.

Product Details

Penguin Publishing Group
Publication date:
Oprah's Book Club Series
Sales rank:
Product dimensions:
8.96(w) x 5.88(h) x 0.78(d)
Age Range:
18 Years

Meet the Author

Alice Hoffman is the author of fifteen novels: Blue Diary (2001), The River King (2000), Local Girls (1999), Here On Earth (1997), Practical Magic (1995), Second Nature (1994), Turtle Moon (1992), Seventh Heaven (1990), At Risk (1988), Illumination Night (1987), Fortune’s Daughter (1985), White Horses (1982), Angel Landing (1980), The Drowning Season (1979), and Property Of (1977). She is also the author of three children’s books: Aquamarine (2001), Horsefly (2000), and Fireflies (1997).

Born in New York City, and raised on Long Island, Hoffman graduated from Adelphi University and received an M.A. from Stanford University, where she was Mirrielees Fellow. She currently lives near Boston with her family and her dogs.

Brief Biography

Boston, Massachusetts
Date of Birth:
March 16, 1952
Place of Birth:
New York, New York
B.A., Adelphi University, 1973; M.A., Stanford University, 1974

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Here on Earth 3.6 out of 5 based on 0 ratings. 96 reviews.
TulaneGirl More than 1 year ago
Disappointed with this book. Had high expectations. A little Wuthering Heights but in reality I could no more sympathize with the main heroine than I could with the hero.
Amber Rinker More than 1 year ago
I was getting into it until around the middle when it turned into Wuthering Heights. Pretty much the exact same story.... really is there nothing else to write about?
Anonymous 4 months ago
I am a great fan of the author and have loved all of her novels. ~*~LEB~*~
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anonymous67 More than 1 year ago
Beautiful....as are all of Alice  Hoffman's  amazing, magical books are.
Anonymous More than 1 year ago
First rate story. Beautiful prose
Anonymous More than 1 year ago
This exceptionally well written book is an update of Wuthering Heights with a twist. It is the story of March (CATHY) returning to her hometown after being in California for many years. Once home, she meets up with Hollis (HEATHCLIFF). Will she embrace her second chance at a first love?
Anonymous More than 1 year ago
Anonymous More than 1 year ago
But good for some mindless reading
Anonymous More than 1 year ago
This was the first book that I read by Alice Hoffman. I haven't decided yet whether it will be my last. Usually a book that was on the Oprah book club list is a homerun. I did not care for this book. The charaters were weak and pathetic. The storyline didnt flow and there were a lot of "dead ends" to several plots. The particular edition that I read contained both spelling and grammatical errors.I may give something else of hers a try. Perhaps something newer.
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I read this book when I was 14 or 15 yrs. young, (: I've always enjoyed reading, but for some reason I couldn't close this book. I would read to late hours of the night under my sheets with a hand flash light! When my husband got me my nook the first book I ever bought was this one! Great job to Alice Hoffman!
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Carolyn Seals More than 1 year ago
wuthering heights is the original and much better done-
Anonymous More than 1 year ago