Hidden Prey (Lucas Davenport Series #15) [NOOK Book]

Overview

Six months ago, Lucas Davenport tackled his first case as a statewide troubleshooter, and he thought that one was plenty strange enough. But that was before the Russian got killed. On the shore of Lake Superior, a man named Vladimir Oleshev is found shot dead, three holes in his head and heart, and though nobody knows why he was killed, everybody - the local cops, the FBI, and the Russians themselves - has a theory. And when it turns out he had very high government connections, that's when it hits the fan." A ...
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Hidden Prey (Lucas Davenport Series #15)

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Overview

Six months ago, Lucas Davenport tackled his first case as a statewide troubleshooter, and he thought that one was plenty strange enough. But that was before the Russian got killed. On the shore of Lake Superior, a man named Vladimir Oleshev is found shot dead, three holes in his head and heart, and though nobody knows why he was killed, everybody - the local cops, the FBI, and the Russians themselves - has a theory. And when it turns out he had very high government connections, that's when it hits the fan." A Russian cop flies in from Moscow, Davenport flies in from Minneapolis, law enforcement and press types swarm the crime scene - and, in the middle of it all, there is another murder. Is there a relationship between the two? What is the Russian cop hiding from Davenport? Is she - yes, it's a woman - a cop at all? Why was the man shot with ... fifty-year-old bullets? Before he can find the answers, Davenport will have to follow a trail back to another place, another time, and battle the shadows he discovers there - shadows that turn out to be both very real and very deadly.



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Editorial Reviews

Patrick Anderson
In his new Hidden Prey, however, Sandford has outdone himself, plotwise, not only in terms of ingenuity but also in sheer perversity … It's just good, dark, perverse, bloody fun. There are crime writers who are more challenging than Sandford, who plunge more deeply into the human condition, but it's hard to think of anyone who is more consistently entertaining. You want to know the only thing wrong with this guy? He makes it look easy.
The Washington Post
Publishers Weekly
Det. Lucas Davenport has battled some real demons over the past 15 Prey novels and drifted in and out of lust and love with a host of women. But now he's happily married to the lovely Weather; has a nine-month-old son, Sam; and takes care of his 12-year-old ward, Letty West. Sure, he's got a measure of the old angst, but he's growing accustomed to the good life, spending quality time alone on the couch drinking beer and watching TV golf. His new job is running the Office of Regional Research at the Minnesota Bureau of Criminal Apprehension where he looks into various crimes and "fixes shit" for the governor. So when a dead Russian shows up on the docks in Duluth, Lucas is assigned to shepherd the lady investigator, Nadya Kalin, being sent by the Russian government. From the very first pages, the reader knows it's teenager Carl Walther who has killed the Russian. What makes the book intriguing is the manner in which the sagacious Davenport goes about uncovering the rest of the co-conspirators-a gang of Minnesota-based Communist spies headed by Carl's grandpa, 92-year-old ex-KGB colonel Burt Walther. That Sandford makes this unlikely plot believable is a mark of his mastery of the technical aspects of the mystery form and a testament to his overall writing skills. Readers will be pleased with this relaxed version of the moody Minneapolis investigator. In past novels, the womanizing Davenport would have romanced the good-looking Russian lady, but the new Davenport is content to play the part of friend and protector and go back to his cozy family with an unstained and remarkably contented soul. (May 11) Forecast: Expect this to hit #1-Sandford's last Prey book, Naked Prey, opened at the top of the Times bestseller list and was only knocked to #2 by The Da Vinci Code. 500,000 first printing; main selection of the Literary Guild, Doubleday Book Club, Mystery Guild; 10-city author tour. Copyright 2004 Reed Business Information.
Library Journal
When a Russian man is found murdered on the shores of Lake Superior, Lucas Davenport must join forces with a cop from Moscow to track down the culprit. Copyright 2003 Reed Business Information.
Kirkus Reviews
As the brilliant Prey series (Naked Prey, 2003, etc.) moves adroitly to number 15, Lucas Davenport discovers and exposes your basic family Soviet spy ring. Homogeneously American on the surface-hardworking dads, dutiful soccer moms-this family of subversives, headed by a former KGB colonel, has been for 70 years secretly diligent on behalf of the Soviet Union, undeterred by the Soviet Union's demise. At first, the murder of Oleg Moshalov seems unconnected to the group's efforts, seems, in fact, fairly routine, a bit confusing as to motive, to be sure, but not much more so than homicides often are in the early stages of an investigation. Even after Oleg Moshalov is correctly identified as Rodion Oleshev, ex-KGB agent, the various antennae involved remain at rest. And then suddenly there are the Russians demanding action, clamoring for results, and flying a cop from Moscow to Duluth to make certain the Americans understand that they're serious. All of which means that Lucas Davenport, still settling into his recent appointment as major-crimes troubleshooter for Minnesota Governor Elmer Henderson, is about to be activated. Russian cop? Well, not quite, Lucas decides almost at once (cops don't flinch at the sight of corpses, though intelligence officers might). He manages to bear up under the deception, however, since Major Nadezhda Kalin-she of the delicious diastema between her two front teeth-turns out to be Ninotchka for the new century. To charm, smarts, and guts, add investigative flair, and what you've got is a matched pair, the Kalin-Davenport team, essential for coping with a crafty, resolute villain desperate to elude the denouement he really always knew was in store for him. Deft,action-packed, and slyly funny. Just when you thought the silky smooth Sandford couldn't possibly get better, he does. First printing of 500,000; Literary Guild/Doubleday Book Club/Mystery Guild main selection. Agent: Esther Newberg/ICM
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Product Details

  • ISBN-13: 9781101146620
  • Publisher: Penguin Group (USA)
  • Publication date: 4/26/2005
  • Series: Lucas Davenport Series , #15
  • Sold by: Penguin Group
  • Format: eBook
  • Pages: 448
  • Sales rank: 10,112
  • File size: 755 KB

Meet the Author

"Like the best writers in this genre—Dashiell Hammett, Elmore Leonard, Ed McBain among them—John Sandford evokes his netherworld with authentic dialogue and meticulous details."—Minneapolis Star Tribune

John Sandford is the pseudonym of the Pulitzer Prize-winning journalist John Camp. Camp was born in 1944 and was raised in Cedar Rapids, Iowa. He received his B.A. in American Studies from the University of Iowa, and received his first training as a journalist and reporter when he was in Korea for 15 months working for his base paper.



After the army, Camp spent 10 months working for the Cape Girardeau Se Missourian newspaper before returning to the University of Iowa for his Masters in Journalism. From 1971 to 1978, he worked as a general assignment reporter for the Miami Herald, covering killings and drug cases, among other beats, with his colleague, the Pulitzer Prize-winning journalist Edna Buchanan.



In 1978, Camp joined the St. Paul Pioneer Press as a features reporter. He became a daily columnist at the newspaper in 1980. In the same year, he was named a finalist for the Pulitzer Prize for an article he wrote on the Native American communities in Minnesota and North Dakota and their modern day social problems. In 1986, Camp won the Pulitzer Prize for feature writing for a series of articles on the farm crisis in the Midwest.



Camp has written fourteen books in the bestselling "Prey" series under the name John Sandford. The titles in this series, which features Lucas Davenport, include Rules of Prey, Shadow Prey, Eyes of Prey, Silent Prey, Winter Prey, Night Prey, Mind Prey, Sudden Prey, Secret Prey, Certain Prey, Easy Prey, Chosen Prey, Naked Prey, Broken Prey, Invisible Prey, and now, Phantom Prey.

With the "Prey" series, Sandford has displayed a brilliance of characterization and pace that has earned him wide praise and made the books national bestsellers. He has been hailed as a "born storyteller" (San Diego Tribune), his work as "the kind of trimmed-to-the-bone thriller you can't put down" (Chicago Tribune), and Davenport as "one of the most engaging (and iconoclastic) characters in contemporary fiction." (Detroit News)



Biography

John Camp (better known to readers as thrillmeister John Sandford) began his career as a journalist -- first as a crime reporter for The Miami Herald, then as a general reporter, columnist, and features writer for the Saint Paul Pioneer Press & Dispatch. In 1986, he won the Pulitzer Prize for "Life on the Land: An American Farm Family," a five-part series examining the farm crisis in southwest Minnesota.

Camp's interests turned to fiction in the mid-1980s, and he took time off to write two novels which were ultimately accepted for publication: The Fool's Run, a techno-thriller featuring a complex con man known as Kidd, and Rules of Prey, a police procedural starring maverick Minneapolis detective Lucas Davenport. When both books were scheduled (by different publishers) to be released three months apart in 1989, Camp was persuaded to adopt a pseudonym for one. He chose his paternal grandmother's maiden name, "Sandford" for Rules of Prey, and the nom de plume has remained attached to all the books in the series.

Less Dick Tracy than Dirty Harry, hard-boiled, iconoclastic Lucas Davenport is a composite of the cops Camp met while working the crime beat as a reporter. Intelligent and street smart, Davenport is also manipulative and not above bending the rules to get results. And although he has mellowed over time (something of a skirt chaser in his youth, he is now married with children), he remains one of the edgiest and most popular protagonists in detective fiction. Fans keep returning to the Prey books for their intelligently hatched plots, high-octane pacing, and deft, fully human characterizations.

From time to time, Camp strays from his bestselling series for standalone thrillers (The Night Crew, Dead Watch), and in 2007 he introduced a new series hero, Virgil Flowers of the Minnesota Bureau of Criminal Apprehension, who debuted in Dark of the Moon. Although he is no longer a full-time journalist, Camp contributes occasional articles and book reviews to various publications. He is also a passionate archaeologist and has worked at a number of digs, mainly in Israel.

Good To Know

Don't confuse John Sandford with John Sanford -- it's one of Sandford's pet peeves. Sanford (without the "d") is a Christian philosophy writer.

The Sandford pseudonym has caused a few problems for Camp in the past. At an airport once, his ticket was reserved under Sandford, while all of his identification, of course, had the name Camp. Luckily, he had one of his novels with him, and thanks to the book jacket photo, he was able to convince airport security to let him on the plane.

The books in Camp's less successful Kidd series (The Fool's Run, The Empress File, The Devil's Code, and The Hanged Man's Song) have been re-released under the Sandford pseudonym.

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    1. Also Known As:
      John Roswell Camp
    2. Hometown:
      St. Paul, Minnesota
    1. Date of Birth:
      February 23, 1944
    2. Place of Birth:
      Cedar Rapids, Iowa
    1. Education:
      State University of Iowa, Iowa City: B.A., American History; M.A., Journalism
    2. Website:

Read an Excerpt

1

THE TAG END of summer, in the very heart of the night.

Annabelle Ramford sat on a soggy piece of carpet, in a patch of goldenrod on the southernmost shore of Lake Superior, a huge butterball moon rising to the east. A bottle of New York pinot noir was wedged securely between her thighs. She was warm, comfortable, at peace, and a little drunk, bathed in the odors of dead fish and diesel exhaust, ragweed, and the rancid sweat of her unwashed cotton shirt.

Annabelle’s friends, if they were friends, called her Trey. She had shoulder- length reddish- blond hair, which hung straight and close to her skull because of the dirt in it; a deeply weathered face with feral green eyes; a knife- edged nose; and a too- slender, square- shouldered body, with the bones showing through. On her chin she carried what she thought of as her identifying mark—as in “Police said the body carried an identifying mark.”

The mark was a backwards- C- shaped scar, the product of a fight at the mission in Albuquerque. A bum named Buddy had bitten her, and when she’d gotten up off the floor, she was dripping blood and missing a piece of chin. Buddy, she believed, had swallowed it. She almost sympathized: when you’re a bum, you get your protein where you can.

Like Buddy, Annabelle Ramford was a bum.

Or maybe a bummess.

A long and exceptionally strange trip, she thought, growing philosophical with the wine. She’d grown up well- to- do and thoroughly educated—had sailed boats on Superior, which was why she returned to Duluth in the summer. After private schools in St. Paul, she’d gone to the University of Minnesota, where she’d majored in sociology, and then on to law school, where she’d majored in marijuana and gin- and- tonic. She’d graduated, though, and her father’s influence had gotten her a job with the Hennepin County public defender’s office, interviewing gang- bangers at the height of the crack plague.

Crack. She could close her eyes and feel it lifting her out of herself. She’d loved crack as she’d loved no human being. Crack had cost her first the job, then all her square friends, and finally her parents, who’d given her up for lost. Even at the end, even when she was fucking the crack man, it had seemed like a reasonable trade.

When she finally woke up, four years after she went on the pipe, she had no life and three STDs, though she’d somehow avoided HIV. She’d been traveling ever since.

A strange trip, growing ever stranger ...

***

STRAIGHT NORTH OF her spot on the working harbor shore, she could see the bobbing anchor- light of a sailboat, and beyond it, the street and house lights stretching along Minnesota Point, the narrow spit of land across the mouth of the harbor. Though the boat was five hundred yards away, she could hear the tinkling and clanking of hardware against the aluminum mast, and, every once in a while, a snatch of music, Sinatra or Tony Bennett, and a woman’s laughter.

Overhead, a million stars. Off to her right, another million stars, closer, larger, more colorful—the night lights of Duluth, sliding north along the hill.

A dying summer, and cool. The breeze off the lake had teeth. The day before, Trey’d scored a Czechoslovakian Army coat at the Goodwill store, and she tugged the wool collar up around her throat. Superior’s water temperature didn’t get much above fifty degrees, even at midsummer, and you could always feel the winter in the wind. But with the coat, she was warm, inside and out.

She took a pull of the wine, wiped her lips on the back of her free hand, savored the thick grape flavor. A month, she thought.

Another month here and she’d start moving again. Back to Santa Monica for the winter. Didn’t like Santa Monica. Too many bums. But you could freeze to death in Minnesota, no joke: get a skin full of whiskey and forget what you were doing, and the next morning the cops would find you in a doorway, frozen stiff, frozen in the L shape of the doorway. She’d seen it.

Still, for the time being, she had a good spot, a cubbyhole that was safe, obscure, sheltered, and free. Women transients had a tougher life than the men. Nobody wanted to rape some broken- down thirty- five- year- old bum with no teeth and a fourteen- inch beard and scabs all over him; but women, no matter how far down they’d gone, had that secret spot that some guy always wanted to get into, even if only to prove that he was still male, somehow, someway. To further prove it, half the time they weren’t happy with simple rape; they had to beat the shit out of you.

Some women got so accustomed to it that they barely cared, but Trey wasn’t that far down. Scrape away the dirt and she didn’t look too bad. She still worked, sometimes, waitressing, fry- cook jobs, rent- a- maid stuff. Hadn’t ever quite gotten to the point of selling herself. Not technically, anyway.

Here in Duluth, she had a nice routine. The morning bus driver with the route along Garfield Avenue—his name was Tony—would let her ride into town for free. There were good safe public bathrooms at the downtown mall, and after cleaning up, she’d get up to the Miller Hill Mall to do a little subtle panhandling, avoiding security, picking just the right guys: Got a dollar? Got a dollar, please? She’d perfected the waif look, the thin high cheekbones and starving green eyes. Some days she cleared fifty dollars. Try doing that in Santa Monica.

She took another pull at the wine, leaned back, heard the sailboat woman laugh again. Then, a little later, something else.

Somebody coming.

***

CARL WALTHER SAT silently, his back against the side of the building, his senses straining into the night, the pistol cold in his hand. He could hear the elevator inside, moving grain up to the drop- pipe, and the rush of it into the ship’s hold.

He’d waited like this before, in the dark, on an early- morning deer stand, listening for footfalls, trying to pick movement out of the gloom. As also happened in a deer stand, when he’d first found his ambush spot, he’d been all ears and eyes. As the minutes passed, other thoughts intruded: he thought he could feel bugs crawling on him; a mosquito whined past his ear. He needed a new job, something that didn’t involve food—six months in a pizza joint was enough.

He thought about girls. Randy McAndrews, a jock- o three- letter guy, had been talking after gym class, Carl tolerated on the edge of the conversation, and he said Sally Umana had been cooling him off with blow jobs in the backroom of Cheeney’s Drive- In. The account was greeted with a half dozen groans and muttered bullshits, but McAndrews swore it was the truth. Carl had groaned with the others but later that day had seen blond Sally in the hallway and had instantly grown a serious hard- on, which he had to conceal awkwardly with a notebook as he hiked through the school.

And thinking about it now, waiting in the dark, began to feel the same effect; the idea of that blond head bobbing up and down . . .

He heard a voice on the deck of the ship; a distant voice. He shifted position and strained into the night. Where the fuck was he? He pushed up his sleeve and looked at his watch: jeez—six minutes since the last check. Seemed more like an hour. Same as on a deer stand, waiting for dawn.

He was not exactly tense; not as tense as when he’d killed his first dog. He still thought about that, sometimes, the black- and- white pooch from the pound, out in the woods.

“Why are you killing the dog?” Grandpa asked.

“Because it’s necessary to condition myself against the shock,” he said. The response was a learned one, like the responses for a Boy Scout rank, or a First Communion exam.

“Exactly. When you are working as a weapon, you must focus. No pity, no regrets, no questions, because those things will slow you down. All the questions must be resolved into trust: your committee instructs you to act, and you do. That’s your highest calling.”

“Okay.”

“Remember what Lenin said: ‘There are no morals in politics: there is only expedience.’”

“Okay.” Enough Lenin.

The old man said, “Now. Kill the dog.”

He could remember licking his lips, working the slide on the pistol. The dog knew something was going on, looked up at him, small black eyes searching for compassion, not that it had gotten much in the pound. Then the dog turned away, as if it knew what was coming.

Carl shot him in the back of the head.

Not hard. Not hard at all; a certain satisfaction uncurled in his soul. That surprised him. The shock came a few minutes later, when they buried the dog. When he picked up the small body, it was still warm, but it was dead and there was no way to get it back. The dog was gone forever. He remembered looking back at the small grave and thinking, Really?

There’d been more dogs after that, and Carl’s soul had hardened. He no longer dreaded the trips. He didn’t enjoy it; he just didn’t feel much at all.

Now he sat with his head down. Would a human be harder? He doubted it. He liked dogs better than he liked most people. And while the dog had been a test, this killing was absolutely necessary . . .

Then headlights played across the wasteland, amid the railroad tracks. A car bounced along a rutted track, then stopped a couple of hundred yards out. There was a light on the roof. A taxi. Carl slipped the safety on the pistol, felt the weight in his hand; kept his finger off the trigger, as he’d been trained.

RODION OLESHEV HAD been left in the dark.

The taxi turned away, the door locks snapped down, and it was gone, back to the hillside of light, back into town. Oleshev scowled at it: the taxi driver, a block- headed Swede, according to his taxi license, wouldn’t go any farther off- road. He might break a wheel in the dark, he’d said. He might fall in a hole. Fuckin’ Swedes. The whole area was lousy with them.

Oleshev was a broad man in a black leather jacket, black denim jeans, and plain- toed military dress shoes. He hadn’t shaved that morning and his two- day beard was a briar patch, chafing against his neck. He carried a black nylon briefcase. Inside were his seaman’s papers, a digital camera, a pair of Razor sunglasses, and a laptop computer.

The night was pretty, with the thinnest summer haze over the cool water of the lake, and the moon coming up, and he could clearly see the lights of a building six miles down the shoreline. Ahead of him, closer, only two hundred yards away, the bulk carrier Potemkin sat in a berth beneath the TDX terminal. The deck of the ship was bathed in floodlights, as it took on durum wheat from North Dakota.

There was a lot of light around, Oleshev thought; there just wasn’t any where he was. The whole area south of the grain terminals was a semi- wasteland of dirt roads, waist- high weeds, railroad tracks and industrial detritus, all smelling of burned diesel. The moonlight didn’t help, casting hard shadows everywhere, making holes look like bumps, and bumps like flat spots. Oleshev felt his way toward the Potemkin, stepping carefully; saw a shiny, knife- like streak in the dirt ahead of him, reached out with his toe, felt the steel rail of the first set of tracks.

“Fuck this place,” he muttered out loud.

Oleshev was an unhappy man, thinking about the satellite call he’d have to make back to Russia. Things were more complicated than anyone had expected. The Circle at the SVR had expected either agreement or rejection, had been prepared to react with either money, as a gesture of goodwill, or blackmail. What they’d gotten was... bullshit.

What’d the old man say? “It is impossible to predict the time and progress of the revolution. It’s governed by its own more or less mysterious laws . . .”

Vladimir Ilyich fuckin’ Lenin. Oleshev spat into the weeds, thinking about it. Bullshit and more bullshit. The people here swam in it. They were Communists. How crazy was that? Somehow, they’d been expecting Russians, and they’d gotten Communists.

Politics complicated everything. He tripped again, swore into the quiet of the night, and stumbled on, cursing, scowling, toward the waiting ship.

OLESHEV HAD JUST stepped into the light, onto the concrete pad around the grain terminal, when another man moved out of the shadows on the side of the terminal. The man stepped out backwards, and Oleshev saw that he was fumbling at his crotch, zipping up.

Taking a leak: the idea popped into Oleshev’s head and he relaxed a half inch, enough that he wasn’t ready. The man turned around and Oleshev saw the pink apple- cheeks and the blond hair and the thought flashed through his mind that the blond was a crewman, a member of the night watch who he’d not often seen coming across the Atlantic.

“Mr. Moshalov.”

Not a crewman, not with those round, Swedishsounding Os. The man’s hand came up. Not to shake. He was holding a gun and Oleshev saw it and another thought flew through his mind, one word from his training: Shout.

Actually, what the manual said was Try to relax but be prepared to move instantly. If you see that your captor intends to fire, shout at him, to distract him. Even if you are killed, perhaps your companions will gain from the edge you give them.

A lot of horseshit, Oleshev had thought when he first read it. Let somebody else shout. Still, at the critical moment, he thought Shout, but before he could open his mouth, the other man shot him in the heart. Oleshev fell over backwards. His chest hurt, but his mind was okay for a few seconds, and his vision actually seemed better: there was lots of light now. Enough light that when the man stood over him and pointed the gun at his eyes, he could clearly see the O of the muzzle. He wanted to shout again.

Carl, who didn’t know that he’d hit Oleshev in the heart, stepped forward and fired twice more, from short range, through the Russian’s forehead. Unnecessary, but he didn’t know that. He had the theory, but he didn’t have the training.

TREY HAD HEARD Oleshev coming, stumbling through the weeds, muttering and grumbling.

There had been two or three people walking around the terminal in the past hour. She’d stayed out of sight in her hole with her bottle, invisible in the night, enjoying the lake. She yawned. When this one had gone up the ladder into the ship, she thought, she’d head back across the wasteland to the shack where she was crashing.

Her pad.

She’d found two whole rolls of bubble wrap in a Dumpster at the Goodwill store, and with a little duct tape, had made the most luxurious mattress out of it. Asleep on the bubble wrap, cocooned in an olive- drab army blanket, she could almost believe that she was back home. The best nights were the nights when it was raining, when the rain on the roof and the warmth of the bed made her feel cozy and snug. The problem with it was that when she was lonely, or bored, or stressed, she tended to pop the bubbles.

Now, sitting in her hole, she heard a man speak; and then a shot. She recognized the shot for what it was, though it wasn’t loud. A Bap! like the noise made by a pellet gun. She stood up, thinking herself safe in the dark, her eyes just inches higher than the weeds around her.

A tall man, with fair hair, stood over another man, who was supine on the concrete slab. The tall man’s face was turned toward her, and she registered his good looks. He pointed the pistol and fired twice more into the second man’s head, bap! bap! The pistol had a bulbous barrel. A silencer? She’d only seen them in movies.

The killing had been cold, she thought. She shivered, lost her balance for a moment, caught herself. Stepped on a piece of broken concrete, lost her balance again, and caught herself a second time. And made just enough noise to attract the attention of the killer.

His head came up, and he saw her—saw the light reflecting off her face—lifted the pistol and fired two quick shots at her. She saw the small flashes, but never heard the slugs go by, because she was already moving, running through the jumble of weeds and concrete along the bank, frantic to get away from the gun.

Moving just a fraction slower than she might have, had her hands been empty: but a bum and a drunk would never drop a half- full bottle of pinot, not if there was an alternative.

Behind her, a thrashing. Trey fell, saved the bottle by rolling, clambered to her feet, looked back, was shocked to see the killer only fifty feet away and closing. She ran, scrambling, heard him fall and cry out, ran some more, fell, smashed the bottle, cried, “Motherfucker,” turned and saw him, still coming, even closer, saw him go down again, ran a few more steps, the darkness now closing down like velvet, looked back, saw him coming, thirty feet away, catching her . . .

He stopped and fired again, and she imagined that the slug went through her hair; fired again, and now he was so close that she couldn’t imagine him missing her, but he did. Running and shooting was hard, and he wasn’t trained.

But he was going to catch her. She went down again, felt the rocks under her knees, and he was right there. She dug in her pocket. A helpless Mexican bum in Los Angeles, selling the last thing he owned so he could buy a little food, had given her a six- inch switchblade with a curved yellow plastic handle, for six dollars. She’d carried it for two years, more as a comfort than as a weapon, but now she dug it out, nearly dropped it, pushed the button and the blade sprang out, turned, desperate, not ready to die . . .

The killer was there, three feet away, and he pointed the gun at her and pulled the trigger . . . and nothing happened.

He said, almost conversationally, “Shit.”

Trey went after him with the knife. She didn’t like to fight, but she wasn’t bad at it. Not for a woman her size. She knew to shout, too. She screamed, “I’m gonna cut your fuckin’ face off, motherfucker . . .” and she was right at him, slashing at him, and he put up his gun arm to fend her off and she slashed his arm, and he screamed and backed away from her, and she went for his face.

He looked around, backed away, then said, “I’ll come and get you.” He turned and half ran, half walked, into the dark, back toward the lights of Garfield Avenue.

A minute passed, then another. Trey could hear her own heart beating, hear her breath, harsh, grating as she gasped for air. A car started, out in the wasteland between Garfield and the docks, and she saw the taillights, tall and vertical, with smaller lights below, a scarlet exclamation point.

SHE LOOKED AROUND: she was only a hundred feet from the dock. Her flight had gone almost nowhere, with all the falls on the rough ground. Still trying to catch her breath, her body trembling with the adrenaline, she made her way slowly back to the dock. The knife was slippery in her grasp, and she thought it must be blood: she pushed the blade back into its groove with the heel of her hand, dropped the knife in her pocket, wiped her hands on her pants.

At the edge of the dock pad, she squatted in the weeds, looking around. No sign of anybody living, just the body stretched on the concrete. After a moment, scared, but powerfully tempted, she moved out of the weeds and then stole toward the body like a hungry cat looking for something to eat.

“Are you okay?” she called out loud. Stupid. The man in the leather coat was dead. She knew he was dead. She saw him killed. He lay unmoving, like a six- foot paperweight, like a leather- jacketed anvil, spread-legged on the concrete.

She squatted next to him, groped under his hip for a wallet. There was a thickness there, but no wallet. Next she went into his jacket; and found a wallet, took it, shoved it into the briefcase that lay by the man’s hand. She looked around again, stepped away toward the safety of the surrounding darkness, and felt again, in her mind, the sensation of thickness at the man’s waist.

Looked around; a nervous cat.

Stole back, knelt again, fumbled at the dead man’s belt buckle, uncinched it, unzipped his pants, felt . . . there. Another strap, elastic. She pulled it through her hands. She couldn’t see it, but she could visualize it— she’d once had a belt like this of her own, given to her by her father for a postcollege trip to Italy. She found another buckle, freed it, and pulled hard. The man was heavy, but the money belt was made of slippery nylon, and she felt it coming free . . .

Got it. She was surprised by the weight of it. Couldn’t be money, must be papers of some kind. The ship was Russian . . .

She moved away, carrying the belt and briefcase, slipping back into the dark. She was forty yards from the body when she heard somebody call from the top of the elevator: Hey. HEY! An American voice, not a Russian. She kept moving, faster now, deeper into the dark, choking back the panic.

HER SPOT WAS in an abandoned shed off Garfield, six hundred yards from the grain terminal, across the street from the Goodwill store. The shed’s door and windows were heavily boarded. Two months earlier, she’d walked around the place, interested, but unsure of how she could get in without attracting the cops.

Then she’d seen the loose concrete blocks in the foundation on the back side of the building. She’d levered the blocks out, pulled herself beneath the shed, and found herself looking at the underside of a board floor. She’d gone back out, scouted the tracks until she found a convenient length of re- rod, and had come back and pried and pounded on the floorboards until she’d gotten inside.

Inside was perfect: empty, dry, and safe. Everything but a phone. The place smelled of creosote, like old railroad ties or phone poles, but she no longer noticed it.

NOW SHE PULLED her blocks out and crawled under the shed, up and inside. She had a pack, and inside the pack, an REI candle lantern. She lit it with a book match, then opened the wallet.

Holy shit. She fumbled the bills out, looked at them in wonder: tens, twenties, more than a dozen fifties. She counted: nine hundred and sixty dollars. She was rich.

She pried at other parts of the wallet, but it was full of cards in Russian, and a few photos, small color snaps of a dark- haired woman who looked like she came from a different time, from the fifties or sixties. But then, she thought, maybe that was what Russian women looked like.

And the money belt: papers of some kind, she thought.

She unzipped it and turned it, and thin bricks of cash began falling out. Holy shit. Holy shit. Hundreds. They were all hundreds, still in bank wrappers. She snapped the wrapper off one brick, and counted the bills in the pale yellow light of the candle. Fifty. She counted the bricks: ten. She had fifty thousand dollars in hundred- dollar bills.

She sat motionless for a moment. People would be coming. They’d want the money. But no fuckin’ way. Finders keepers. Her jaw tightened: the money was hers.

Trey looked around at her snug little spot, suddenly unattractive in the flickering candlelight. She’d been happy enough here, but now she had things to do, places to go. This place was history. Somebody might have seen her, the cops might be coming . . .

But she could handle all that, if she had a few minutes. She was a lawyer, for Christ’s sake; she’d lived with criminals, and she’d worked with cops. She knew what to do. She was cleaning frantically when, far away, a siren started.

Please God: Just a few minutes . . . just do this one thing for me.

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Customer Reviews

Average Rating 4
( 78 )
Rating Distribution

5 Star

(26)

4 Star

(33)

3 Star

(9)

2 Star

(6)

1 Star

(4)

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See All Sort by: Showing 1 – 20 of 79 Customer Reviews
  • Anonymous

    Posted February 29, 2012

    As I've said before, another safisfying read

    As I've mostly said before, this is yet another satisfying J.S. read. The basic story was more than a little improbable -- esp the character of Nadya & the lack of background for all the KGB historical detail. Grandpa's murder/suicide near the end was so clearly predictable ... but you could easily overlook all these things & just enjoy the ride thru the action & the typical Lucas antics.

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  • Posted April 20, 2009

    Good book

    Ineresting story. Kept my interest.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 23, 2008

    Same old, same old

    This book is plain boring. There is nothing that makes you want to keep reading. A high school hitman is on the loose, wow! This book could have been done much better had Sandford been able to write a story with some twist, fact is.......he cant. Its all just to easy to read, to simple to figure out. He has written some good books but this certainly was not one of them. Unless you collect his novels you should skip it. Its a waste of time

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 23, 2005

    A good book

    I must admit the first time I read this book I didn't like it. I was so used to John Sandford's unusual plot twists, murderers terroizing small towns, missing people and what not, I just didn't get Hidden Prey. I picked up a copy on CD and listened to it while commuting 80 miles to work each day and changed my mind. Eric Conger does such a wonderful job narrating the Prey books, you can actually see Lucas racing his Porche down the Minnesota freeways in his GQ wardrobe. I found the book to be much more suspenseful and enjoyable the second time around.

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  • Anonymous

    Posted May 17, 2005

    Not so good

    I've read all the Prey books. Most are good, this one wasn't. It was just too hard to get into.

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  • Anonymous

    Posted July 5, 2005

    Disappointed in Sandford

    I splurged and bought Hidden Prey when it first came out.I was disappointed that John decided to inject some of his Political views into this story. This was not the place to do so. Also, it is getting to the point that all the Lucas stories are too predictable and much the same. I have purchased my last one.

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  • Anonymous

    Posted October 14, 2004

    Very good book I applause you!

    I thought the book was good, it had a good plot to it, and the ending was really good. Keep writing John your doing great. My most favorite Prey Novel was Mind Prey. One of the best. Again great job Mr. Sandford keep up the good work.

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  • Anonymous

    Posted July 26, 2004

    Very disappointing

    I am a huge John Sanford fan, but was very disappointed in this book. I finished it, but only because I am a big fan. Didn't enjoy the story line, or any of the characters, and couldn't wait for it to end. This book will not be passed on to my friends, I put it in the trash this morning.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 15, 2004

    An Avid John Sandford Fan!!

    I found Hidden Prey disappointing compared to the other Prey books. I have read every book in this series and at the end of each book was looking for the next to come out. This one just did not have the suspense. It did not hold my interest to the point that I could not put it down. I kept picking it back up hoping something real exciting would happen, but nothing did.

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  • Anonymous

    Posted June 30, 2004

    SANDFORD IS TOPS

    John Sandford's Prey series has been called riveting, compulsively readable, and splendid. It is all of these. Then, just when you think this author couldn't possibly pen a story any more dynamite reading than the last he does. 'Hidden Prey' is Sandford in top form - it's surprising, exciting with action aplenty. There's no rest for popular protagonist Lucas Davenport in this one. With the discovery of a dead Russian on the shores of Lake Superior Davenport feels like it's deja vu the Cold War in today's Minnesota. Before long the FBI discovers that the murdered man had KGB connections. Was he a Russian intelligence agent? Everyone has both questions and theories - Davenport arrives on the scene, a Russian policeman jets in from Moscow, law enforcement officers investigate, and reporters of every ilk converge. A barrage of violent events cloud the original crime: a homeless woman is garroted, a bar owner is attacked, and a police officer is shot. Despite the confusion Davenport finds out a few things he didn't want to know - this part of his home state once sheltered a bunch of Communist sympathizers, and there's every indication that this cell is alive and well once again. There's much for Davenport to retrace - another place, another time - all of which puts him in peril. Yet, this must be done before he can begin to unravel this many layered mystery. If you liked 'Naked Prey' you'll be delighted with 'Hidden Prey.' Or, if you haven't read any of the Prey series - treat yourself.

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  • Anonymous

    Posted July 24, 2004

    Sandford never disappoints

    Another incredible entry in the Prey series. There hasn't been a bad book yet. If you've never read a Sandford, you're missing out. Try one, you'll be hooked!

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  • Anonymous

    Posted July 24, 2004

    Just Another One

    WOW! John Sandford really can keep the character Lucus Davenport fresh! He is a bit more boring since he got married and had a kid, Sam, but still the book was great. A brutal murder of a Russian and the city of Duluth is the making of another five star novel from one of the nation's best.

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  • Anonymous

    Posted August 22, 2004

    Will Read More of Sandford's Books

    This was the first book of John Sandford's that I've ever read. I enjoyed it greatly. I found it to be fast paced with numerous twists and turns. I carried the book everywhere I went until I finished it. I will most certainly be reading more of Sandford's books. I hope they're as good.

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  • Anonymous

    Posted June 22, 2004

    John Sandford Scores with another 'Prey'

    Another great read from Mr. Sandford. I find it fascinating that this author is so in tune with his main character, Lucas, and respects him so much that he has let him still have the basic elements that drove him the first time we met him and yet he has the courage to tone him done and push him in a more mature direction. Can't wait for the next 'Prey' book.

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  • Anonymous

    Posted July 16, 2004

    Not up to Par

    I buy Mr. Sandford's books the minute they hit the bookstores. I can usually read them in two nights. This book disappointed me , I found it hard to read and not very interesting.

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  • Anonymous

    Posted June 2, 2004

    Much promise, but...

    For long-time Sandford fans, Hidden Prey is a refreshing change of pace. No single crazoid killer here...but rather what appears to be a hidden nest of spies. Ooooo, cloak and dagger. Unfortunately, while the story is a REAL page-turner (I finished it in 2 days), the logic that fuels the entire thing is so muddy as to be unbelievable, and the ending is EXTREMELY unsatisfying. As for character treatment, the usual cast of characters is almost nonexistent (Davenport's new 12 year-old ward, for example, only merits 2 passing mentions), and Sandford spends a remarkable amount of time building a character, Trey, who he hardly mentions after the initial set-up is done. He may as well have put her on a bus and had her disappear to Alaska for all the good she did as the story unfolded. All in all, a C-plus to B rating. A good read, but one that will leave the reader feeling vaguely unsatisfied by what ends up feeling like a tempest in a teapot.

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  • Anonymous

    Posted May 14, 2004

    Top Notch Work by Sanford

    I've read all of the Sanford PREY books - and this ranks up in the top with the best of them. Thoroughly enjoyable! The book kept my interest such that I finished it in 2 days. Highly recommended!

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  • Anonymous

    Posted June 7, 2004

    Disappointing if You're a Prey Fan!

    If you have followed Davenport and the Prey cast of characters, you will be disappointed in Sandford's latest. The storyline is trite and disappointing as well as the characters.

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  • Anonymous

    Posted May 11, 2004

    RIVETING, SPLENDID READINGS

    John Sandford's Prey series has been called riveting, compulsively readable, and splendid. It is all of these, and the readers on the audio versions are also riveting and splendid. Eric Conger, voice performer on the abridged edition, is an accomplished actor and narrator who has the patois down pat with his sixth Prey recording. He's the recipient of a Golden Earphone Award, deservedly so. Broadway and television performer Richard Ferrone ably delivers a suspenseful reading to the Unabridged edition. This is his 12th Prey recording, and he's in top form. With 15 books in the Prey series under his belt author John Sandford just keeps getting better and better. There's no rest for popular protagonist Lucas Davenport in this one as with the discovery of a dead Russian on the shores of Lake Superior Davenport feels like it's deja vu the Cold War in today's Minnesota. As it turns out the FBI discovers that the murdered man had KGB connections. Was he a Russian intelligence agent? Everyone has both questions and theories - Davenport arrives on the scene, a Russian policeman jets in from Moscow, law enforcement officers investigate, and reporters of every ilk converge. A barrage of violent events cloud the original crime: a homeless woman is garroted, a bar owner is attacked, and a police officer is shot. Despite the confusion Davenport finds out a few things he didn't want to know - this part of his home state once sheltered a bunch of Communist sympathizers, and there's every indication that this cell is alive and well once again. Both readers take listeners on a dizzying series of twisted trails and head-ons. Don't miss it.

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  • Anonymous

    Posted May 11, 2004

    Joh Sandford is the King of Suspense

    You'll never meet a nicer man than John Sandford (Camp). That might be one of the reasons why 'I' purchase his books every time May rolls around and a new one hits the shelves. But it's obvious that just being nice doesn't make you a great author, it just helps attract readers looking for an author they can believe in. This man may only write suspense novels, but there is no one else who is as good (and as funny) as John Sandford when it comes to full character development. I find the humor rather important. At times, it's almost as if he should be writing comedy, with that sly sense of humor of his. But when he gets down to business he can scare the you-know-what out of you by presenting the one thing that's hardest not be scared of ... The evil that exists in real life. John Sandford easily makes my list of the top 10 best authors of all time and Lucas Davenport is without a doubt my number 1 character of all time ... read the Prey novels and I'm sure you'll agree.

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