High Society [The Bees U.S.]

Editorial Reviews

All Music Guide
Rock has come roaring back in recent years, and it's now de rigueur for critics to hear most music through a '70s prism. Thus the Silver Seas (formerly the Bees) have found themselves tagged as soft rock and mentioned rather bizarrely in the same sentence as many of that genre's singer/songwriter heroes. In truth, though, the prior decade seems to be where the group draw much of their inspiration. Their harmonies, for instance, oft times echo the Beach Boys, particularly on the lavish "We'll Go Walking" and the bouncy "Hard Luck Tom," although "Ms. November" is the best girl group-styled song ever sung by boys. And then there are Daniel Tashian's marvelous guitars, which shimmer, shine, and jangle, a sublime blend of ...
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05/09/2006 CD New

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Editorial Reviews

All Music Guide
Rock has come roaring back in recent years, and it's now de rigueur for critics to hear most music through a '70s prism. Thus the Silver Seas (formerly the Bees) have found themselves tagged as soft rock and mentioned rather bizarrely in the same sentence as many of that genre's singer/songwriter heroes. In truth, though, the prior decade seems to be where the group draw much of their inspiration. Their harmonies, for instance, oft times echo the Beach Boys, particularly on the lavish "We'll Go Walking" and the bouncy "Hard Luck Tom," although "Ms. November" is the best girl group-styled song ever sung by boys. And then there are Daniel Tashian's marvelous guitars, which shimmer, shine, and jangle, a sublime blend of Big Star and Byrds, especially notable on the brilliant pop of "Imaginary Girl." On the rumbling "Catch Yer Own Train," Tashian shifts into western style, while the harmonies and a wailing harmonica pay homage to the British Invasion. The rhythm section of standup bassist John Deaderick and drummer David Gehrke tint the set with an R&B brush, a style that keyboardist Jason Lehning often emphasizes, particularly on the dreamy "Taitville" and the boisterous "The Country Life." However, he's equally at home purveying elegant champagne piano, best heard on the shadowed "She Is Gone" and "Dream of Love," the latter counterpointed by Tashian's laid-back strumming guitar. But even Lehning's most extravagant work is downplayed by his phenomenal production, which beautifully burnishes all the instruments, then artfully places them in a warm and glowing amber setting. This is pop as it never really was, gentle, but glorious, lavish, but never glossy, a set filled with fabulous arrangement and instantly memorable melodies -- variously clap-along, joyous, luxurious, or musing. A stunning achievement. [ROAR released the album in 2006.]~ Jo-Ann Greene
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Product Details

  • Release Date: 5/9/2006
  • Label: Cd Baby
  • UPC: 677516563321
  • Catalog Number: 5637219543

Tracks

Disc 1
  1. 1 The Country Life (2:39)
  2. 2 High Society (2:44)
  3. 3 Ms. November (2:10)
  4. 4 Imaginary Girl (2:28)
  5. 5 She Is Gone (3:14)
  6. 6 Catch Yer Own Train (3:06)
  7. 7 Tativille (2:38)
  8. 8 We'll Go Walking (3:39)
  9. 9 Hard Luck Tom (1:51)
  10. 10 Dream of Love (3:37)
  11. 11 The Broadway Lights (3:52)
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Album Credits

Performance Credits
The Silver Seas Primary Artist, Indexed Contributor
Daniel Tashian Guitar, Ukulele, Vocals, 12-string Guitar
Jason Lehning Piano, Vocals, Juno
John Deaderick Bass, Vocals
David Gehrke Drums, Vocals
Technical Credits
Jim DeMain Mastering
Daniel Tashian Engineer
Jason Lehning Producer, Engineer
Bart Morris Engineer
Patrick Granado Engineer
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