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High Violet [LP]

Editorial Reviews

All Music Guide
The National have worn a lot of hats since their 2001 debut, but they've never been able to shake the rural, book-smart, quiet violence of the Midwest. The Brooklyn-groomed, Ohio-bred indie rock quintet's fifth full-length album navigates that lonely dirt road where swagger meets desperation like a seasoned tour guide, and while it may take a few songs to get going, there are treasures to be found for patient passengers. High Violet begins to take shape on "Afraid of Everyone," a slow-build, midtempo rocker that expertly utilizes the Clogs' (guitarist Bryce Dessner's other chamber pop band) prickly orchestrations, but it's the punishing "Bloodbuzz Ohio" that serves as the record's centerpiece. Built on a foundation ...
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Editorial Reviews

All Music Guide
The National have worn a lot of hats since their 2001 debut, but they've never been able to shake the rural, book-smart, quiet violence of the Midwest. The Brooklyn-groomed, Ohio-bred indie rock quintet's fifth full-length album navigates that lonely dirt road where swagger meets desperation like a seasoned tour guide, and while it may take a few songs to get going, there are treasures to be found for patient passengers. High Violet begins to take shape on "Afraid of Everyone," a slow-build, midtempo rocker that expertly utilizes the Clogs' (guitarist Bryce Dessner's other chamber pop band) prickly orchestrations, but it's the punishing "Bloodbuzz Ohio" that serves as the record's centerpiece. Built on a foundation that fuses together TV on the Radio's "Halfway Home" and Arcade Fire's "No Cars Go," its refrain of "I still owe money to the money, to the money I owe" seems both relevant and nostalgic, resulting in a highway anthem that feels like the anti-"Born to Run." Other standout cuts like "Conversation 16," "England," and the darkly funny/oddly beautiful closer, "Vanderlyle Crybaby Geeks," trumpet Violet's second-half supremacy, but even they tremble beneath the "Bloodbuzz" intoxication.
All Music Guide - James Christopher Monger
The National have worn a lot of hats since their 2001 debut, but they've never been able to shake the rural, book-smart, quiet violence of the Midwest. The Brooklyn-groomed, Ohio-bred indie rock quintet's fifth full-length album navigates that lonely dirt road where swagger meets desperation like a seasoned tour guide, and while it may take a few songs to get going, there are treasures to be found for patient passengers. High Violet begins to take shape on "Afraid of Everyone," a slow-build, midtempo rocker that expertly utilizes the Clogs' (guitarist Bryce Dessner's other chamber pop band) prickly orchestrations, but it's the punishing "Bloodbuzz Ohio" that serves as the record's centerpiece. Built on a foundation that fuses together TV on the Radio's "Halfway Home" and Arcade Fire's "No Cars Go," its refrain of "I still owe money to the money, to the money I owe" seems both relevant and nostalgic, resulting in a highway anthem that feels like the anti-"Born to Run." Other standout cuts like "Conversation 16," "England," and the darkly funny/oddly beautiful closer, "Vanderlyle Crybaby Geeks," trumpet Violet's second-half supremacy, but even they tremble beneath the "Bloodbuzz" intoxication. [High Violet was also released on LP.]
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Product Details

  • Release Date: 5/11/2010
  • Label: 4ad / Ada
  • UPC: 652637300314
  • Catalog Number: 73003
  • Sales rank: 1,636

Tracks

Disc 1
  1. 1 Terrible Love
  2. 2 Sorrow
  3. 3 Anyone’S Ghost
  4. 4 Little Faith
  5. 5 Afraid of Everyone
  6. 6 Bloodbuzz Ohio
  7. 7 Lemonworld
  8. 8 Runaway
  9. 9 Conversation 16
  10. 10 England
  11. 11 Vanderlyle Crybaby Geeks
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Album Credits

Performance Credits
The National Primary Artist
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