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| Robert Wyatt | Primary Artist, Percussion, Piano, Trumpet, Drums, Bass Guitar, Keyboards, Vocals, Voices, Mouth Percussion |
| Phil Manzanera | Guitar |
| Mike Oldfield | Guitar |
| Ivor Cutler | Voices, Baritone Concertina |
| Nick Mason | Drums |
| Brian Eno | Synthesizer, Choir, Chorus |
| Bill MacCormick | Bass Guitar |
| Chucho Merchán | Bass Drums, Bass Guitar |
| Richard Sinclair | Bass Guitar |
| Annie Whitehead | Trombone |
| Laurie Allan | Drums |
| Jamie Johnson | Guitar |
| Gary Azukx | Djembe |
| Yaron Stavi | Double Bass |
| Paul John Weller | Guitar, Vocal Harmony |
| Elvis Costello | Composer |
| Neil Diamond | Composer |
| Robert Wyatt | Composer |
| Karen Mantler | Composer |
| Bernard Edwards | Composer |
| Clive Langer | Composer |
| Nick Mason | Producer |
| Nile Rodgers | Composer |
| Alfreda Benge | Composer |
| Brian Eno | Arranger |
Editorial Reviews
All Music Guide - Thom Jurek
The title of this 17-track Robert Wyatt compilation -- previously released only in Japan -- references his lack of commercial success while taking great care to showcase both his ambitious vision and diversity as an artist. Most of what is here is readily familiar to fans, from his fine if strangely arcane versions of "I'm a Believer" and "Shipbuilding" to the utterly, almost heartbreakingly beautiful "At Last I Am Free," "Arauco," and the starkly ingenious composition "Solar Flares" previously a rarity. Early gems like "Little Red Robin Hood Hit the Road" are showcased along with later ones like "Heaps of Sheeps." Ultimately, there is nothing really new here, but that ...