Historical Representation(Cultural Memory in the Present)

Overview

This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.

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Overview

This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing.

The author shows that historical representation is essentially aesthetic, though its adequacy can be discussed rationally. He defines the criteria for representational adequacy, and examines the relationship between these criteria and value judgments. He also investigates the historicist conception of historical writing and the notions of identity and narrativity. This investigation takes place against the backdrop of the ideas of four of the most influential contemporary historical theorists: Erich Auerbach, Arthur Danto, Hayden White, and Jörn Rüsen.

The book aims to identify and to explore for historical theory the juste milieu between the extravagances of the literary approach to historical writing and the narrow-mindedness of empiricists. The search for this juste milieu leads to a rationalist aesthetics of historical writing, a position that repeats both the aesthetic dimension of all historical writing and the criteria defining the rationality of the discipline of history.

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Editorial Reviews

Booknews
Arguing that historical writing offers a representation of a past that is no longer accessible directly, Ankersmit (history, U. of Groningen, the Netherlands) looks at systematic issues in historical theory, the history of historical writing and of historical consciousness, and the work of individual theorists. Most of the chapters have been published previously. Annotation c. Book News, Inc., Portland, OR (booknews.com)
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Product Details

  • ISBN-13: 9780804739795
  • Publisher: Stanford University Press
  • Publication date: 1/2/2002
  • Series: Cultural Memory in the Present Series
  • Edition description: 1
  • Pages: 336
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.00 (d)

Meet the Author

Frank Ankersmit is Professor of History at the University of Groningen, The Netherlands. Among his many books are Political Representation (Stanford, 2001) and Aesthetic Politics: Political Philosophy Beyond Fact and Value (Stanford, 1997)

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Table of Contents

Acknowledgments
Introduction 1
Pt. 1 Historical Theory
1 The Linguistic Turn: Literary Theory and Historical Theory 29
2 In Praise of Subjectivity 75
Pt. 2 Historical Consciousness
3 Gibbon and Ovid: History as Metamorphosis 107
4 The Dialectics of Narrativist Historism 123
5 The Postmodernist "Privatization" of the Past 149
6 Remembering the Holocaust: Mourning and Melancholia 176
Pt. 3 Theorists
7 Why Realism? Auerbach on the Representation of Reality 197
8 Danto on Representation, Identity, and Indiscernibles 218
9 Hayden White's Appeal to the Historians 249
10 Rusen on History and Politics 262
Epilogue 281
Notes 289
Index 317
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