History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa / Edition 1

History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa / Edition 1

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by Annie E. Coombes, Annie E. Coombes, Coombes
     
 

The democratic election of Nelson Mandela as president of South Africa in 1994 marked the demise of apartheid and the beginning of a new struggle to define the nation's past. History After Apartheid analyzes how, in the midst of the momentous shift to an inclusive democracy, South Africa's visual and material culture represented the past while at the same time… See more details below

Overview

The democratic election of Nelson Mandela as president of South Africa in 1994 marked the demise of apartheid and the beginning of a new struggle to define the nation's past. History After Apartheid analyzes how, in the midst of the momentous shift to an inclusive democracy, South Africa's visual and material culture represented the past while at the same time contributing to the very process of social transformation . Considering attempts to invent and recover historical icons and narratives, art historian Annie E. Coombes examines how strategies for embodying different models of historical knowledge and experience are negotiated in public culture - in monuments, museums, and contemporary fine art.

History After Apartheid explores the dilemmas posed by a wide range of visual and material culture including key South African heritage sites. How prominent should Nelson Mandela and the African National Congress be in the museum at the infamous political prison on Robben Island? How should the post-apartheid government deal with the Voortrekker Monument mythologizing the Boer Trek of 1838? Coombes highlights the contradictory investment in these sites among competing constituencies and the tensions involved in the rush to produce new histories for the 'new' South Africa.

She reveals how artists and museum officials struggled to adequately represent painful and difficult histories ignored or disavowed under apartheid, including slavery, homelessness, and the attempted destruction of KhoiSan hunter-gatherers. Describing how contemporary South African artists address historical memory and the ambiguities uncovered by the Truth and Reconciliation Commission, Coombes illuminates a body of work dedicated to the struggle to simultaneously remember the past and move forward into the future.

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Product Details

ISBN-13:
9780822330721
Publisher:
Duke University Press Books
Publication date:
11/28/2003
Edition description:
New Edition
Pages:
384
Product dimensions:
6.10(w) x 8.90(h) x 1.00(d)

Meet the Author

Annie E. Coombes teaches art history and cultural studies at Birkbeck College, University of London, where she is Director of Graduate Studies in the School of History of Art, Film, and Visual Media. She is the author of Reinventing Africa: Museums, Material Culture, and Popular Imagination in Late Victorian and Edwardian England and coeditor of Hybridity and Its Discontents: Politics, Science, Culture.

Table of Contents

List of Illustrations
Acknowledgments
List of Abbreviations
Introduction: Making History Memorable1
1Translating the Past: Apartheid Monuments in Postapartheid South Africa19
2Robben Island: Site of Memory / Site of Nation54
3District Six: The Archaeology of Memory116
4New Histories for Old: Museological Strategies149
5What's in a Name? The Place of "Ethnicity" in the "New" South Africa206
6New Subjectivities for the New Nation243
Epilogue: Changing Places279
Notes297
Bibliography339
Index355

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