History on Film / Edition 1

History on Film / Edition 1

by Marnie Hughes-Warrington
     
 

ISBN-10: 0415328284

ISBN-13: 9780415328289

Pub. Date: 10/01/2006

Publisher: Taylor & Francis

Can films be used as historical evidence? Do historical films make good or bad history? Are documentaries more useful to historians than historical drama?

Written from an international perspective, this book offers a lucid introduction to the ways films are made and used, cumulating with the exploration of the fundamental question, what is history and what is it

Overview

Can films be used as historical evidence? Do historical films make good or bad history? Are documentaries more useful to historians than historical drama?

Written from an international perspective, this book offers a lucid introduction to the ways films are made and used, cumulating with the exploration of the fundamental question, what is history and what is it for?

Incorporating film analysis, advertisements, merchandise and internet forums; and ranging from late-nineteenth century short films to twenty-first century DVD ‘special editions’, this survey evaluates the varied ways in which filmmakers, promoters, viewers and scholars understand film as history. From Saving Private Ryan to Picnic at Hanging Rock to Pocahontas, History Goes to the Movies considers that history is not simply to be found in films, but in the perceptions and arguments of those who make and view them.

This helpful introductory text blends historical and methodological issues with real examples to create a systematic guide to issues involved in using historical film in the study of history. History Goes to the Movies is a much-needed overview of an increasingly popular subject.

Product Details

ISBN-13:
9780415328289
Publisher:
Taylor & Francis
Publication date:
10/01/2006
Edition description:
New Edition
Pages:
232
Product dimensions:
6.00(w) x 9.10(h) x 0.70(d)

Table of Contents

Introduction: Why History on Film? 1. Words and Images, Images and Words 2. Genre 3. Pasts, Presents and Futures 4. Identity 5. Reality 6. Documentary 7. Propaganda 8. Selling History. Conclusion: Beyond 'Historiophoty': Film as History

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