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Posted August 24, 2008
Helene Pilibosian is a unique, fine poet, a woman overflowing with her Armenian heritage which she celebrates throughout this book of poems, weaving the ancient history, the not so distant history of the early 1900s and the current reflections of the many transplanted Armenians who have settled in many countries after the Diaspora that followed the 1915 horror on her colorful and richly detailed loom. She has a profound respect and understanding of the place of Armenia in world history and for those readers whose knowledge of that country's changing geography and relationship to the great kingdoms and conquerors, Pilibosian has a technique that allows entry into this under-appreciated past. But what makes Pilibosian's poetry most interesting and seductive is her interlacing the immigrant experience with the voices of 'those who stayed behind'. Some of these poems, written in a narrative style with a refreshing respect for language as it describes and plays with itself in rhyme, address contemporary issues peculiar to Armenians while others step into the universal arena, a space enlightened by a mind whose focus and devotion has been honed by a respect for roots. We are never quite sure how many of Helene Pilibosian's characters are real and how many are convenient creations for poetic dialogue. She can be very first person personal: 'I spilled my American hopes/of many afternoons/on the pavements that wore my life./An Armenian daughter doesn't forget/the name that gets her born,/ the long curls that were shorn.' She can be a resource for history: 'Oral history is a vagrant goat...Orphans were necessary for survival./ America and Europe were the pills....Remembrance is the epitaph/for ghosts of humble glory.' She pays homage to some of the great Armenian artists as in 'Letter to Khachaturian on his 100th Birthday, 2003'. But for this reader she is most effective in her longer, rapturously beautiful poem 'Letter to Nazeli', an exchange of thoughts and feelings between one who stayed in the homeland and one whose physical presence is in a foreign Gilead. Doubtless with the publication of this book Helene Pilibosian's importance as a contemporary poet will be more widely recognized. She deserves her special place in the pantheon of humanistic artists. Grady Harp
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