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| Danny Elfman | Primary Artist |
| Skaila Kanga | Harp |
| Anthony Pleeth | Cello |
| Hugh Webb | Harp |
| Rick Wentworth | Conductor |
| Everton Nelson | Violin |
| Vicci Wardman | Viola |
| Nicholas Bucknall | Clarinet |
| Charles Gounod | Composer |
| Danny Elfman | Arranger, Composer, Score Producer |
| Steve Bartek | Orchestration |
| Marc Mann | MIDI |
| Pat Sullivan | Mastering |
| Tom Cavanaugh | Music Business Affairs |
| Nick Wollage | Engineering |
| Everton Nelson | Orchestra Leader |
| Edgardo Simone | Orchestration |
| TJ Lindgren | Arranger |
| Mark Cavell | Licensing |
| Lucy Whalley | Assistant Contractor |
| Isabelle Tulliez | Product Development |
| Melissa Karaban | Composer's Assistant |
| Sacha Gervasi | Liner Notes |
Editorial Reviews
All Music Guide - James Christopher Monger
Director Sacha Gervasi's 2012 Alfred Hitchcock biopic was less of a proper biography and more of a breakdown of the events leading up to the release of 1959's Psycho. Composer Danny Elfman's elegant score reflects that sense of minutia, offering up a scant 38 minutes of material, much of which clocks in at under a minute. Elfman's signature blend of dread, whimsy, and mischief serves the tone of the story well, and while it may not be as stocked with memorable themes as some of his better-known works, it dutifully conveys the pathos, unpredictability, and humor of its source material.