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Hodie: An English Christmas Collection

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All Music Guide - Stephen Eddins
The centerpiece of the Sixteen's collection of Christmas music by late Romantic and modern English composers is Britten's "Ceremony of Carols." Harry Christophers, founder and conductor of the Sixteen, writes that performances of the piece have become so routine that practices alien to the composer's intent have become enshrined and unthinkingly repeated from performance to performance. Christophers' intent is to look freshly at the score and follow it faithfully and without preconceptions. His performance does, in fact, sound newly imagined, with some surprises in tempos, dynamics, and articulation that make good musical sense. Most noticeable is maintaining the same ...
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Editorial Reviews

All Music Guide - Stephen Eddins
The centerpiece of the Sixteen's collection of Christmas music by late Romantic and modern English composers is Britten's "Ceremony of Carols." Harry Christophers, founder and conductor of the Sixteen, writes that performances of the piece have become so routine that practices alien to the composer's intent have become enshrined and unthinkingly repeated from performance to performance. Christophers' intent is to look freshly at the score and follow it faithfully and without preconceptions. His performance does, in fact, sound newly imagined, with some surprises in tempos, dynamics, and articulation that make good musical sense. Most noticeable is maintaining the same tempo throughout "This Little Babe," Britten's frighteningly close three-part canon, which when taken at the correct speed can inspire fear in both performers and audience, as well it should. At the end of the piece, in most performances, conductors allow the tempo to go slack, as if in relief at making it through the hard part. Christophers keeps precisely to the original tempo, allowing Britten's longer note values to provide the respite from the torrent preceding it, and it's highly effective. Christophers is a stickler, to good effect, for precision in articulation, giving the work more varied textures than some performances have. He also maintains a refreshingly strict adherence to the proper pronunciation of the Middle English. The ensemble, which includes female sopranos and altos and male altos, sings with such pure, straight tone that the listener is hardly aware that they are not treble voices. For the remainder of the album, the full mixed ensemble sings with rich, warm tone, as is appropriate for the repertoire. The various soloists from the group are polished but natural sounding. Other pieces that stand out are Tavener's astringent "The Lamb," Howells' "A spotless rose" and "Sing lullaby," and John Gardner's vivacious "Tomorrow shall be my dancing day." Coro's sound is clean, natural, and spacious.
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Product Details

  • Release Date: 1/1/2003
  • Label: Coro
  • UPC: 828021600425
  • Catalog Number: 16004

Tracks

Disc 1
  1. 1 Make We Joy Now In This Fest, carol for mixed chorus - Harry Christophers & William Walton (3:26)
  2. 2 Coventry Carol - Kenneth Leighton & Harry Christophers (3:12)
  3. 3 A Babe Is Born - Peter Racine Fricker & Harry Christophers (1:52)
  4. 4 The Virgin's Cradle Hymn (Dormi, Jesu!) - Edmund Rubbra & Harry Christophers (1:44)
  5. 5 A Hymn to the Virgin, for SATB double chorus - Benjamin Britten & Simon Birchall (3:40)
  6. 6 The Lamb, for chorus - Harry Christophers & John Tavener (3:42)
  7. 7–18 A Ceremony of Carols, for trumpet, voices & harp, Op. 28 - Benjamin Britten & Harry Christophers (21:38)
  8. 8 Sing Lullaby for chorus - Harry Christophers & Herbert Howells (3:50)
  9. 9 Lute Book Lullaby - Harry Christophers & Peter Hayward (2:31)
  10. 10 A Spotless Rose, for chorus - Herbert Howells & Simon Birchall (3:26)
  11. 11 Corpus Christi - Harry Christophers & Peter Warlock (4:35)
  12. 12 Balulalow for voice & piano - Harry Christophers & Peter Warlock (2:06)
  13. 13 Benedicamus Domino - Harry Christophers & Peter Warlock (1:17)
  14. 14 Tomorrow Shall Be My Dancing Day - Harry Christophers & John Eliot Gardiner (2:11)
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Album Credits

Performance Credits
Harry Christophers Primary Artist
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