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Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
What separates Hoku's self-titled debut album from the glut of shiny teen pop that flooded the market in late 1999/early 2000 is that it never tries to sound wiser than its years and it never seems to pander to commercial concerns. Sure, it's commercial -- that's what teen pop is all about -- but never once do the record makers decide to push Hoku as a nymphet. Her songs are never sexual the way those of Britney Spears and Christina Aguilera surely are. These are sunny, innocent songs, from the bright dance numbers to the slow ballads. That's appropriate because Hoku has a girlish voice; she sounds young, so it makes sense that her record is targeted toward ...