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Hold Love Strong
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Hold Love Strong

4.1 12
by Matthew Aaron Goodman

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Born to a thirteen-year-old in the bathroom of his family’s small apartment, Abraham Singleton enters a world laden with the obstacles inherent in an impoverished urban community. But when his mother becomes addicted to crack and his uncle—the family’s basketball prodigy and their potential ticket out of poverty—is arrested and convicted,


Born to a thirteen-year-old in the bathroom of his family’s small apartment, Abraham Singleton enters a world laden with the obstacles inherent in an impoverished urban community. But when his mother becomes addicted to crack and his uncle—the family’s basketball prodigy and their potential ticket out of poverty—is arrested and convicted, the last glimmer of hope is extinguished. Then a college scholarship offers Abraham a way out, but what of those he will leave behind? Tossed into tumultuous times, Abraham and his family struggle to overcome their grim environment and the crushing weight of the past. .

In the vein of Richard Wright’s Native Son , this novel is a wake-up call to America “told exceptionally well in the lyrical first person voice of a sensitive and perceptive youth” ( Booklist ). A spellbinding coming-of-age novel about love, hope, and the will to survive, Hold Love Strong is a revealing look inside the nation’s crumbling housing projects, and a universal story about the incredible capacity of the human spirit..

Editorial Reviews

From the Publisher
"A powerful and poignant story of the gallant Abraham who struggles on the night side of American society yet exudes a light of genuine hope." — Dr. Cornel West

"The urgency of reading Matthew Aaron Goodman's work is that he complicates what is too often made unrealistically simple: our understanding of ourselves and our neighbors. That he does so with such profound beauty only makes the experience of Hold Love Strong ever more incredible. Everyone should pick up this book." — asha bandele, author of Something Like Beautiful

"Matthew Aaron Goodman writes with tremendous heart and gorgeous lyricism....This story feels like a directive to its readers: Hold fast and true to the love you may know in this life. It takes an extraordinary writer to evoke such powerful emotion in a reader, and Matthew Aaron Goodman does it here with wisdom and grace." — Thisbe Nissen, author of The Good People of New York

"At once intimate and epic, Hold Love Strong shines light on a world too often distorted or ignored. Goodman plumbs us into a narrative of devastating pain and searing tenderness, and he does so fiercely, with prose as bright and sharp as a blade." — Carolina De Robertis, author of Invisible Mountain

"What a poignant book. The younger generation offers a wonderful writer!" — Nikki Giovanni, Poet

Barnes & Noble Discover Great New Writers
In a New York City housing project, the young Singleton family struggles to survive. Goodman's debut novel opens with a harrowing home birth, as a 30-year-old mother delivers her 13-year-old daughter's baby. The new grandmother names her grandson Abraham, after the biblical patriarch -- an inauspicious beginning of what will be a terrifying tour of Ever Park project.

As a young boy, Abraham is "obsessed with flight." For all the brothers in the projects, flight -- whether it's a plane flying overhead, a pair of coveted Air Jordans, or the exhilaration of a drug-induced high -- symbolizes escape from the bitter reality of poverty and crime. Abraham's uncle, just nine years old when Abraham is born, is filled with athletic promise, seemingly bound to slip the shackles of defeat he was born to wear. Instead, he's arrested for being a "mule," ferrying drugs to pay his family's bills.

Again and again, hope is extinguished, yet somehow the family survives. Abraham's most crushing loss, his mother's overdose, seems to be the last straw. But against all odds, his remaining family stands with him, refusing to let him fall. His story, at once stirring and horrifying, shows that, with the power of love, human beings can survive even the most harrowing circumstances, against the worst imaginable odds. (Summer 2009 Selection)
Publishers Weekly

Goodman delivers a commanding investigation of love, family and freedom set in a New York City housing project. Abraham Singelton, born in 1982 to a 13-year-old mother, comes of age in the Ever Park projects, watching The Cosby Show and dreaming about a future in Brooklyn as a Huxtable. The generous narrative features a cast of deftly drawn characters: Lyndon Gaines, a former boxer turned community activist who courts Abraham's grandmother with a cage full of lovebirds; Lindbergh, a damaged Vietnam vet, now turning trash into elaborate models of helicopters; and cousin Donnel, whose one constant is the pledge, made at Abraham's birth, to "hold love strong." A keen observer and deeply empathetic young man, Abraham grapples with the inescapable truths of his childhood yet understands the promise contained in education, love and personal expression. Though the narrative features its share of urban fiction tropes (crack-addicted mother, an uncle with NBA potential doomed by the allure of quick money, a series of senseless deaths), Goodman manages to pull together a vibrant canvas of project life, perfectly capturing the pain and magic of living despite narrow opportunities. (Apr.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Kirkus Reviews
A debut novel about a boy coming of age in an inner-city New York neighborhood. The book begins with narrator Abraham Singleton's birth to a 13-year-old mother on the bathroom floor of her grandmother's apartment, a circumstance not conducive to future success. We then follow the next 18 years of Abraham's life, meeting his neighbors and relatives along the way. The most important people in Abraham's life include his mother Jelly, not much more than a child herself; his uncle Roosevelt (aka Nice), nine years Abraham's senior; and especially his cousin Donnel, four years older than Abraham but increasingly like a brother. Then, predictably, things fall apart: Jelly becomes a crack addict and piteously cajoles her son for the dollar he has for lunch money; Nice is imprisoned but years later emerges with quiet dignity after having converted to Islam; and Donnel's vision of breaking free is shattered by his imprisonment for a variety of offenses including assault, battery, criminal anarchy and resisting arrest, all these charges stemming from an overly intense game of street basketball. Throughout the chaos of his childhood and adolescence, Abraham tries to keep his eyes on the prize, aided in part by his girlfriend Kaya, a no-nonsense keeper of the academic flame, convinced that education is the way out for both of them. Just at the point when his experiences begin to harden him, Abraham gets an offer from the Brandeis basketball coach to consider attending college, so he sweats through his application and SATs, with salutary results. A hard-edged novel with a sweet but unsentimental interior. Agent: Victoria Sanders/Victoria Sanders & Associates

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Hold Love Strong


The first pain came at noon but she didn't tell anybody about it. My mother was thirteen and she went about the afternoon being every part of such a precarious age. She watched TV. She popped pimples and studied her face in the bathroom mirror. She listened to the radio, sang along with songs, and laughed along with the afternoon DJs. She wrote in her diary. I still can't Beleve! I'm pregnant, she scribbled in bulbous letters that began and ended in curls. I can't beleve my belly is soooo big! At five, she took a nap and awoke three hours later, home alone and in a wet bed. She thought it was pee, balled the sheets, put them in the trash, and told herself she was disgusting. Then it was midnight and the pain became a fiery Cinderella banging to flee her guts. Still, she ignored it. Twenty minutes later, another pain came like the previous one but angrier, and so along with the banging it tore at her, buckled her knees, and left her coiled and crying on the floor. She had to do something. She had to find an answer; or something to distract her from the increasing frequency of such mercilessness; or some kind of pliers to rip and wrench the pain out of her. She went to her best friend Cherrie's apartment one floor below ours. It was a Friday night and she knew Cherrie would be awake watching TV.

"It's just gas," Cherrie decided, pouring my mother a glass of ginger ale in the kitchen. "What you eat?"

"Some Ring Dings and a bag of Doritos," said my mother.

"A whole bag, damn!" Cherrie forced her surprise to fit into a whisper because her mother was asleep in one room, her big sister Candy was asleep in the other, and the walls in the apartment, like the walls in every Ever Park Project apartment, amplified even the slightest sound.

Although Cherrie had a way of convincing my mother that what was major was minor, and although my mother hoped that what was going on inside her was something trivial and unholy, she was still just thirteen, so she was scared, maybe even desperate.

"Should I call James?" she asked.

The year was 1982. There were no cell phones or pagers so there was no way to get in touch with people unless you knew where they were or left a message where they would soon arrive. My grandmother and my mother's sister, my Aunt Rhonda, would have been my mother's first and second choices, but they had taken my Uncle Roosevelt and my cousins Donnel and Eric to see E.T., so there was no way of speaking to them, and calling where they would arrive meant calling where she had just left. As for James, he was my father. That is, James Llewelyn Arthur sowed the seed that became me. He was twenty. The last time my mother and he spoke they fought over a retractable Bic pen. He wanted it. She wouldn't give it to him. He punched her breast. She stabbed him in the leg with it. That was the previous week. Since then he was gone and never found; never found a phone; never found another pen and paper to write a letter; never found two twigs to rub together to make a small fire so a smoke signal would drift into the sky and prove he knew we were alive.

"James?" said Cherrie, wiping her mouth after swigging straight from the two-liter bottle of ginger ale. "What's he gonna do?"

Although the answer could only be nothing, my mother used Cherrie's phone to call James. Of course, there was no James to speak to. He was out said his grandmother, an old woman with a wobbly, frayed voice who was too lonely to even wonder, let alone ask, why my mother was calling so late. "You know," she said, "come to think, I ain't seen him since yesterday. I hope he comes home tonight."

"Tell him Angela called," blurted my mother.



"OK, Angela, that's such a pretty name. I once had a dear friend named Anita. That's a pretty name too."

"Tell him I need to see him, that it's real, real important. Tell him to call as soon as he comes in. It don't matter what time it is."

"He has your phone number?"

"Yeah," my mother answered, trying to sound confident yet wondering if he remembered it.

Because my mother hadn't left a note nor trace of where she went and why she left, she and Cherrie ascended the stairs from the third floor to the fourth floor and returned to my grandma's apartment. There, they sat on the plaid, mustard-colored couch and watched TV as if late night reruns of the Three Stooges could refute my mother's pregnancy and pains and transport them to who they should have been at this time in their lives, nascent teenage girls just beyond the loss of their last baby teeth, confidantes whose essential aims had yet to be developed and so needed to be discussed in that mighty gabbing and giggling best thirteen-year-old girlfriends do when awake after midnight.

Just as suddenly as each pain before, another crash tried to split my mother in half. She slammed herself into the back of the couch, and breathed so hard and fast snot flew from her nose.

"What's it feel like?" asked Cherrie, touching my mother's round belly with both hands.

"God damn, fuck!" said my mother, sweating and shaking her head no. "It's like I got lightning inside me."

When the pain dissipated, Cherrie got my mother a glass of water from the kitchen. Then there was the sound of keys opening the door, a click and clack and then two clacks more. Locks were being unlocked. Someone was about to be home.

"Ma!" my mother shouted as if she had fallen down a dark hole and feared she would never be found. "Momma!"

But it wasn't my grandma. The door opened and my Aunt Rhonda walked in holding Eric in her arms, his legs dangling around her waist as he slept with his head burrowed in the crook of her neck. Eric was two and he was afflicted with a particular idiosyncrasy that made him somewhat of a spectacle. He was born with Sjögren's syndrome so he could howl and shout, and he could screech and scream until every vein in his head seemed as if it might explode, but he could not cry. Never. Not once had there ever been nor would there ever be a tear in or falling from his eyes.

"Sorry we so late," my Aunt Rhonda said, taking her keys out of the door so not yet looking at my mother. "The first movie was sold out, so we had to see the later one."

My Aunt Rhonda was seventeen. She was five foot three inches tall, one hundred and ten peanut-butter-brown pounds of a young woman, and the extreme of the lesson my mother was learning. That is, she only knew loving herself through seeking, finding, and being hurt by men who did not love themselves nor comprehend the value of being someone cherished. She said hello to Cherrie. Then she looked at my mother and her eyes got stuck.

"Jelly, what's wrong?" she asked, calling my mother by the nickname she had given her when she was a little girl.

"She got gas," said Cherrie. "I made her drink some ginger ale. She'll be all right soon."

"See," my Aunt Rhonda scolded. "I told you to stop fucking with all that junk food."

Through the open door my Uncle Roosevelt strode into the apartment, dragging my Aunt Rhonda's eldest son, my cousin, weary-eyed, half-asleep four-year-old Donnel by the hand behind him.

"Damn, Jelly," Roosevelt said. "Why you look so crazy?"

My Uncle Roosevelt was an amber-skinned, narrow-eyed, gangly nine-year-old who already owned the kingly disposition only the world's most blessed men approach possessing. His grace was astounding. No season, situation; no rage, pain, or suffering touched him. He let go of Donnel's hand, crossed in front of my Aunt Rhonda, and came to the couch.

"How's the baby?" he asked.

"Where's Ma?" my mother said.

"She's coming," my Aunt Rhonda answered. "She got stuck talking to Mr. Goines outside."

"He loves her," added my Uncle Roosevelt, stating what everyone knew to be truth.

He leaned over my mother and put his ear against her belly. Suddenly my mother winced and moaned and was racked with a wave of pain that made her nostrils flare, lips quiver, and her body shudder as if her ribs were pounding her organs to pieces. My Aunt Rhonda ran to her, seamlessly handing Eric to my Uncle Roosevelt, who cocked his hip, set Eric upon it, and tucked the boy's head beneath his chin without waking him.

"Jelly," said Rhonda wiping the sweat from my mother's forehead with her hand. "Jelly, your water break?"

"I don't know," my mother moaned. "It just hurts."

When the contraction ended my Aunt Rhonda told Cherrie to call an ambulance.

"No," said my mother.

"What you mean, 'No'?" my Aunt Rhonda asked. She stood tall, planted her hands on her hips, and looked down at my mother. "We got to get you to the hospital."

"James is gonna call," said my mother.

My Aunt Rhonda sucked her teeth and rolled her eyes as if making a red circle around an incorrect answer in the air. "Jelly, you about to burst!" she scolded. "We don't got time for James."

"I got time," said my mother.

My father was not the type of man who gave a damn or sacrificed in the name of what was necessary, just, and good. My mother was impulsive and headstrong. We were going to be a family is all she believed. That's it, that seventh-grade cusp of pubescent confusion, that dream trumped all truth. That conviction was her head and heart and the construction of her vital organs. James would come around. He would realize it was only a pen and she didn't mean to stab him. It was only a matter of time. They would raise me together. She paid no mind to my Aunt Rhonda's history, the other young histories pushing strollers in the neighborhood, nor what anyone warned her. James Llewelyn Arthur loved her infinity. That's what he told her just before the first times but never after, just before she gave him her virginity, just before the first time she gave him head, just before she let him go down on her, bury his lips, lick, lap, and spread the one part of her body she had never studied in the mirror nor had the courage to touch herself.

My grandma came into the apartment. "What are you all crazy or something?" she scolded. "Why is this door open?"

"Ma," my mother whimpered.

My grandma didn't speak. She didn't blink or breathe. A passionately constructed woman of only thirty, she swiftly studied the scene. She looked at my mother. She looked at Cherrie. She looked at Rhonda. All of my grandma's features possessed a depth and delicacy that made her and everything within ten feet of her beautiful. Her body and being were balance. Her arms were long and muscular as were her legs, fingers, neck, earlobes, and the length of time her laughter lasted.

"When was the last one?" she asked.

"Just before. Maybe not even two minutes," said my Aunt Rhonda. She slammed her eyes on Cherrie. "What I tell you? Shit, what the fuck I say?"

Cherrie sprinted into the kitchen, where our phone sat on the counter, and my grandma and my Aunt Rhonda led my mother into the bathroom because the couch was my grandma's first and only couch and even though she bought it used she refused for it to be ruined or even slightly stained by anyone or anything, even birth, no matter how divine an occasion it was.

"Mind your nephews!" my grandma told Roosevelt.

"I got them," he said, taking Donnel's hand, leading him and his wide eyes to sit on the couch, and then sitting beside him with Eric, still sleeping, balanced against him.

In the kitchen, Cherrie turned the rotary dial, held the phone to her ear, and listened. Nothing. She tapped the switch-hooks hoping that there was some kind of short, or that one of the buttons was stuck. Still, nothing. She slammed the phone into the cradle then picked it up and held it to her ear again. Nothing. She slammed the handset down.

"It's dead!" she cried out. There ain't even a dial tone!"

My grandma closed her eyes and cursed everything under her breath, Queens and the state of New York, the phone company and Ever Park, life, herself, America. The phone could have been dead for one of any number of reasons: the phone bill hadn't been paid; the phone company didn't do the proper upkeep; someone in our building cut a wire thinking splicing it would give them phone service.

"Go downstairs," shouted my grandma. "Don't act like you ain't got no sense! Use yours. And if that don't work go use a pay phone! Shit, Cherrie, don't just give up!"

Cherrie bolted out of our apartment like my grandma's voice was fire and the drum of Cherrie's heavy feet could be heard thumping down the stairs until she reached the third floor's door, which squealed when it opened then boomed when it closed.

In the bathroom, my grandma and my Aunt Rhonda helped my mother take off her clothes.

"My shirt too?" asked my mother.

"Shirt too," ordered my grandma. "Unless you got the money to pay for a new one if it gets bloody."

So off came my mother's shirt and for a moment my grandma, my aunt, and my mother just stood there, three proximate shades of black women, autumnal hues in a small, plain bathroom with white walls, a white porcelain sink, a white bathtub, and a white toilet with a broken black plastic seat. My grandma and my Aunt Rhonda looked at my mother, who, looking in the bathroom mirror, looked at herself as well. In addition to the disposition and body type of my grandma, my mother was the color of an old penny at the bottom of a wishing well. Equally, she reflected and absorbed sunshine, streetlights, and the hopes of those who wished upon her, then cast her off. Her eyes and lips, her nose, shoulders and breasts, even her thighs and hips were shaped like new leaves, full yet still timid, still approaching their eventual lustrous peak.

My grandma snatched the red bath towel from the back of the bathroom door and put it on the floor. "Here," she decided. "Lay down on this. And Rhonda, get behind and hold her. That baby is coming. I can feel it. We ain't got much time."

My mother lay down. The bathroom was so small her head crossed the threshold of its doorway. Behind my mother, on her knees, wrapping her arms around her and wedging her thighs against my mother's back, my Aunt Rhonda kneeled on the coarse, grey carpet of the living room. My grandma stepped into the bathtub. She hiked her skirt up over her knees, squatted, and put my mother's ankles on her shoulders.

"Lord have mercy," she said. "Lord have some motherfucking mercy on me."

My mother sweated, shivered, and writhed from the pain and the fright. Another contraction came and went. Then she cursed and screamed and told my grandma she didn't want to live no more.

"Jelly, shut your mouth!" demanded my grandma. "Stop thinking about yourself! You about to be a mother!"

On the couch, Donnel asked question after question and Eric awoke and hollered for my Aunt Rhonda. He reached for her. He fought to get out of my Uncle Roosevelt's arms. My uncle tried to keep them calm. He hushed them. He softly sang verses of spontaneously composed lullabies. He tried to remind my cousins about the movie they just saw, how ET had a magic finger and loved Reese's Pieces candy.

My mother quaked with another contraction and she moaned and rolled her head from side to side as if her neck and spine were suddenly severed. Then she stopped and looked down at the round mound of her belly, her eyes so wide it seemed she was surprised by the sight. She put her hands on it, and with her fingers spread as wide as they could stretch, my mother began to weep. But it was not weeping caused by physical pain, or by ignorance, or even a weeping caused by fear. My mother wept because although she was still a child she had enough sense to understand that she was not prepared to shape my life. She couldn't multiply or divide. She didn't know north, south, east, or west. She couldn't tell time on a regular clock. This is not to say she was dumb. In fact, my mother was brilliant, so smart she could remember all of the words in a song after hearing it just once. What my mother was then was the product of low expectations. She had been failed so she had failed. And yet, social promotion: she had just graduated the seventh grade.

But when she felt weak, when she felt hopeless and useless and begged my grandma to make the pain stop, to let her quit, my grandma said, "No!" My mother couldn't stop, not even if great God Almighty Himself said she could quit. And so, because my grandma was not the type of woman anyone could disregard, my mother pushed with her life. She clenched the air in her fists. She gritted her teeth. She closed her eyes so tightly she saw everything she'd ever wished to see, every mountain and ocean, every sandy beach, tropical waterfall; elephants and lions and giraffes in Africa; she saw Jesus, she shook President Reagan's hand; she saw the Statue of Liberty; herself with a car, a fur coat; a collie like Lassie; she saw herself as a movie star. Her toes curled. Her calves cramped. Her heart became a volcano bursting blood. She saw her dreams. She felt their temperature. She smelled them.

My grandma saw my head. She took it in her hands and pulled gently, but then, holding one hand up as if halting a train, she shouted: "STOP!"

Every muscle in my mother's body went limp. My umbilical cord was wrapped twice around my neck. My mother's pushing combined with my twisting and turning was killing me. I was being lynched and I was hanging myself. My face was the color of an electric blue bruise. One more push or pull, one more twist, and I was dead. My mother begged to understand what was happening.

"Momma," she said, propping herself on her elbows. "Momma, please."

"What's wrong?" asked Rhonda. "Ma, what is it?"

My grandma breathed deep. "Shh, both of you, let me think."

Outside of the bathroom, Eric stopped hollering, Donnel stopped asking questions, and my Uncle Roosevelt stopped hushing and singing lullabies. All of Ever Park, all of Queens went silent. Then, in through the door burst Cherrie.

"They coming!" she shouted. "A ambulance is on the way!"

My Aunt Rhonda looked over her shoulder at Cherrie, her eyes demanding silence.

Cherrie stopped in the middle of the living room. "What's going on?" Cherrie said, her voice a fraction of its preceding size.

In the bathroom, my grandma looked up at the ceiling. "God," she whispered. "Jesus. Somebody, please help me save this child."

My grandma took one deep breath, closed her eyes, and made the same prayer silently. Then she opened her eyes, gently held my head and slowly drew my shoulders free. She paused to think. What next? What could she possibly do? The umbilical cord was taut. She cupped her hand beneath me, breathed, then cautiously guiding me in an unhurried somersault, she turned me upside down, freed my legs, and unwound the umbilical cord from my neck. My grandma saved me from that which fed and kept me for the first nine months of my life. She cleared my nostrils and mouth with her pinky. Then she wiped the blood from me with the palm of her hand.

"Roosevelt!" she called out. "Get me a knife! A sharp one. One of the ones with the wooden handles."

But it wasn't my uncle who brought my grandma the knife. It was Donnel. Like a miniature Mercury, he burst into the bathroom and held the knife out to her. Then he stood on his tiptoes and looked at the new life my grandma cradled to her chest.

"This your baby cousin," she said. She pushed me into his arms. "Now, hold love strong."

Donnel held me against his chest like a ball of loose yarn and my grandma cut my umbilical cord and left me the ugliest outie the world has ever seen. She washed me in the sink and handed me to my mother. And as my mother held me on the floor in the bathroom, as she wept and dealt with the awe of my making, Rhonda asked what my name should be because my mother had not yet been able to settle on one.

"Abraham," my grandma announced.

"Like the president?" Rhonda asked.

"No," said my grandma. "Like the old man in the Bible that God said was gonna be the father of a great people as numerous as the stars."


I'm one of hundreds; one of thousands; one of millions now and millions more to come; a project nigga, a beautiful project nigga through and through. I lived in Ever Park every day of my life; in a building of stacks, of bricks stacked upon bricks, people stacked upon people, the smell of adobo stacked upon the scent of frying chopped meat stacked upon a hungry baby screaming for food. I lived on a ladder, on one of the rungs between third and first world. I didn't care about people starving in Africa or Mexicans stuffed like sardines in the back of a truck just to get a chance at the American Dream. I didn't care about wars in other countries, apartheid in South Africa, feeding the world's poor, housing the world's homeless, or bringing freedom to every communist country. I hardly cared about slavery. I'm not saying I didn't know or think about those things. I'm not saying I was unsympathetic, impervious, uneducated. I was affected. I understood. But I also knew how people lived where I lived so I didn't need to go looking for struggle, pain, or a country of people who needed to be free, because that country, those Somalians, those Rwandans, those Iraqis were my people, my family in Ever, where men came home from prison desperate for the gentle touch of a woman, for a breast to rest their heads on, a neck to nuzzle into, for the sanctuary of a lover's voice whispering about the brightness of their future, how now there was nothing to stop them, nothing standing in their way then two weeks later these men found themselves missing the prison's hospitality, the three square meals a day, the library, and the fact that their misdeeds made them members of a world rather than unemployable pariahs. Where were they to go, brothers wanted to know. Back to Africa? Haiti? Jamaica? Puerto Rico? Trinidad? The Dominican Republic? And do what? Die dirt poor or in the midst of a civil war? Wasn't this America; wasn't this the greatest land of all great lands of opportunity? In Ever, we were three things: broken, desperate to leave, or soldiers in a war so impossible to win that everything we did, even blinking our eyes, even licking our lips, might be suicide.

Then crack hit. Then AIDS came right behind it. And who wasn't plucked and sucked dead either got high, wasted away one bloody sore at a time, or fought with all of their might just to exist, just to walk down the street, just to make love without being afraid of saliva and semen, just to share a can of soda, a straw, a spoonful of ice cream with a best friend, just to sleep with some semblance of restfulness and peace. How did AIDS spread? Where did crack come from? What, who, if anything and anyone, was safe? In Ever, brothers and sisters were fish and dying was the H, the 2, and the O of our lives. So what did we do? We did what anyone would do. We breathed in dying and lived in dying as if dying and the baggage that came with dying were normal, like everywhere in the world mama stole from grandma and sold her pussy in the stairwell to get high.


I was a statue, the type of infant whose stoic, tearless nature and irrevocable insomnia led my family to believe I was afflicted. I could be knocked down, dropped, shaken like a bottle of soda, even forgotten for hours at a time, yet still I would not burst, cry out, whimper; still I would not look upon the world with anything less than a wide, exacting stare. Over the course of the first two years of my life, all kinds of ailments, retardations, and deficiencies were prefaced with maybe and assigned to me. Maybe I was deaf. Maybe I was mute. Maybe too much water surrounded my brain. I didn't get enough air. I was blind, lacking the sense of touch. I was autistic, dyslexic, unable to make the connection between need and action, emotion and thought, heart and mind. When put down, when brought to the floor, when seated on the bus, when planted on a lap, I grew roots; I stayed. When put to bed, I lay on my back, my brown eyes round, unblinking, doll-like. When lifted and carried, I leaned back, made myself a weight greater than I actually was, pushed away from my embracer as if determined to attain a particular distance, freedom, a space that gave me enough room to look around, lay my eyes upon the people and environment enveloping, studying, tickling, prodding, and fussing over me.

When she was not doting over her newest truest true love, when she was not chasing after or being chased, flirting or playing coy, my Aunt Rhonda teased me, poked my belly, picked me up to sit me down again so she could study my stillness and have a laugh. When he was not playing basketball with friends, practicing his shooting form in the bathroom mirror, or dribbling a ball in the apartment, the hallway, on the roof, or up and down the stairs, my Uncle Roosevelt utilized me like an inanimate object. I was the stone he used to prop open a door, the broom he used to sweep the kitchen floor, a table he tried to balance things on, a shotgun he tucked under his arm, cocked and aimed. The doctors at the clinic had no time for me. I looked healthy, they said. My stool was normal. I didn't have a fever. Take him home, they said. My mother fretted over my lethargy, my aloofness, the distance I seemed predetermined to attain. She feared she did something to damage me during her pregnancy and her fear was so great she was positive she must have. Perhaps it was the cigarettes she'd smoked, the pulls from a joint. Perhaps it was her youth, that because she'd only menstruated a handful of times prior to my conception and without any semblance of regularity, I was damaged. Maybe she'd run around too much, chased, teased, laughed, and sobbed. Maybe she talked on the phone too loud. Maybe she watched too much TV. Maybe the various manifestations of her physical, emotional, spiritual, and intellectual immaturity pervaded me, infected me with the particulars of my nature.

My grandmother told her not to worry. She shrugged off all fears and doubts. She said I was Job; Jonah in the belly of the whale; Noah in his ark; Moses in the desert. It was my great patience that would help me overcome everything the world, this life, gave me.

Of course, my mother didn't believe her. She couldn't. She didn't have the capability. She was a teenager. How she felt, not facts or biblical stories, burned inside of her, mingled with her desire to dance and flirt and the fantasy that there was a brother who was her prince, who would soon arrive, ride into Ever on his horse, his magic carpet, in a car, a boat, a plane, and whisk her away, take us to a land where she was queen.

Yet, because she was the only parent of a black boy from the projects she also knew herself as the sole remaining partner of a creation that would not only outgrow her but also live in a land that, if it did not despise me, certainly made it difficult for my soul to achieve a human level of peace. Like any mother, she knew she could only protect me for so long, that her role as the center, the cause, and the solution of what occurred in my life was a fleeting post. The summation of these facts caused her to doubt herself, perhaps even hate herself. That she was already a mother at thirteen, and what motherhood meant for the remainder of her life, was often, if not always, too tremendous a weight for her to bear. So, although she did no greater wrong than what both my Aunt Rhonda and my grandma had done before her, having a child while still children themselves, my mother was fraught with self-abasement, and eventually, mortal defeat. In her diary, she cursed herself. She cried at night. She was ornery. She acted out, threw tantrums and doled out silent treatment as if extreme action would both reverse her life and provide her control over it. Some days she couldn't bring herself to pick me up, to hold me, to feed me or change my diaper. Sometimes she watched me sleep and considered ways to make me not hers. She could leave me outside, put me on the stoop of a church, leave me on the bus or train with a note. Maybe the pawnshop would take me. Maybe some rich white woman in Long Island needed a small, brown novelty. Maybe she could take me to an ocean, a river, lay me down, sail me away.

While my mother struggled with how tremendously my arrival into the world had changed her life, Donnel, encouraged by my grandmother, propelled by both curiosity and an already intact sense of paternal responsibility that belied his age, slowly assumed more and more responsibility over me. He loved to hold me, to feed me, to proclaim that I, Abraham, was his baby cousin. He, when my mother couldn't, owned my well-being. At the park, in the waiting room of the sulfurous city health clinic with the failing fluorescent lights, in the Laundromat, on the bus, through summer's hottest days, through autumn, winter, and spring, and when we went shopping along the avenue, Donnel carried me, moored me upon his narrow hip. According to my grandmother, never had a brother so young walked with such pride; never had a boy emanated a holy power of unconquerable manhood.

Donnel taught me how to speak. He taught me how to hold a bottle. He reveled in making me giggle and smile. And like a puppeteer, he taught me how to walk. He stood in front of me, held me by my hands and helped me balance, then walked backward as I walked forward. I moved where his hands, his eyes, his smile led me. I lifted and dragged my feet according to his desire. By the time he was five, Donnel, with limited supervision and later no supervision at all, determined if and when I soiled myself, then changed me, gently laid me on a kitchen chair or the couch or, when need be, utilizing the dexterity and balance only available to fearless children and great athletes, he changed my diapers in his arms, pressed me against his body, nestled me in the crux between his rib, arm, and abdomen.

The bond Donnel and I had, the bond he was unconsciously but purposefully building was, in its essence, the fundamental mooring and foundation of my family. We were not grandmother, daughters, sisters, or sons. We were not uncle, aunts, and cousins. We were brothers. Our love was unwavering, unflappable, greater than anything presented by the Bible, the Torah, and the Qur'an combined. That is, where we'd go, what would occur, what we lost and gained together, what we suffered and championed through, what we sometimes wished to recall and force ourselves to forget, our lives, the occasions and circumstances, were more than everything, more than forever, more than even the truth. Copyright © 2009 by Matthew Goodman

Meet the Author

Matthew Goodman earned a B.A. degree in literature from Brandeis University and an MFA from Emerson College. He has been a student of writing at the 92nd Street Y, Breadloaf Writer’s Conference, and the Vermont Studio Center, and has taught and worked in inner-city communities for years. Working hand-in-hand with formerly incarcerated men and women, he created The Leadership Alliance, a community empowerment project that unites community leaders and volunteer partners. He lives with his wife in Brooklyn, New York.

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Hold Love Strong 4.2 out of 5 based on 0 ratings. 13 reviews.
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voraciousreaderIL More than 1 year ago
While Matthew Aaron Goodman might be a great new author, I have read this same book over and over, but never in novel form. "Random Families" is a true story that will touch your heart and show you the REAL life that is led by the "characters" in this story. I had to stop reading this because I found no connection to the characters. The book jumped around and the characters were not developed well enough for me to care about them, except for the grandmother. Do yourself a favor and read a true story about the cycle of poverty-life in the projects, etc.
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OOSABookClub More than 1 year ago
The difficulty of breaking the poverty cycle when the odds are against you. The love of a family when "babies raising babies" is not gender specific but communal and yet the determination to hope for better becomes the drive that sustains. This is the journey of one male from infancy to college and the lives that subsidizes his flight including death, pushing drugs, disability, violence, incarceration and intimidation. Very well done. Integration of strong language with strong characters. You find yourself rooting for the main character to not be entombed by the pain, disappointments, humility, discouragement and hopelessness which surrounds him while appreciating that the mind is limited in how much trauma can be inflicted upon it without negative consequences. Emotionally you find yourself celebrating accomplishments and undertandings with relief, as there is always a choice. Also, you see maturity of thought in children that is lacking in adults and wonder how inappropriate that is yet rejoicing that someone, anyone, can add some wisdom to a chaotic situation. "Hold Love Strong" is immense, enjoyable and a compelling read. It offered insight into the ease of entrapment in poverty regardless of talent, wisdom, age, motivation, or circumstances. Highly recommend. Reviewed by: Gail
Anonymous More than 1 year ago
I read this book at the suggestion of a friend and I will say; I did like it. The main character was touching and you wanted to see how he turned out. The story, while commonplace in the urban cities, was very interesting to read and kept you guessing. I think it would be good for a book club. Lots to discuss.
MishMill More than 1 year ago
I loved this book. Matthew Aaron Goodman has written an incredible novel. I cried a few times while reading about Abraham and his family. The characters are real and authentic, and I really cared about them as the book progressed. I have recommended this to a few people and they loved it as well. Read this book!
misstoni007 More than 1 year ago
Amazing! Amazing! Amazing! is all I can keep saying about this wonderful gem of a book. The story of the Singleton family is just nothing short of amazing. So many hardships come across through their lives yet their love for family keeps them going strong. I cold not stop reading this book and did not want to end. Beautifully written by an amazing author.
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Aradanryl More than 1 year ago
"I hope that upon each page you find a compelling story composed with and about humanity, nothing more, nothing less." wrote the author in a letter that accompanied the ARC that I read. And that I definitely did! This is an incredibly well-written story of survival, of the indomitable spirit of a child who wanted something different than the way of life he was living. Abraham, the main character, is so real that even after I have already put the book away, even knowing it is labeled fiction, I think of that young man's innate strength of character. I was sorry the book ended and I'll never know what happened to Kaya, Donnel and Nice. Caveat: this book has incessant but not gratuitous use of the f-word and n-word, which in a lesser book, would have prevented me from enjoying it. In this book, the language is part of what makes this book feel more real than fiction.
harstan More than 1 year ago
In 1982 in the Ever Park project in New York City, thirteen year old Jelly Singleton gives birth to Abraham on the bathroom floor of her grandmother's apartment while her mom thinks her daughter is having a gas attack. The rest of the family that includes his nine year old Uncle Roosevelt, his Aunt Rhonda and her brood especially the oldest four year old Donnel are at the movies watching ET. Over the tweener years, Abraham dreamed of becoming a member of the Huxtable family in Brooklyn while his mom turned to crack and Roosevelt went to prison. During that period grandma kept the family together. When Donnel, who was more like an older brother to his younger cousin, goes to prison, Abraham is ready to give up. However, his girlfriend Kaya keeps the pressure on that education is their tickets out of the projects. His hope for a scholarship resides more on his basketball skills than his classroom success, but with encouragement he tries to improve his academic standing. HOLD LOVE STRONG is a powerful look at inner city life and survival in the projects as a poor family struggles to overcome addiction, deaths, incarcerations, and broken dreams. Grandma is the key to keeping her family together and giving hope to all even addicted Jelly and Donnel who through away an NBA career. Character driven, Matthew Aaron Goodman provides a profound family drama of living in the projects where daily existence easily snuffs out the hopes and dreams of those who want the life of the Huxtables. Harriet Klausner