Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.



3.8 13
by Charles Bukowski

See All Formats & Editions

Hank and his wife, Sarah, agree to write a screenplay, and encounter the strange world of the movie industry.


Hank and his wife, Sarah, agree to write a screenplay, and encounter the strange world of the movie industry.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Bukowski ( The Roominghouse Madrigals ) has written over 30 books of poetry and fiction in which he uses the persona of the artistic bum with reasonable success. In this flimsy novel, Henry Chinaski is asked to write a screenplay, and thus Bukowski continues his thinly disguised autobiography (Bukowski himself wrote the screenplay for the recent, self-referential Barfly ). When all the Hollywood types Chinaski encounters--directors, lawyers, producers, actors, actresses--fit the same drunken-outcast-but-artistic-genius mold, Bukowski seems to have exhausted his resourcefulness. His characters lose their individuality and the novel lacks force and perspective. This book deteriorates into juvenile satire in which familiar, real-life figures appear with the letters of their names shifted slightly: the famous director Jon-Luc Modard, the philosopher Jean-Paul Sanrah, Frances Ford Lopalla and an obvious Norman Mailer stand-in called Victor Norman. (May)
Library Journal
In this hilarious roman a clef, Bukowski draws on his experiences while writing the script for the 1987 film Barfly. Henry Chinaski, the author's alter ego in the film, here returns to write--despite misgivings--a Hollywood screenplay, The Dance of Jim Beam. The film is based on Chinaski's early life as a barfly and brawler, before he became a famous author. As he and his companion Sarah are caught up in the Hollywood whirlwind, Bukowski satirizes a host of well-known movie personalities. While Bukowski fans will welcome the reappearance of Chinaski, with his penchant for booze, women, and horse racing, film buffs should enjoy the novel for its delightful and irreverent portrayal of Hollywood. Highly recommended.-- William Gargan, Brooklyn Coll. Lib., CUNY

Product Details

HarperCollins Publishers
Publication date:
Sales rank:
Product dimensions:
5.87(w) x 8.93(h) x 0.62(d)

Related Subjects

Read an Excerpt


Chapter One

A couple of days later Pinchot phoned. He said he wanted to go ahead with the screenplay. We should come down and see him?

So we got the directions and were in the Volks and heading for Marina del Rey. Strange territory.

Then we were down at the harbor, driving past the boats. Most of them were sailboats and people were fiddling about on deck. They were dressed in their special sailing clothes, caps, dark shades. Somehow, most of them had apparently escaped the daily grind of living. They had never been caught up in that grind and never would be. Such were the rewards of the Chosen in the land of the free. After a fashion, those people looked silly to me. And, of course, I wasn't even in their thoughts.

We turned right, down from the docks and went past streets laid out in alphabetical order, with fancy names. We found the street, turned left, found the number, pulled into the driveway. The sand came right up to us and the ocean was close enough to be seen and far enough away to be safe. The sand seemed cleaner than other sand and the water seemed bluer and the breeze seemed kinder.

"Look," I said to Sarah, "we have just landed upon the outpost of death. My soul is puking."

"Will you stop worrying about your soul?" Sarah responded.

No need to lock the Volks. I was the only one who could start it.

We were at the door. I knocked.

It opened to this tall slim delicate type, you smelled artistry all over him. You could see he had been born to Create, to Create grand things, totally unhindered, never bothered by such petty things as toothache, self-doubt, lousy luck. He wasone of those who looked like a genius. I looked like a dishwasher so these types always pissed me just a bit.

"We're here to pick up the dirty laundry," I said.

"Ignore him," Sarah interspersed. "Pinchot suggested we come by."

"Ewe," said the gentleman, "do come in ..."

We followed him and his little rabbit cheeks. He stopped then, at some special edge, he was charming, and he spoke over his left shoulder as if the entire world were listening to his delicate proclamation:

"I go get my VOD-KA now!"

He flashed off into the kitchen.

"Jon mentioned him the other night," said Sarah. "He is Paul Renoir. He writes operas and is also working in a form known as the Opera-Movie. Very avant-garde."

"He may be a great man but I don't want him sucking at my ear lobes."

"Oh, stop being so defensive! Everybody can't be like you!"

"I know. That's their problem."

"Your greatest strength," said Sarah, "is that you fear everything."

"I wish I had said that."

Paul walked back with his drink. It looked good. There was even a bit of lime in there and he stirred it with a little glass stick. A swizzle. Real class.

"Paul," I asked, "is there anything else to drink in there?"

"Ewe, sorry", he said, "please do help yourself!"

I charged into the kitchen right upon the heels of Sarah. There were bottles everywhere. While we were deciding, I cracked a beer.

"We better lay off the hard stuff," suggested my good lady. "You know how you get when you're drinking that."

"Right. Let's go with the wine."

I found a corkscrew and got a bottle of fine-looking red.

We each had a good hit. Then we refilled our glasses and walked out. At one time I used to refer to Sarah and me as Zelda and Scott, but that bothered her because she didn't like the way Zelda had ended up. And I didn't like what Scott had typed. So, we had abandoned our sense of humor there.

Paul Renoir was at the large picture window checking out the Pacific.

"Jon is late," he said to the picture window and the ocean, "but he told me to tell you that he will be right along and to please stay.

"O.K., baby ..."

Sarah and I sat down with our drinks. We faced the rabbit cheeks. He faced the sea. He appeared to be musing.

"Chinaski," he said, "I have read much of your work. It is wild shit. You are very good ..."

"Thank you. But we know who is really the best. You're the best."

"Ewe," he said as he continued to face the sea, "it is very very nice of you to ... realize that ... "

The door opened and a young girl with long black hair walked in without knocking. Next thing we knew she was stretched out up on the back of the sofa, lengthwise, like a cat.

"I'm Popppy," she said, "with 4 p's."

I had a relapse: "We're Scott and Zelda."

"Cut the shit!" said Sarah.

I gave our proper names.

Paul turned from the sea.

"Popppy is one of the backers of your screenplay."

"I haven't written a word," I said.

"You will ..."

"Would you, please?" I looked at Sarah and held up my empty glass.

Sarah was a good girl. She left with the glass. She knew that if I went in there I would start in on sundry bottles and then start in on my way to being nasty.

I would learn later that another name for Popppy was "The Princess from Brazil." And for starters she had kicked in ten grand. Not much. But it paid for some of the rent and some of the drinks.

The Princess looked at me from her cat-like position on the back of the couch.

"I've read your stuff. You're very funny."

"Thank you."

Then I looked over at Paul. "Hey, baby, did you hear that? I'm funny!"

"You deserve," he said, "a certain place."

He flashed toward the kitchen again as Sarah passed him with our refills. She sat down next to me and I had a hit.

The thought then occurred to me that I could just bluff the screenplay and sit around Marina del Rey for months sucking up drinks. Before I could really savor that thought, the door burst open and there was Jon Pinchot.

"Ali, you came by!"

"Ewe," I said.

"I think I have a backer! All you have to do is write it."

"It might take a few months."

"But, of course ..."

Then Paul was back. He had a strange pink-looking drink for the Princess.

Pinchot flashed toward the kitchen for one of his own.

It was the first of many meetings which would simply dissolve into bouts of heavy drinking, especially on my part. I found it to be a needed build-up for my confidence as I was really only interested in the poem and the short story. Writing a screenplay seemed to me an ultimately stupid thing to do. But better men than I had been trapped into such a ridiculous act.

Jon Pinchot came out with his drink, sat down.

It became a long night. We talked and talked, about what I was not sure. Finally both Sarah and I had drunk too much to be able to drive back. We were kindly offered a bedroom.

It was in that bedroom, in the dark, as we poured a last good red wine, Sarah asked me, "You going to write a screenplay?"

"Hell no," I answered.

Hollywood. Copyright © by Charles Bukowski. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Meet the Author

Charles Bukowski is one of America’s best-known contemporary writers of poetry and prose and, many would claim, its most influential and imitated poet. He was born in 1920 in Andernach, Germany, to an American soldier father and a German mother, and brought to the United States at the age of two. He was raised in Los Angeles and lived there for over fifty years. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

Brief Biography

Date of Birth:
August 16, 1920
Date of Death:
March 9, 1994
Place of Birth:
Andernach, Germany
Place of Death:
San Pedro, California
Los Angeles City College, 2 years

Customer Reviews

Average Review:

Post to your social network


Most Helpful Customer Reviews

See all customer reviews

Hollywood 3.9 out of 5 based on 0 ratings. 14 reviews.
Anonymous More than 1 year ago
The worlds best Barfly
Anonymous More than 1 year ago
TresCool More than 1 year ago
If you need to increase your store of obscenities or your acquintance with sleazy characters, pick up this disjointed book.
Anonymous More than 1 year ago
Very entertaining. Easy to read. And the plot pacing is excellent. Charles Bukowski is the real deal. The actual movie he is writing about in this novel is Barfly which starred Mickey Rourke and Faye Dunaway.
the_protagonist1 More than 1 year ago
This book is incredably entertaining. Under the guise of fiction it gives you a behind the scenes look and filmmaking and the development process. There are a few chapters that feel forced and out of place because it is just &quot;Chinanski&quot; at the race track. Other then that I would give it five stars, it shows both the joy and pain of being a writer.<br /> <br /> Review from Curt Wiser the Author of Box Cutter Killer
Anonymous More than 1 year ago
Hollywood, in my opinion, is Charles Bukowski at his best. Hollywood seethes with anger and disgust at the society American pop culture had begun to create, but does so in a fair and highly entertaining light. Bukowski's immense talent as a novelist is evident throughout the book, during which you may very well find yourself laughing hysterically on one page and close to tears on the next.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
I think it's very intertaining, Chinansky finds himself being the person he hates the most. A Hollywood writter....
Guest More than 1 year ago
I re-read Hollywood after watching the Oscars this year; it's a great cure for Hollywood fluff and slickness. It's not Bukowski at his best, but it's still good. It's a quick fun read full of Bukowski's usual quirky characters. It's a great companion to Barfly--the movie Bukowski wrote and that Hollywood recounts the making of.
Guest More than 1 year ago
I read this book for my summer english class and expected it to be better. My teacher went in depth with Bukowski's work, which got me pumped to read this. I feel this is not Bukowski's best work.