The former editor for the alternative weekly Dallas Observer, Lyons writes about her membership of nearly two decades in a poor South Dallas African-American Pentecostal church, the Body of Christ Assembly. Though she found the church as a reporter in search of a story about supernatural healing from crack cocaine addiction, she arrived a fully formed believer in search of her own healing from her attraction to women and her depression. The book tracks the lives of the founding pastor, Fredrick Eddington Sr., a onetime drug addict with schizophrenic tendencies who overcame his problems through faith, and his wife and co-pastor, Diane, a legally blind, captious woman for whom life is a tightrope between holiness and hell. Lyons writes searing and sympathetic portraits of the down-and-out black residents of South Dallas. But this slim memoir is short on historical, political and economic analysis and long on descriptions of moral sins, from the sexual to the selfish. The book's overwhelming emphasis on "deliverance" often runs up against the realities of poverty and exploitation. Lyons briefly acknowledges this during a church mission trip to Botswana, but never fully examines it. Readers looking for an intimate peek at black Pentecostal religiosity, in its successes and shortcomings, will appreciate the book. (June 16)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Holy Rollerby Julie Lyons
At The Body of Christ Assembly, a rundown church on an
Julie Lyons was working as a crime reporter when she followed a hunch into the South Dallas ghetto. She wasn’t hunting drug dealers, but drug addicts who had been supernaturally healed of their addictions. Was there a church in the most violent part of the city that prayed for addicts and got results?
At The Body of Christ Assembly, a rundown church on an out-of-the-way street, Lyons found the story she was looking for. The minister welcomed criminals, prostitutes, and street people–anyone who needed God. He prayed for the sick, the addicted, and the demon-possessed, and people were supernaturally healed.
Lyons’s story landed on the front page of the Dallas Times Herald. But she got much more than just a great story, she found an unlikely spiritual home. Though the parishioners at The Body of Christ Assembly are black and Pentecostal, and Lyons is white and from a traditional church background, she embraced their spirituality–that of “the Holy Ghost and fire.”
It’s all here in Holy Roller–the stories of people desperate for God’s help. And the actions of a God who doesn’t forget the people who need His power.
From the Hardcover edition.
This memoir of how one newspaper story led Lyons (former editor in chief, Dallas Observer) to join and become a leader in the Body of Christ Assembly in South Dallas is as much a paen to the congregation as it is the author's story. We learn of Lyons's childhood in Wisconsin and her early Christian life, but we also are treated to the backgrounds of her husband, the minister and his wife, and various other church members. At the Body of Christ Assembly, the Holy Spirit is an active presence. Stories of healing, speaking in tongues, and the casting out of demons fill these pages. The church's mission to Botswana provides an international angle to its story. Lyons contrasts her church with other local Pentecostal churches, describing sexual improprieties of other churches' ministers and their loud but spiritually empty worship. Some of her views, including that homosexuality is a sin and that men and women cannot be platonic friends, will draw some readers and deter others. VERDICT Ultimately, this book will appeal to a small, self-selected group of readers, as the author's opinions do not invite those with other spiritual opinions.—Eric Norton, McMillan Memorial Lib., Wisconsin Rapids, WI
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Read an Excerpt
I was driving on the wild frontier of gangsta-land, a place I’d learn to navigate by the sites where people got murdered. South Dallas always stayed crazy, and I was just getting used to the experience—the occasional
kak-kak-kak of semiautomatic-weapon fire, the graffiti tags of theTrey-Five-Seven (.357) Crips, the distinctive choreography of drug dealing, with crack rocks passing invisibly from hand to hand in furtive motions that I came to recognize from afar.
I was twenty-seven years old, white, and quite conspicuous in black South Dallas the evening in late April 1990 when I set out to find a different kind of story for the Dallas Times Herald. Since starting a job two months earlier as a crime reporter, I’d been getting to know the roughest parts of the city, places like this. It was nothing like the small Wisconsin town where I grew up.
I’d tell myself I wasn’t scared, but I think I was driving too fast to know for sure. This time I wasn’t chasing flashing lights toward Bexar Street, hoping to get there before the witnesses and walking wounded had melted away in the dark. Instead, I was looking for the scene of a miracle.
There would be no crime-scene tape marking the spot. It was just me in my little car, prowling the streets and looking for a spiritual outpost. I had no idea what it would look like; all I knew was there had to be a church in this part of the inner city where people came searching for a supernatural breakthrough. I had decided it would be impossible to live in this crumbling, seemingly godforsaken territory without clinging to some shred of hope that things could get better. I was determined to find the place people go when despair drives them to seek a miracle.
I turned a corner and entered a neighborhood with all the familiar signs: slender boys with darting eyes, standing like pickets on the corner, beckoning to people in cars that were slowly passing through. I steered around potholes and broken glass in the street and looked past the drug sentries for evidence of light and life in the neighborhood’s
churches. You’d find Baptists on one corner andHoly Sanctifieds on the other, with a House of Prayer for All People wedged in between. They stood as silent witnesses while hell swarmed all around them. The truth is, I really didn’t know what I was looking for. I just knew I couldn’t leave South Dallas until I found it.
All this began with a lie, amade-up story idea that I pitched tomy editors at the newspaper. See, there are these preachers in the ghetto who pray for crack-cocaine addicts, and people are supposedly getting miraculously
“healed.” And oh, I know a bunch of these preachers. The best you could say in my defense is that I thought about the story so much that it became real to me. Before moving to Dallas, I had lived in Belfast,Northern Ireland, where theTroubles erupted regularly into fire bombings, shootings, and retaliatory acts between working-class Catholics and Protestants. I had gone to the province of Ulster to write the story of a terrorist who found God and was now trying to lead his former enemies to reconciliation. I learned while living in Belfast that among certain types of Christians, unexplainable things were almost commonplace. You just had to know where to look.
My previous work as a crime reporter at the Seattle Times had led me to believe that miracle-working preachers could be found in any major city. In Dallas in 1990, the crack epidemic was leaving a trail of wreckage—of neighborhoods gone to hell in a swath of murder and ruin. Thanks to my experiences in Belfast and Seattle, I had come up with a simple theorem: where desperation multiplied, there you would find God.
At the DallasTimes Herald we were always looking for new angles to pursue in reporting the crack-cocaine story. I needed something bigger than yet another shooting, drug raid, or body found in the street. Why not make my mark at the paper by uncovering the miraculous? Here, then, was the problem: I didn’t know any preachers who fit this description. There is a game that newspaper reporters play: you invest as little work as possible before pitching a story to your editor. That way, if your editor rejects the idea, you haven’t wasted too much effort. I mentioned my story idea of supernatural healing, and to my surprise and secret horror, the editors seized on it immediately. They scheduled the story for Sunday A-1. I had just a few days to find my mythical ministers and write a lengthy feature story about themin time for the early edition, the “bulldog.”
That’s why I was cruising aimlessly through South Dallas. As evening moved quickly toward night, I was way more scared ofmy editors than I was of the ghetto. I passed dozens of churches without stopping. If the lights weren’t on, I kept rolling. I eventually turned onto a one-block street, Brigham Lane, and saw two churches, one on each corner.The first seemed inconsequential, with a sagging roof and handmade sign. But at the other end of the block stood a tidy, brick-walled structure. I noted the affiliation: Church of God in Christ. Black Pentecostals.
Holy rollers. I aimed for the far corner.
I had my music cranked, a soca artist fromTobago named Shadow, who had an insidiously hummable tune, “Tabanka.” It has something to do with the sickness you feel when you’re hopelessly attracted to someone. I craved themelody and syncopation ofmy beloved Caribbean music. All the plastic parts of my little Honda were rattling with the heavy bass line, and the noise helped to bury my nervousness.
I was driving past the scruffy-looking church when something intensely spiritual happened. I don’t know how else to say this: God was in the car with me. I could feel his presence, a palpable thing that made my senses light up, even amid the dissonance of blaring soca. I might have been a tough-minded crime reporter, but I had recently
reconnected with the faith of my childhood, and I was engaged to be married to a man who was a devout Christian. I was far from figuring things out but eager to investigate anything tha tmight shed more light on questions about God’s work on earth.
Is that really you, God? I thought.What else could I think? I turned the music down and pulled my car to the curb.
You want me to stop here, don’t you? I said tomyself and, I suppose, to God as well. Just then a girl popped out the front door of the dilapidated church. As the girl skipped down the sidewalk, I got out of my car, reporter’s notebook in hand, and stopped her just short of the house that stood next-door.
“Do you believe in healing prayer?” I asked without introduction.
“Yes!” she said enthusiastically. She was brown-skinned, with pigtails, or so I recall. I don’t remember very clearly anymore. I guessed she was about ten, but back then I wasn’t good at estimating children’s ages.
“Does your minister pray for drug addicts?” I asked.
“Yes!” she answered again.
“Are any getting healed?”
I asked her to point out her pastor to me. At that moment a black man wearing a suit jacket and tie stepped outside the church’s front door. Several churchmembers were visible in the dimyellow light of the tiny foyer behind him. A thought flashed in my brain: Oh God, don’t let him be one of those overbearing egotistical preachers. I’m not even sure where that objection came from—probably from a bad experience I’d had in my years as a reporter.
I walked over and introduced myself as a journalist. The pastor was Fredrick L. Eddington Sr.He was tall and I am not, and I remember he bent down slightly as he listened to me.
“Do you pray for crack addicts?” I asked. Might as well get right to the point.
“Yes,” the pastor said.
“Are they getting healed?”
The pastor paused for a moment. “Some of themare,” he said.We chatted some more, and I got the impression he was choosing his words carefully. Still, our conversation was casual.To listen to Pastor Eddington, you’d have thought we were discussing the weather or the Dallas Cowboys. But we were talking about miracles. This wasn’t at all what I’d expected.The pastor came across as humble, gentle, plainspoken. And he didn’t seem the least bit surprised that a young white woman—a stranger who clearly didn’t belong in this neighborhood—had suddenly materialized out of the darkness.
I was looking for a feature story to run in the Sunday paper.What I was about to discover was a passionate, self-taught man who would introduce me to a world of spirits, healing, prophecy, and warfare waged to the death between invisible forces of good and evil. To Pastor Eddington these things were not superstition, legend, or overwrought emotion.This was reality, and over the next few months I would see it for myself.
Months later, talking with Diane Eddington, the pastor’s wife, I inquired about the little girl who had come skipping down the walk in front of the church, telling me that healings took place there. I asked the First Lady to point out the little girl so I could thank her, and Diane told me there was no such girl. I thought back to the night I had found
this church. The sun had just set, it was a neighborhood where the crackle of gunfire was often heard, and a young girl was the only person on the sidewalk. I realized that no parent would dream of allowing her child to be out alone at night. Not only that, but no one who attended the service that evening had seen a girl matching the description I gave.
So who was the girl I talked to? Diane had an answer.
“Oh,” she said, “you was just seeing an angel.”
From the Hardcover edition.
Meet the Author
Julie Lyons is an award-winning writer, editor, and investigative reporter who for more than eleven years was editor-in-chief of the Dallas Observer, an alternative weekly newspaper owned by Village Voice Media. She holds a master’s degree in journalism from Northwestern University and a B.A. in English from Seattle Pacific University. She and her husband, Larry Lyons Jr., live in Dallas with their son.
From the Hardcover edition.
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Most Helpful Customer Reviews
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Holy Roller by Julie Lyons is an intriguing look at Black Pentecostal Christians by a woman who calls herself one in everything except one small factor: she's white. Lyons was working as reporter for a newspaper in Dallas when she promised her editors a story about churches in the ghetto who were claiming to heal crack users of their addiction. The story led her onto a personal journey of faith and recovery from her own sin, including that of same-sex attraction. The book tracks her membership at a small church in South Dallas through its battles with the city council, countering demons in Botswana, and seeing their community changed by the power of the Holy Spirit. Lyons' story suffers from a lack of continuity, the story didn't seem to flow smoothly, jumping from subject from chapter to chapter, and readers looking for the miracles promised on the dust jacket will be a bit disappointed because the focus is more on Lyons and her church than those who were changed by it. It's still a compelling story about how God can use the least of those to change the world. The transformation of Lyons is incredible, and her stories of demon oppression will unsettle those Christians who deny the forces of evil at work in the world. It's definitely a great read that will make readers think hard about their own faith and church.
4 stars Julie Lyons was searching for a story when she found The Body of Christ Assembly in South Dallas, Texas. She was looking for miracle healings. Her instincts lead her to a crime ridden area in South Dallas, Texas. Her book Holy Roller follows the lives of Pastors Frederick and Diane Eddington. Bro. Frederick was a drug addict and borderline schizophrenic. His wife Diane is legally blind. Eddington welcomed the outcasts of society, he prayed for them and they were miraculously healed. Lyons shares the stories of the members of The Body of Christ Assembly. Lyons and her husband are members of the church, although their skin is white and the other members are dark, they are readily accepted. Holly Roller is beautifully written. Lyons challenged me to look at different ways to worship. My church is a little more traditional. While that may meet my needs, it may not meet the needs of others. Lyons is brutally honest in her book. A few places may offend others. I found her book interesting.
The memoir of a white, middle class, investigative journalist who is a member of a poor, black, Pentacostal church in South Dallas where addicts leave services truly cured of their addictions. Lyons writes well, and tells her story without preaching. She just describes events as she experienced them. That experience is naturally colored by her beliefs, but she isn't "in your face" about it. Lyons also gives an even-handed description of Pentacostal services, showing that they aren't always the frenetic stereotype expected by most people. An enjoyable read, this one might even be interesting to non-believers.
Dallas reporter Julie Lyons was researching an article in the South Dallas slum involving former crack drug addicts claiming they had been miraculously healed at The Body of Christ Assembly Church. She finds the dilapidated church in an off the main road street of the ghetto. The minister especially welcomed anyone in search of God whether they were possessed, criminals, addicts, hookers or the homeless. Instead of telling them to leave, he prayed for their souls. Her article on the church became the front page of the Dallas Times Herald while Jule a middle class white female with a typical Christian upbringing found the Pentecostal Black church healing as she accepts and welcomes "the Holy Ghost and fire." The best part of this memoir focuses on the impoverished flock and the co-pastors Fredrick Eddington Sr., a former drug addict with schizophrenic tendencies, and his wife Diane, who though legally blind sees life as a war between holy living and hell. The individual portraits clearly show Julie Lyons cares about the congregation and the pastors yet still enables the reader to see deep into the demons that haunt them as well as her own. Although the well written memory goes deep into the soul of each person featured, it lacks a sense of neighborhood beyond the vivid description of decay; there is no major look at the impact of the impact of abject poverty, which eats at the souls of the core flocks on causing sinning. Still this is a fascinating look at a Black Pentecostal Church trying to deliver redemption to its flock. Harriet Klausner