Homage

Editorial Reviews

All Music Guide - Jonathan Widran
Judging from the glowing liner-notes quotes from Joe Zawinul and Herbie Hancock, both of whom contribute songs to the legendary bebopper's first studio effort in six years, it's hard to know who's paying homage to who. Ostensibly, the idea was to put the nearly 80-year-old legend -- known for both his illustrious solo career and an ongoing working relationship with Dizzy Gillespie -- in the studio with some hot young talent the brilliant pianist David Hazeltine being the standout, tackling material from the aforementioned greats as well as Chick Corea, Kenny Barron, and Horace Silver. The most compelling of these are Barron's easy swinging "And Then Again," on which ...
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Editorial Reviews

All Music Guide - Jonathan Widran
Judging from the glowing liner-notes quotes from Joe Zawinul and Herbie Hancock, both of whom contribute songs to the legendary bebopper's first studio effort in six years, it's hard to know who's paying homage to who. Ostensibly, the idea was to put the nearly 80-year-old legend -- known for both his illustrious solo career and an ongoing working relationship with Dizzy Gillespie -- in the studio with some hot young talent the brilliant pianist David Hazeltine being the standout, tackling material from the aforementioned greats as well as Chick Corea, Kenny Barron, and Horace Silver. The most compelling of these are Barron's easy swinging "And Then Again," on which Moody's tenor improvises over the cool trio grooving of Hazeltine, Todd Coolman bass, and Anthony Pinciotti drums, Silver's punchy "When Lucy Smiles at Me," and Zawinul's moody, exotic ballad "A Message to Moody." The most compelling track is a jazzy number by a famous film composer, James Newton Howard's "Main Title" from Glengarry Glen Ross, which mixes Moody's colorful soloing with flourishes featuring him as part of a brass and flute ensemble. The closing number, "Love Was the Cause of All Good Things," is driven by a hip-hop groove and finds Moody joining the rap generation; this can be seen either as a tremendous novelty or an afterthought that should have been eliminated, depending on how pure a jazz buff one is. Either way, it's proof that the nearly 80-year-old Moody is doing more than resting on his immense laurels.
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Product Details

  • Release Date: 1/27/2004
  • Label: Savoy Jazz
  • UPC: 795041720023
  • Catalog Number: 17200

Album Credits

Performance Credits
James Moody Primary Artist, Tenor Saxophone, Rap
Vic Juris Acoustic Guitar
John Clark French Horn
Don Alias Percussion, Conga
Joe Zawinul Improvisation
Todd Coolman Acoustic Bass
Lawrence Feldman Flute, Alto Flute, Bass Flute
David Gibson Trombone
Billy Kilson Drums
Scott Kinsey Piano, Keyboards, Electric Piano, fender rhodes
Lou Marini Flute, Alto Flute
David Hazeltine Piano, Electric Piano
Charles Pillow Flute, English Horn
Tony Pinciotti Drums
Jeremy Pelt Trumpet
Hans Glawischnig Electric Bass, Acoustic Bass
James Rotundi Trumpet, Flugelhorn
Mostly Bandits Vocals
Technical Credits
Bob Belden Producer, Brass Arrangment, Wind Arrangements
Herbie Hancock Composer
James Newton Howard Composer
James Moody Composer, Liner Notes
Horace Silver Composer
Steve Backer Executive Producer
Kenny Barron Composer
Marc Copland Composer
Chick Corea Composer
Eric Gast Engineer
Scott Kinsey Programming, Producer, Engineer, Adaptation
John Latouche Composer
Jerome Moross Composer
Scott Noll Engineer
Mark Wilder Mastering
David Hazeltine Composer
Kidz Next Door Producer, Engineer
J.J. Stelmach Art Direction
George Varga Liner Notes
Scott Johnson Graphic Design
Amiri Farris Artwork
David Knoll Images
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Moody's Back

    I love this CD. My favorite song is Lazy Afternoon, but the whole CD is great.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews