Home [Bonus DVD]

Editorial Reviews

Barnes & Noble - David McGee
Fans of the Dixie Chicks' blockbuster albums Wide Open Spaces and Fly, prepare to be whisked to new places by Home. The title is a model of truth in advertising: Pre-megastardom, the Chicks rooted their sound in acoustic music -- bluegrass, traditional country, and folk -- and that's what their first album in three years delivers. But that's only half the story. The big news on '99's Fly was Natalie Maines and her booming voice, blues-based on big ballads and triumphant on up-tempo songs. She boasts some equally great performances here, notably a taut, beautifully rendered treatment of Fleetwood Mac's "Landslide" -- with its message of self-empowerment it could be read ...
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11/26/2002 CD Extra tracks, Limited Edition, S Fine Books, CDs, DVDs, Videogames, LPs & more! Fast shipping! All items guaranteed!

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11/26/2002 CD Special Edition, Limited Edition Good Connecting viewers with great music since 1972. All used discs are inspected and guaranteed. Customer service is our top ... priority! Read more Show Less

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Editorial Reviews

Barnes & Noble - David McGee
Fans of the Dixie Chicks' blockbuster albums Wide Open Spaces and Fly, prepare to be whisked to new places by Home. The title is a model of truth in advertising: Pre-megastardom, the Chicks rooted their sound in acoustic music -- bluegrass, traditional country, and folk -- and that's what their first album in three years delivers. But that's only half the story. The big news on '99's Fly was Natalie Maines and her booming voice, blues-based on big ballads and triumphant on up-tempo songs. She boasts some equally great performances here, notably a taut, beautifully rendered treatment of Fleetwood Mac's "Landslide" -- with its message of self-empowerment it could be read as a statement of purpose by the Chicks, whose recent label dispute seems to have energized and refined their singular musical vision. But Maines also cedes to some captivating ensemble singing on tunes such as the riveting "Travelin' Soldier," Bruce Robison's tale of love between a soldier and the girl he left behind, fleshed out by a compelling fiddles-guitar-snare drum arrangement and Maines's startling vocal solo. And that's what's so sweet about this Home. It's got the songs -- by Robison, Patty Griffin, Tim O'Brien, Darrell Scott the hit single "Long Time Gone," a sharp, wry barb aimed at country radio's restrictive programming tactics: "They got money but they don't have Cash", and the Chicks themselves, among others -- and a warm, distinctly non-rock production from Lloyd Maines, which all adds up to an absolute winner. Home sounds great now, in the glow of the resurgence of all things acoustic and bluegrass. But it's only going to improve with age. Kinda like the ever-evolving Chicks themselves.
All Music Guide - Stephen Thomas Erlewine
Delivering a successor to their breakthrough smash Wide Open Spaces was easy -- Fly followed a year afterward, sounding sleek and satisfying. Following that album turned out to be a little more difficult for the Dixie Chicks, not least because they were involved in an ugly battle with their record company over royalties. While they were away, country radio grew stricter, but there were undercurrents of change, particularly in the grassroots success of the O Brother, Where Art Thou? soundtrack. Dixie Chicks always had deep country roots, but it was entirely conceivable that they could have chosen the pop route, since it's always the safest bet for established stars to follow the mainstream -- especially after they have been away for a while. Fortunately, one thing this trio has never been is predictable, and they were emboldened by their successful battle with the label, along with the O Brother, leading to the stunner that is Home, their sixth album. There may be a Stevie Nicks cover here, but there are no concessions to pop anywhere; there are hardly any electric guitars, actually. This is a pure country album, loaded with fiddles, acoustic guitars, and close harmonies, but retaining the Chicks' signature flair, sense of humor, and personality. It's a vibrant, quirky, heartfelt record that finds the group investing as much in a funny, rollicking number like "White Trash Wedding" or something as sadly sweet as "Godspeed Sweet Dreams." But the key to the album is that, as they so brilliantly put it on the wonderful opener "Long Time Gone," they recognize many modern country singers "sound tired but they don't sound Haggard", and "have money but they don't have Cash" -- and this is a sentiment that doesn't just apply to those riding the charts, but to the po-faced alt-country contenders who are too serious to have fun. They deftly balance modern attitudes with classic instrumentation, all built on terrific songwriting, winding up with an album that feels purer than anything on the charts, yet much livelier and genuine than alt-country. This is what country music in 2002 should sound like. With Home, Dixie Chicks illustrate that country music should be simple but adventurous, sincere but fun. In doing so, they've delivered not just their best album, but what's arguably the best country album yet released in the 2000s. Needless to say, an instant classic. [An edition was released featuring a bonus DVD, this not only included a Sheryl Crow remix of "Landslide" but videos for that song, "Goodbye Earl," "Long Time Gone," and "Wide Open Spaces."]
Entertainment Weekly - Ken Tucker
The deeply exhilarating Home already has the feel of a timeless recording.... The three Chicks have... refined their trademark sound without allowing it to turn into a copyrighted formula. Their Home sounds like an entire world to be explored. (A)

The deeply exhilarating Home already has the feel of a timeless recording.... The three Chicks have... refined their trademark sound without allowing it to turn into a copyrighted formula. Their Home sounds like an entire world to be explored. (A)
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Product Details

  • Release Date: 11/26/2002
  • Label: Sony
  • UPC: 696998703025
  • Catalog Number: 87030

Tracks

Disc 1
  1. 1 Long Time Gone (4:10)
  2. 2 Landslide (3:50)
  3. 3 Travelin' Soldier (5:43)
  4. 4 Truth, No. 2 (4:28)
  5. 5 White Trash Wedding (2:21)
  6. 6 A Home (4:56)
  7. 7 More Love (5:07)
  8. 8 I Believe in Love (4:14)
  9. 9 Tortured, Tangled Hearts (3:40)
  10. 10 Lil' Jack Slade (2:23)
  11. 11 Godspeed (Sweet Dreams) (4:42)
  12. 12 Top of the World (6:04)
  13. 13 Landslide (3:47)
  14. 14 Landslide
  15. 15 Long Time Gone
  16. 16 Goodbye Earl
  17. 17 Wide Open Spaces
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Album Credits

Performance Credits
Dixie Chicks Primary Artist
Emmylou Harris Vocals
Sheryl Crow Bass, Keyboards
Byron House Bass
Lloyd Maines Acoustic Guitar, Rhythm Guitar, Slide Guitar, Weissenborn, Papoose
John Mock Percussion, Bodhran, uillean pipes, tin whistle
Paul Pearcy Percussion
Shawn Pelton Percussion
Lorenza Ponce Violin
Adam Steffey Mandolin
Peter Stroud Electric Guitar
Glenn Fukunaga Bass
Antoine Silverman Violin
Chris Thile Mandolin
Jane Krakowski
Bryan Sutton Guitar, Guitar (Baritone), Papoose
Natalie Maines Vocals
Conway Kuo Viola
Emily Robison Banjo, Dobro, Guitar, Accordion, Vocal Harmony, Papoose
Lara Hicks Viola
Sara Nelson Cello
Leigh Mahoney Violin
Anja Wood Cello
Martie Maguire Fiddle, Mandolin, Violin, Viola, Vocal Harmony
Technical Credits
Dennis Linde Composer
Sheryl Crow Producer
Radney Foster Composer
Dixie Chicks Producer
Blake Chancey Producer
Lloyd Maines Producer
John Mock String Arrangements
Gary Paczosa Engineer
Shawn Pelton Programming
Lorenza Ponce String Arrangements
David Pritchard Producer
Doug Sax Mastering
Paul Worley Producer
Marc Raboy Director
Kevin Reagan Art Direction
Ann Kim Producer
Robert Hadley Mastering
Eric Bickel Engineer
Jim Gable Director
Chris Kraft Producer
Kati Haberstock Producer
Susan Gibson Composer
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