Home for Christmas

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
As one of the biggest-selling duos in pop music history, it makes perfect sense for Daryl Hall and John Oates to make a Christmas album: any artist with such enduring popularity certainly has an audience waiting to hear them singing seasonal songs, and they made one of the greatest Christmas videos of early MTV with their cheerfully silly "Jingle Bell Rock." That kind of built-in audience is one of the reasons musicians play it safe when they make holiday albums, but fortunately Hall & Oates don't fall into that trap on 2006's Home for Christmas. There certainly are a fair share of familiar songs here -- this opens with "The First Noel" and "It Came Upon a ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
As one of the biggest-selling duos in pop music history, it makes perfect sense for Daryl Hall and John Oates to make a Christmas album: any artist with such enduring popularity certainly has an audience waiting to hear them singing seasonal songs, and they made one of the greatest Christmas videos of early MTV with their cheerfully silly "Jingle Bell Rock." That kind of built-in audience is one of the reasons musicians play it safe when they make holiday albums, but fortunately Hall & Oates don't fall into that trap on 2006's Home for Christmas. There certainly are a fair share of familiar songs here -- this opens with "The First Noel" and "It Came Upon a Midnight Clear," and closes with "The Christmas Song," "Oh Holy Night" and a revival of "Jingle Bell Rock" -- and the album has smooth, slick veneer that's friendly and comforting. But within the conventions of a holiday album, Hall & Oates actually cover a lot of ground, touching on their early folky roots on their arrangement of "It Came Upon a Midnight Clear," covering Robbie Robertson's quite wonderful "Christmas Must Be Tonight," unearthing William Bell and Booker T. Jones' excellent "Everyday Will Be Like a Holiday," singing spirited gospel on "Children Go Where I Send Thee" and contributing two very good originals in Oates' soulful "No Child Should Ever Cry on Christmas" and Hall's title track (which was also co-written by T-Bone Wolk and Greg Bieck, who also produced the album with Hall). The result is the rare holiday album that feels familiar yet fresh, and there's enough variety here to make this a Christmas record that will hold up well over the years.
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Product Details

  • Release Date: 7/1/2010
  • Label: Sbme Special Mkts.
  • UPC: 886977368721
  • Catalog Number: 773687
  • Sales rank: 46,774

Album Credits

Performance Credits
Daryl Hall & John Oates Primary Artist
David Sancious Organ, Piano, Background Vocals
Daryl Hall Acoustic Guitar, Keyboards, Vocals, Background Vocals
Klyde Jones Background Vocals
The London Session Orchestra Strings
Rob Mathes Acoustic Guitar, Keyboards
John Oates Acoustic Guitar, Electric Guitar, Vocals, Background Vocals
Shawn Pelton Drums
Gavyn Wright Violin, Concert Master
Greg Bieck Keyboards
T-Bone Wolk Acoustic Guitar, Bass, Electric Guitar
Charlie DeChant Saxophone
Matthew Payne Drums
Michael Payne Acoustic Guitar, Electric Guitar
Technical Credits
William Bell Composer
Robbie Robertson Composer
Mel Tormé Composer
Daryl Hall Arranger, Composer, Producer, String Arrangements
Peter Cobbin Engineer
Isobel Griffiths String Contractor
Bob Ludwig Mastering
Rob Mathes Arranger, Composer, String Arrangements, String Conductor
Peter Moshay Engineer
John Oates Composer
Robert Wells Composer
Joe Beal Composer
Jim Boothe Composer
Greg Bieck Arranger, Composer, Programming, Producer, Engineer
Traditional Composer
T-Bone Wolk Arranger, Composer, Producer
Michael McCurdy Cover Art
Jamie Rosenberg Engineer
Kathy Philips Packaging
Booker T. Jones Jr. Composer
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