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In 2005, Azadeh Moaveni, longtime Middle East correspondent for Time magazine, returns to Iran to cover the rise of President Mahmoud Ahmadinejad. As she documents the firebrand leader’s troublesome entry onto the world stage, Moaveni richly portrays a society too often caricatured as the heartland of militant Islam. Living and working in Tehran, she finds a nation that openly yearns for freedom and contact with the West, but whose economic grievances and nationalist spirit find a temporary outlet in Ahmadinejad’s strident pronouncements. Mingling with underground musicians, race car drivers, young radicals, and scholars, she explores the cultural identity crisis and class frustration that pits Iran’s next generation against the Islamic system.
And then the unexpected happens: Azadeh falls in love with a young Iranian man and decides to get married and start a family in Tehran. Suddenly, she finds herself navigating an altogether different side of Iranian life. Preparing to be wed by a mullah, she sits in on a government marriage prep class where young couples are instructed to enjoy sex. She visits Tehran’s bridal bazaar and finds that the Iranian wedding has become an outrageously lavish–though often still gender-segregated–production. When she becomes pregnant, she must prepare to give birth in an Iranian hospital, at the same time observing her friends’ struggles with their young children, who must learn to say one thing at home and another at school.
Despite her busy schedule as a wife and mother, Azadeh continues to report for Time on Iran’s nuclear standoff with the West and Iranians’ dissatisfaction with Ahmadinejad’s heavy-handed rule. But as women are arrested on the street for “immodest dress” and the authorities unleash a campaign of intimidation against journalists, the country’s dark side reemerges. This fundamentalist turn, along with the chilling presence of “Mr. X,” the government agent assigned to mind her every step, forces Azadeh to make the hard decision that her family’s future lies outside Iran.
Powerful and poignant, fascinating and humorous Honeymoon in Tehran is the harrowing story of a young woman’s tenuous life in a country she thought she could change.
1. On her trip to Iran to report on the 2005 presidential election, Moaveni encounters many Iranians who are boycotting the vote to register their disapproval with the government. (44) Others, however, plan to participate despite their opposition to the mullahs, because they wish to shape the outcome. Compare these two perspectives of ethicality versus practicality. Discuss whether voting under an authoritarian regime adds to the government’s legitimacy. Are those who choose to abstain also somehow complicit in what unfolds? What would you choose to do in such a situation?
2. Moaveni writes of Iran in 2005, “Iranians accustomed to a bland, mullah-controlled existence lacking in entertainment and retail prospect had never faced so much choice” (47). Compare her portrait of Iran at that moment with the more repressive society she describes in the book’s final pages.
3. In exploring the shock victory of the hard-liner Mahmoud Ahmadinejad, Moaveni learns that he ran on a platform of more jobs and economic change. The new president’s radical Islamic ideology was as much a shock to Iranians as it was to everyone else in the world. Discuss whether the real circumstances surrounding the president’s victory were effectively reported by the Western media. Did you assume that Ahmadinejad reflected Iranians’ true worldview?
4. Shirin Ebadi, Iran’s Nobel laureate, appears as a character throughout the book. How would you describe her?
5. Compare Arash and Azadeh’s attitudes to the Shia festival of Ashoura (119). How do their views reflect their respective experiences with Islam, and Islam’s intersection with politics?
6. Does Azadeh’s description of the government’s premarriage class (141), with its frank discussion of sex and liberal attitudes toward marriage and divorce, resonate with your understanding of Iran as a fundamentalist nation?
7. Was it foolish for Azadeh to risk her future by getting married under Iranian law?
8. Moaveni writes that “Iran has struggled for centuries to reconcile the Islamic and Persian traditions.” The tension between these two pasts recurs throughout the book. Discuss what it means for Iran to be a Persian, as opposed to Arab, nation, and how this history influences Iranians’ identity today (159).
9. Azadeh and Arash argue frequently about Islam, specifically whether the faith should be judged by its core tenets or by the realities of its modern adherents (168). What do you think?
10. In the chapter entitled “The Persian Bride’s Handbook,” Azadeh describes a society enthralled with extravagant weddings. What parallels do you see between the Iranian and the American wedding industries? What does the desire for such productions, the willingness to spend beyond one’s means, say about our societies?
11. As she chronicles Iranians’ attitudes toward their government’s support for groups like Hezbollah, Azadeh portrays a moderate society that frowns upon radicalism and yearns for respectable ties with the outside world (208-216). Is her depiction surprising, given how Iran is typically portrayed in the media? Is it convincing?
12. Discuss Azadeh’s interaction with the family she describes in the chapter “The Reluctant Fundamentalist.” How do Azadeh’s attitudes toward her reporting and the Iranians she interacts with evolve throughout the book?
13. The history of Iran-U.S. relations, particularly the impact of the two countries’ troubled relationship on the daily lives of Iranians, is discussed throughout the book. Arash describes how U.S. economic sanctions keep Microsoft from developing Farsi software, effectively denying millions of Iranians access to computer-based learning. We learn that sanctions bar Iran from buying American and often European aircraft, and that many civilians die each year from air accidents in shoddy Russian planes. Azadeh also finds that the Bush administration’s democracy promotion fund has prompted a major government crackdown on civil society. She writes that “activists and scholars, the people who were toiling in their respective fields to make Iran a more open society, were being targeted as a result.” Discuss how intimately U.S. policy affects Iranians’ lives.
14. Azadeh questions “whether it was even possible to raise an open-minded, healthy child in a culture that was fundamentalist and anarchic.” Discuss how families cope when trying to impart values that run counter to the mainstream culture around them.
15. Azadeh writes that “paradoxically, authoritarian laws had somehow made Iranian society more tolerant” (282). In her description of young Iranian women’s instrumentalist attitude toward the veil, she interprets the ease with which women shed or don the veil to suit their relationship ambitions as progress. Would you agree that this is progress within a still deeply patriarchal culture, or do you consider it just an extenuation of adjusting to fit the demands of men?
16. The portrait of Iran that emerges throughout Honeymoon in Tehran is often quite complex. Azadeh describes the regime’s censorship of music and literature, but points out that censorship predates the Islamic Republic. In describing how Iranians’ attitudes toward music have evolved in the last century, she notes how the government’s repressiveness once reflected very real culture mores: “Something in our culture nurtures tyranny, and has for centuries.” Discuss the theme of complicity between Iranians and their government.
17. Discuss how Azadeh’s relationship with Mr. X evolves throughout the book.
18. In the Epilogue, Azadeh finds motherhood in the West more challenging and isolating than in Iran. Discuss how cultural norms of family life influence how stay-at-home mothers and working mothers are able to balance their own needs against those of their children.
Anonymous
Posted March 26, 2009
I was very interested in reading a book that offered an inside look at the workings of Iran - the people, their daily lives, what they think of their own government. And while those insights are provided in the book, the style of the author, Azadeh Moaveni, is a bit off-putting. She obviously loves Iran, the country of her parents' birth and, in many ways, the country of her heart. However, what comes across in the book is that she is attracted to the idea of Iran - its history, poetry, art, ancient religious traditions - and it is obvious that, to her, the reality of Iran falls far short of her expectations. While that is entirely understandable, her constant protestations about the affection and deep connection she has for the country are irritating in the face of her constant naiveté about conditions in Iran along with her unfortunate tone of intellectual arrogance, a combination that often puts her and her loved ones in potentially dangerous situations.
Her relationship with her faith is similar in many ways. She loves Islam because it reminds her of her grandmother, she loves its mysticism and rituals, she is enthralled by the crowds of men whipping themselves in ritualistic mourning for the death of Muhammad's grandson. In short, she loves it for its drama and the fond memories it evokes of a much-loved relative. But again, the realities of the thing irritate her. She is angered at the need to cover her hair (an anger I would share), she ignores the rule about avoiding alcohol, she even chooses a Zoroastrian wedding rather than an Islamic one. While I can understand this paradox, it is the thinly veiled tone of arrogance that ruined it for me. There is an undeniable sense of condescension in this book and it detracts from the situations that are supposed to draw the reader in and, one suspects, garner sympathy for the author. Ms. Moaveni seems to have gone into her experience in Iran with blinders on. She is a woman who had extensive experiencing traveling in Iran for her work as a journalist but didn't seem to see the reality of the country. When confronted with it, she tends to bury her head in the sand. The book had a lot of potential. Unfortunately, it didn't deliver.
4 out of 4 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 2, 2009
I was disappointed when I read Honeymoon in Tehran. The overall book and chapter titles were misleading and provoked the reader to bland endings. The book did not go through a second draft it seems, with the various grammatical errors. Also, fancy words slowed the reader down, which caused the book to drag. Ms. Moeveni's knowledge and research about the Iranian culture and its people was excellent, but her approach and story telling failed to satisfy the reader. However, I recommend her first book Lipstick Jihad since it seemed to be more interesting and stimulating to the reader. Honeymoon in Tehran was repetitive and took longer to read because I'd expected it to be just as good as the first memoir.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.hcmoss
Posted August 8, 2010
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I think this is kind of a tough read and hard to get into if you aren't used to her writing style. Luckily I have read her previous book and was prepared. I like how she includes lot of history of Iran both cultural and political to help you better understand the current state of the country and the way the population feels about what is going on.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The author of this book also wrote "Lipstick Jihad" and is a journalist. However, this book is more of a personal diary regarding her life in Iran, and the cultural difficulties of being an Iranian who was raised in the United States.
If you enjoy personal biographies that give you insight into a countries culture this is a good choice. This is not a dry scientific tome.
My criticism would be that you are getting an upper-class view of the current situation in Iran. It would have been interesting if the author reached beyond her own circles and had more interaction with Iranians of different backgrounds.
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Posted November 28, 2010
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Posted April 12, 2009
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Posted October 2, 2010
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Posted March 28, 2009
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Posted July 29, 2010
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Posted December 18, 2010
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Overview
Both a love story and a reporter’s first draft of history, Honeymoon in Tehran is a stirring, trenchant, and deeply personal chronicle of two years in the maelstrom of Iranian life.In 2005, Azadeh Moaveni, longtime Middle East correspondent for Time magazine, returns to Iran to cover the rise of President Mahmoud Ahmadinejad. As she documents the firebrand leader’s troublesome entry onto the world stage, Moaveni richly portrays a society too often caricatured as the heartland of militant Islam. Living and working in Tehran, she finds a nation that openly yearns for freedom and contact with the West, but whose economic grievances and nationalist spirit find a temporary outlet in ...