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| Keith Emerson | Primary Artist, Synthesizer, Keyboards, Hammond Organ, Vocals, Vocoder, Mini Moog, Piano (Grand) |
| Andrew Brennen | Saxophone |
| Michael Hanna | Vocals |
| Peter King | Alto Saxophone |
| Shelley Lightbourn | Vocals |
| Frank Scully | Percussion, Drums |
| Kendal Stubbs | Bass, Bass Guitar |
| Neil Symonette | Percussion, Drums |
| Dick Morrisey | Tenor Saxophone |
| Kyla Lockhart Singers | Vocals |
| Keith Emerson | Arranger, Composer, Producer |
| Meade "Lux" Lewis | Composer |
| Harry South | Arranger |
| George Malcolm | Composer |
| Jerry Ewing | Liner Notes |
Editorial Reviews
All Music Guide - Ken Dryden
This LP, recorded for the Italian label Bubble, is probably Keith Emerson's most eclectic, with a sense of humor thrown in as well. The opening medley of Emerson's "Hello Sailor" and George Malcolm's Baroque-flavored "Bach Before the Mast" provides quite a contrast, moving from a subdued sea shantey to furious solo piano, and finally segueing into a full-fledged rocking strut with a Caribbean twist. He ventures into jazz by playing honky tonk piano and synthesizer on Billy Taylor's "Barrelhouse Shakedown," as Frank Scully plays various percussion instruments, including assorted kitchenware. Boogie-woogie great Meade "Lux" Lewis' "Yancey Special" is likewise played on honky ...