Hook, Line & Sinker

Editorial Reviews

All Music Guide - J. Poet
Roomful of Blues have been playing their blistering take on the jump blues for over 35 years and through numerous personnel changes. Only saxman Rich Lataille is left from the band's best-known lineup, and even he joined after Roomful of Blues had been playing beer joints for three years, but their sound still remains as rough and tough as ever and that's a good thing indeed. On Hook, Line & Sinker they're doing what they've always done, and as the provocative album cover suggests, they remain capable of delivering a platter full of sly, sexy stompers. There aren't any originals this time around; instead they trot out a bunch of juke joint classics and infuse them with ...
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Editorial Reviews

All Music Guide - J. Poet
Roomful of Blues have been playing their blistering take on the jump blues for over 35 years and through numerous personnel changes. Only saxman Rich Lataille is left from the band's best-known lineup, and even he joined after Roomful of Blues had been playing beer joints for three years, but their sound still remains as rough and tough as ever and that's a good thing indeed. On Hook, Line & Sinker they're doing what they've always done, and as the provocative album cover suggests, they remain capable of delivering a platter full of sly, sexy stompers. There aren't any originals this time around; instead they trot out a bunch of juke joint classics and infuse them with their own special brand of soulful grit. Chris Vachon's slinky guitar pulls you into the opener, "That's a Pretty Good Love," a tune made popular by Big Maybelle. Vachon's long, serpentine solo complements the song's smoldering message. Vocalist Phil Pemberton shines on "Kill Me," with a soulful, growling vocal worthy of the Don & Dewey original, while he shows off his tender side on Floyd Dixon's "Time Brings About a Change," which features an intricate late-night piano solo by Travis Colby. But like all good Roomful albums, it's the uptempo numbers that really make you want to hit the replay button. Vachon lets loose on the smokin' instrumental "Gate Walks to Board," then steps aside to let Lataille, Mark Earley, and trumpeter Doug Woolverton trade wailing solos. They play the bouncy title track, a tune by Dave Bartholomew/Pearl King that Smiley Lewis had a hit on, with the pedal to the metal. Gatemoth Brown's "She Walks Right In" gets the full jump blues treatment, with John Turner's acoustic bass pushing the band into overdrive and the horn section wailing like a chorus of desperate drunks at closing time on Saturday night.
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Product Details

  • Release Date: 1/18/2011
  • Label: Alligator Records
  • UPC: 014551494126
  • Catalog Number: 514941
  • Sales rank: 82,136

Album Credits

Performance Credits
Roomful of Blues Primary Artist
Rich Lataille Alto Saxophone, Tenor Saxophone
Chris Vachon Guitar
Mark Earley Baritone Saxophone, Tenor Saxophone
Travis Colby Piano, Hammond B3
John Turner Upright Bass
Ephraim Lowell Drums
Doug Woolverton Trumpet
Phil Pemberton Vocals
Technical Credits
Floyd Dixon Composer
Earl King Composer
Amos Milburn Composer
Dewey Terry Composer
Howard Biggs Composer
Johnny Board Composer
Clarence "Gatemouth" Brown Composer
Bruce Iglauer Mastering
Don Robey Composer
Mike Stoller Composer
Chris Vachon Producer
Landon Messer Composer
Michael Trossman Logo
Rose Marie McCoy Composer
Jon D'Uva Engineer
Collin Jordan Mastering
Charles Singleton Composer
Jerry Lieber Composer
Edward Messner Composer
Dave Bortholomew Composer
Bryant Lucas Composer
James Flemings Composer
Fred Mendelsonn Composer
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