Hopes and Fears [DualDisc]

Editorial Reviews

All Music Guide - MacKenzie Wilson
The English music press can never let anyone be. They're always quick to hail the next big thing and, in this case, the next big Coldplay is Keane. Lowgold briefly held that title upon its debut release in 2001, but U.K. critics rushed to give that crown to someone else just because that's what they like to do. Keane didn't ask for it, but perhaps it's the overall majestic presentation of the band's debut album, Hopes and Fears, that does it. That and the fact that the Sussex trio doesn't rely on a formula of lilting melodies and feverish guitars to carry the weight of the album. Keane haven't positioned themselves to be kings of anything, let alone the next Coldplay. ...
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Editorial Reviews

All Music Guide - MacKenzie Wilson
The English music press can never let anyone be. They're always quick to hail the next big thing and, in this case, the next big Coldplay is Keane. Lowgold briefly held that title upon its debut release in 2001, but U.K. critics rushed to give that crown to someone else just because that's what they like to do. Keane didn't ask for it, but perhaps it's the overall majestic presentation of the band's debut album, Hopes and Fears, that does it. That and the fact that the Sussex trio doesn't rely on a formula of lilting melodies and feverish guitars to carry the weight of the album. Keane haven't positioned themselves to be kings of anything, let alone the next Coldplay. They sound nothing like Chris Martin and Co. Sure, Coldplay's biggest hit to date, "Clocks," included only pianos, and they released the Safety EP on Fierce Panda, which is also Keane's label, but those are the only things Keane have in common with Coldplay. Alongside their beautiful, emotive dalliance of instrumentation is one thing that'll separate Keane from all the rest, and that's drive. The band's heartfelt ambition on Hopes and Fears is right there. It's impossible not to reach for it, really. Lead vocalist Tom Chaplin's rich vocals are as vibrant as any choir, and songs such as "This Is the Last Time," "Bend and Break," and "Can't Stop Now" reflect Keane's more savory, dramatic moments. Confidence bursts throughout, and for a band that has been around seven years and has never released a studio full-length album until now, achieving nearly epic-like status is quite impressive. Keane obviously have the songs and they have a strong voice leading the front; however, Tim Rice-Oxley piano/keyboards/bass and Richard Hughes drums allow Hopes and Fears to come alive with glamour and without the sheen of slick studio production. Even slow build-up tracks like "Bedshaped" and "We Might as Well Be Strangers" are just as passionate, if not more so, than some of the bigger numbers on the album. Some might find Keane's debut a bit stagy, or too theatrical at first, but that's okay. Listening to "Somewhere Only We Know" alone a few times is more than enough to convince you that Keane stand next to Coldplay, challenging them, and it's a respectable match at that. [Universal released a DualDisc edition that boasts a bonus DVD side featuring all the songs as well as four videos and extra material.]
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Product Details

  • Release Date: 12/7/2004
  • Label: Interscope Records
  • UPC: 602498258422
  • Catalog Number: 000378528
  • Sales rank: 152,517

Tracks

Disc 1
  1. 1 Somewhere Only We Know (3:57)
  2. 2 This Is the Last Time (3:28)
  3. 3 Bend and Break (3:40)
  4. 4 We Might as Well Be Strangers (3:12)
  5. 5 Everybody's Changing (3:36)
  6. 6 Your Eyes Open (3:22)
  7. 7 She Has No Time (5:45)
  8. 8 Can't Stop Now (3:38)
  9. 9 Sunshine (4:12)
  10. 10 Untitled 1 (5:36)
  11. 11 Bedshaped (4:35)
Disc 2
  1. 1 Somewhere Only We Know
  2. 2 This Is the Last Time
  3. 3 Bend and Break
  4. 4 We Might as Well Be Strangers
  5. 5 Everybody's Changing
  6. 6 Your Eyes Open
  7. 7 She Has No Time
  8. 8 Can't Stop Now
  9. 9 Sunshine
  10. 10 Untitled 1
  11. 11 Bedshaped
  12. 12 Somewhere Only We Know
  13. 13 This Is the Last Time
  14. 14 Bedshaped
  15. 15 Somewhere Only We Know
  16. 16 [Bonus Features]
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Album Credits

Performance Credits
Keane Primary Artist
Tom Chaplin Vocals
Richard Hughes Drums
Technical Credits
Richard Hughes Composer
Ted Jensen Mastering
Doug Sax Mastering
Andy Green Producer, Engineer, Pro-Tools
James Sanger Programming, Producer
Keane Composer
Tom Chaplin Composer
Tim Rice-Oxley Composer
Sanger Composer
Richard Hughes Composer
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