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Horehound

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Editorial Reviews

All Music Guide - Heather Phares
Expectations for a project featuring members of the White Stripes, the Raconteurs, the Kills, and Queens of the Stone Age would almost have to run high. After all, these are all bands that find ways to draw on the classic tenets of rock without sounding completely indebted to the past. Yet the Dead Weather -- which combines the talents of Jack White, Jack Lawrence, Alison Mosshart, and Dean Fertita -- aren't so much concerned with living up to expectations as they are about defying them. There's a different kind of alchemy on Horehound than on any of the bandmembers' other projects. Not only does White returns to his first instrument, the drums, he also trades in the ...
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Editorial Reviews

All Music Guide - Heather Phares
Expectations for a project featuring members of the White Stripes, the Raconteurs, the Kills, and Queens of the Stone Age would almost have to run high. After all, these are all bands that find ways to draw on the classic tenets of rock without sounding completely indebted to the past. Yet the Dead Weather -- which combines the talents of Jack White, Jack Lawrence, Alison Mosshart, and Dean Fertita -- aren't so much concerned with living up to expectations as they are about defying them. There's a different kind of alchemy on Horehound than on any of the bandmembers' other projects. Not only does White returns to his first instrument, the drums, he also trades in the high-pitched yelp he uses with the Stripes and Raconteurs for a deeper, at-times unrecognizable, voice on "I Cut Like a Buffalo," the lone Horehound track he wrote by himself. The Dead Weather's sound isn't so much heavy as it is thick with a tense atmosphere that's sustained throughout most of the album, and the group shuns the tighter structures of their other bands for a bluesy, jammy grind. Horehound's opening track, "60 Feet Tall," shows just how explosive this sound can be, from the teasing guitars and percussion that begin it to its lunging climax. Sexual tension is one of the few constants between the Dead Weather and White and Mosshart's other bands, and they use it particularly well on "Hang You from the Heavens" and "Treat Me Like Your Mother," where their vocals and the lyrics "left, right, left, right" suggest a dance, or a fight, or something in between. Despite all the star power in this project, Mosshart's vocals are the main attraction: she snarls, croons, and sighs, displaying all the charisma she has in the Kills plus more nuance. She takes her voice to places she hasn't explored with her main project: "So Far from Your Weapon," which she wrote on her own, boasts an hypnotic groove and an oddly jazzy undercurrent, thanks to her smoky singing and White's rolling drums. Indeed, her voice and White's are usually the loudest elements on the album, with Fertita and Lawrence ably filling in the gaps between the pair's towering presences. Horehound's loose-limbed immediacy often feels like a particularly inspired rehearsal, especially on the cover of Bob Dylan's "New Pony," which gets amped up with huge grungy riffs and shouted backing vocals. This looseness also allows the band to indulge flights of fancy like the instrumental "3 Birds" and "Rocking Horse"'s menacing surf-jazz. However, the Dead Weather's chemistry fizzles on the more unfocused tracks, and as gripping as their sound is, it can get claustrophobic. The songs that break from the pack are among the best. "Bone House" layers programmed and live drums with creepy falsetto vocals and some great guitar work from Fertita, and "Will There Be Enough Water?"'s drifting acoustic blues provides the calm after Horehound's storm. Given the fact that the Dead Weather formed on a whim and recorded these songs in a matter of weeks, Horehound is a compelling album, and one that shows that the band's members bring out the best in each other, albeit in unexpected ways.
New York Times
The 11 songs on the album…are spare and sexy, with the vocals often distorted or submerged beneath grinding, snaky rhythms.
Rolling Stone
An excellent album of sex sweat, bourbon breath, gun smoke and guitar sleaze...these are all top-notch songs...what a lovely way to burn.
Spin Magazine
When you listen to clattery Horehound tracks like "So Far From Your Weapon" or "Treat Me Like Your Mother"...you imagine a sort of Tennessee Williams, kitchen-knife-wielding scenario, starring an unhinged Nick Cave and PJ Harvey circa "Henry Lee."

An excellent album of sex sweat, bourbon breath, gun smoke and guitar sleaze...these are all top-notch songs...what a lovely way to burn.
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Product Details

  • Release Date: 7/14/2009
  • Label: Warner Bros / Wea
  • UPC: 093624975328
  • Catalog Number: 519785
  • Sales rank: 8,588

Album Credits

Performance Credits
The Dead Weather Primary Artist
Alison Mosshart Guitar, Percussion, Vocals
Jack White Acoustic Guitar, Drums, Vocals
Dean Fertita Organ, Synthesizer, Bass, Guitar, Piano, Background Vocals
Jack Lawrence Bass, Guitar, Drums, Background Vocals
Technical Credits
Bob Dylan Composer
Jack Lawrence Composer
Vance Powell Engineer
Alison Mosshart Composer
Jack White Composer
Dean Fertita Composer
Trevor Larence Jr. "Trev Beats" Composer
Jack White III Producer
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Customer Reviews

Average Rating 5
( 10 )
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Sort by: Showing all of 10 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    ONE OF THE BEST ALBUMS OF THE YEAR

    This is a great album. one of the best of the year if not beyond. If led zeppelin, John Spencer Blues Explosion, and Rage Against the Machine got in a bus wreck it might come out sounding a lot like the Dead Weather. Jack White should stick with this group. This is a real album. The kind that has good songs from beginning to end.

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  • Posted October 1, 2010

    more from this reviewer

    phenomenal

    This album is amazing... Jack White's new band is what I've been waiting for. Being a White Stripes fan, I always thought the Raconteurs were a little, PG, although I appreciate their music for different reasons. No, as fate would have it, joining up with Alison Mosshart from the Kills brought a new element to this madness. Heh. This one hits on all points, and achieves the sound I've been looking for.

    I just saw them at Outside Lands in SF last weekend, and think Mosshart is amazingly charismatic. Her stage presence is .. words can't describe, but Perrrfect comes to mind... And anyone gets props for holding their own against a Rock God like Jack. Seriously, drums? Is there anything that guy can't do? At this point, I doubt it. Heh.

    Can't wait for the next album, and this one was only released about a month ago. I dunno, I feel so.. unloyal... But now that The Dead Weather has made it to my iPod, I think the White Stripes and the Raconteurs can take a back seat.

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