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Jeff Talley was a good husband, a fine father, and a front line negotiator with LAPD's SWAT unit. But the high-stress, unforgiving job took an irreparable toll on his psyche. Unable to talk down a despondent father before he murders his wife and son and takes his own life, Talley plummets into a downward spiral. His marriage ends, he resigns from SWAT, and he struggles to escape from his former life by taking the chief-of-police job in a ...
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Hostage

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Overview

Jeff Talley was a good husband, a fine father, and a front line negotiator with LAPD's SWAT unit. But the high-stress, unforgiving job took an irreparable toll on his psyche. Unable to talk down a despondent father before he murders his wife and son and takes his own life, Talley plummets into a downward spiral. His marriage ends, he resigns from SWAT, and he struggles to escape from his former life by taking the chief-of-police job in a sleepy, affluent bedroom community far from the chaos and crime of Los Angeles.

But Talley’s pursuit of peaceful small town life is about to change when three young men, fleeing the robbery of a mini-mart, invade an expansive home, and take the family hostage. Plunged back into the high-pressure world that he has desperately been trying to put behind him, Talley's nightmare has only just begun. This just isn't any house--it belongs to a man who launders money for the modern equivalent of La Cosa Nostra, and the records contained in his home could put L.A.’s most dangerous crime lord, Sonny Benza, behind bars. As Talley desperately tries to save the innocents inside, the full weight of Benza’s power descends on him, putting Talley and his own family at risk. Soon, all involved are held hostage by the exigencies of fate and the only one capable of diffusing the crisis is the least stable of them all.

Hostage is a blistering stand-alone thriller with superb characters in crisis, multistranded plotting, and pitch-perfect Southern California sensibility.

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Editorial Reviews

From Barnes & Noble
The author of L.A. Requiem and Demolition Angels deals a setup that possesses the escalating intensity of a ticking time bomb: Still nursing psychic wounds from his years as an LAPD hostage negotiator, small-town police chief Jeff Talley is unexpectedly forced to negotiate with three hostage takers, one of whom is certifiably insane. As Talley struggles to guide the situation to a peaceful solution, the unthinkable happens: The hostages are kidnapped!
Publishers Weekly
The title of Crais's fiery third thriller (after L.A. Requiem and Demolition Angel) can refer not just to the two sets of innocents held at gunpoint in the story but to the reader, who will be wired tight to the book. The novel launches with a familiar (as familiar as Demolition Angel) premise: a soul-scarred cop here, former L.A. SWAT hostage negotiator Jeff Talley, now chief of police of smalltown Bristo Bay, Calif. plunges into an assignment that forces him to confront his demons. The devil clawing Talley's brain is the dying gaze of a young hostage he failed to save in L.A. Now three outlaws two lowlife brothers and a homicidal maniac have, after botching a robbery-homicide, taken refuge in a swank house in Bristo Bay. At their mercy are the family's dad, whom they've knocked unconscious, and his teen daughter and preteen son. The whopper of a complication is that the dad serves as bookkeeper for Sonny Benza, West Coast mob kingpin, and Benza will do whatever's necessary to retrieve the incriminatory records secreted in the house before the cops storm the place. The narrative ticks with suspense as Talley negotiates with the three outlaws, and as they and the kids they're holding respond with panic, fear and courage to the escalating tension. It snaps into overdrive as Benza and his goons snatch Talley's wife and daughter, holding them ransom for the records; the flow is marred only by a couple of cheap turns obviously devised for the silver screen. Thriller vets will have seen a lot of this before, but every virtuoso is allowed variations on a theme, and Crais, with his record and with the smart suspense offered here, has proven himself nothing less. (On-sale date: Aug. 7) Forecast:Crais sells more with each title, and this will prove no exception. A 15-city author tour will enhance his visibility, as will forthcoming film versions of Demolition Angel and of Hostage, which has already been bought for Bruce Willis and MGM; Crais is writing the screenplays for both films. Copyright 2001 Cahners Business Information.
Library Journal
Hostage negotiator Jim Talley, traumatized by a crisis gone bad, has left not only his SWAT job but his family as well, hiding out as chief of police in a small town. When a robbery gets out of control and three would-be thieves become killers, they hide in a house in Talley's jurisdiction, taking a family of three hostage. Worse, one of the hostages is the bookkeeper for a mob boss who, rightly worried that his secrets and $1.2 million in cash are at risk, tracks down Talley's wife and daughter for hostages of his own. Sound a little, well, unlikely? Oh, and one of the robbers is a psycho serial killer who keeps his mother's head in the freezer. Crais ratchets up the suspense about as far as it will go here but, sadly, declines to invest his characters with any attributes deeper than a name and a role (born loser, stressed cop, mob boss, psycho killer, spoiled teen). There are some nice insights into hostage negotiation, though, in the end, it all seems to come down to shouting the obvious. Reader James Daniels does his best with these stereotypes, while suffusing the story with real urgency. Had Crais made us care about any of his characters, this would easily have risen above the level of an optional purchase.-John Hiett, Iowa City P.L. Copyright 2002 Cahners Business Information.
Kirkus Reviews
Efficient, forgettable formula suspense in the Desperate Hours mold from a writer who's done much better work. The bad news for Jeff Talley, the crisis negotiator who left an LAPD SWAT team-and incidentally his wife and daughter-to become chief of the police force in safely suburban Bristo Camino, is that a trio of small-time crooks, incapable of holding up a local convenience store without shooting the owner, has gone to ground in George Smith's house, taking Smith and his two children-Jennifer, 16, and Thomas, 10-captive. The worse news is that although two of the three wanted men, Dennis Rooney and his kid brother Kevin, are nothing but penny-ante losers, the third, Mars Krupchek, is a full-blown psycho with a lovingly detailed history of torture killings. The even worse news is that inoffensive George Smith is actually a mob accountant for L.A. crimelord Sonny Benza, a man who'll do whatever it takes to make sure his men are the first people inside the Smith house to clear it of incriminating evidence, and who's not going to let any police chief, certainly not anybody with an abductable wife and daughter, get in his way. Crais keeps the pot at a constant boil by switching focus every few paragraphs from the deviously plotting mobsters to the panicking perps to the hostages who keep trying fancy maneuvers that are 100% guaranteed to make their captors really, really mad. But since nobody involved has any human reality beyond the requirements of the situation, the suspense, though considerable, is a lot more synthetic than in Demolition Angel (2000). Connoisseurs will have no trouble predicting a finale awash in corpses, every one of them richly deserving of its gory fate. Film rightshave already been sold to MGM. If you wait for the movie, you'll see Bruce Willis, and you won't miss a thing.
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Product Details

  • ISBN-13: 9781597374545
  • Publisher: Brilliance Audio
  • Publication date: 1/21/2005
  • Format: Cassette
  • Edition description: Unabridged
  • Product dimensions: 4.30 (w) x 7.20 (h) x 2.50 (d)

Meet the Author

Robert Crais
Robert Crais is the author of nine previous novels, including the bestsellers Demolition Angel and L.A. Requiem. Demolition Angel is currently in development as a major motion picture by ColumbiaTriStar and producer Laurence Mark (Jerry McGuire, Finding Forrester).

Biography

Los Angeles is known as the city of dreams, largely because so many Americans dream of breaking into the Hollywood film and television industry. In 1976, Robert Crais went west from Louisiana to pursue that very dream. As it turned out, he became one of the lucky few to break into the industry in a big way. Crais has since written for such hugely popular TV shows as Quincy, Cagney and Lacey, Miami Vice, Hill Street Blues, and L.A. Law, just to name a few. However, after achieving such success (which included a prestigious Emmy nomination) in a business that so many would give everything to break into, Robert Crais decided to step away and pursue his true dream. Frustrated by the collaborative process that comes with screenwriting, and inspired by pulp-pioneers such as Raymond Chandler, Crais became a mystery novelist. With his massively popular Elvis Cole/Joe Pike mysteries series, it seems as though success has a funny way of following Crais no matter what he decides to do.

Crais published his very first novel in 1987. The Monkey's Raincoat introduced mystery fans to Elvis Cole and Joe Pike, a pair of L.A. private investigators who would become his most-beloved recurring characters. Crais's transition from screenwriting to novel-writing was an astoundingly smooth one. The Monkey's Raincoat earned him nominations for the Edgar, Anthony, Shamus, and Macavity awards, winning both the Anthony and Macavity for "Best Novel of the Year." Crais's publisher was so overjoyed by the novel's success that he encouraged Crais to keep the Cole/Pike team going. "I started writing these books to get away from writing other people's concepts, like TV and movies," Crais told Barnes&Noble.com. "I never expected to write these guys as a series...but the book proved to be so popular and the characters were so popular that my publisher wanted more." What followed was a series of bestselling mysteries, including Stalking the Angel (1989), Free Fall (1993), L.A. Requiem (1999), and last year's The Forgotten Man.

Although the series was not part of Crais's original plan, he still seems to hold the Cole and Pike team closer to his heart than anything he has previously written. He explained, "The characters have deepened, and I think they kind of reflect what's going on with me and the world as I see it." When asked about whether or not we can expect to see the crime-solving buddies on the big screen anytime soon, he said, "I think I would have a difficult time in the collaborative process when other people suddenly put their fingerprints on Elvis and Joe," further illustrating his personal feelings for his P.I. team.

As much as Crais loves his series, he does occasionally write novels outside of the Cole/Pike world. His latest, The Two-Minute Rule, tells the story of career criminal Max Holman, a recently released-from-prison bank robber who finds himself hunting an entirely different kind of criminal after his son is gunned down. The book has since raked in positive reviews from such publications as Booklist, Publisher's Weekly, and The Library Journal. While The Two-Minute Rule does not feature Cole and Pike, Crais fans will notice one significant similarity between his latest novel and his famous series -- the Los Angeles setting. "I can't think of a better place to set crime novels because of what Los Angeles is. Los Angeles is the main where the nation goes to make its dreams come true. When you have a place like that where so many people are risking their very identities, not just money and cash, but they're risking who they are because it's their hopes and dreams, when you have that kind of tension and that kind of friction, you can't help but have crime."

Fortunately, Crais will never have to succumb to such friction and tension since, for a success story such as he, Los Angeles completely lived up to its promise of being the city of dreams.

Good To Know

Some fun and fascinating outtakes from our interview with Crais:

"My first job was cleaning dog kennels. It was especially, ah, aromatic during those hot, humid Louisiana summers, but it prepared me for Hollywood."

"My fiction is almost always inspired by a character's need or desire to rise above him-or herself. No one is perfect and some of us have much adversity in our lives; it is those people who struggle to rise above their nature or background that I find the most interesting and heroic."

"Fun details? Like Elvis Cole, I have a dry sense of humor. Sometimes I am so dry that people don't know I'm kidding and think I'm being serious. I enjoy this because their reactions are often funny. Also, I wear beautifully colored shirts like Elvis Cole, only I was wearing them before him. People will say, ‘Look, RC dresses just like Elvis Cole,' and I'll say, 'No, Elvis Cole dresses like me!' I also wear sunglasses like Joe Pike, but not indoors and not at night."

"Elvis Cole wrote two episodes of television. No lie. It happened like this: I had written episodes of Miami Vice and Jag that were rewritten by person or persons unknown -- changed so badly that I didn't want my name on them, so I used Elvis Cole's name as a pen name."

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    1. Hometown:
      Los Angeles, California
    1. Date of Birth:
      June 20, 1953
    2. Place of Birth:
      Baton Rouge, Louisiana
    1. Education:
      B.S., Louisiana State University, 1976; Clarion Writers Workshop at Michigan State University
    2. Website:

Read an Excerpt

PROLOGUE

*† *† *
The man in the house was going to kill himself. When the man threw his phone into the yard, Talley knew that he had accepted his own death. After six years as a crisis negotiator with the Los Angeles Police Department's SWAT team, Sergeant Jeff Talley knew that people in crisis often spoke in symbols. This symbol was clear: Talk was over. Talley feared that the man would die by his own hand, or do something to force the police to kill him. It was called suicide by cop. Talley believed it to be his fault.
"Did they find his wife yet?"
"Not yet. They're still looking."
"Looking doesn't help, Murray. I gotta have something to give this guy after what happened."
"That's not your fault."
"It
is my fault. I blew it, and now this guy is circling the drain."
Talley crouched behind an armored command vehicle with the SWAT commander, a lieutenant named Murray Leifitz, who was also his negotiating team supervisor. From this position, Talley had spoken to George Donald Malik through a dedicated crisis phone that had been cut into the house line. Now that Malik had thrown his phone into the yard, Talley could use the public address megaphone or do it face-to-face. He hated the megaphone, which made his voice harsh and depersonalized the contact. The illusion of a personal relationship was important; the illusion of trust was everything. Talley strapped on a kevlar vest.
Malik shouted through the broken window, his voice high and strained.
"I'm going to kill this dog! I'm going to kill it!"
Leifitz leaned past Talley to peek at the house. Thiswas the first time Malik had mentioned a dog.
"What the fuck? Does he have a dog in there?"
"How do I know? I've got to try to undo some of the damage here, okay? Ask the neighbors about the dog. Get me a name."
"If he pops a cap, we're going in there, Jeff. That's all there is to it."
"Just take it easy and get a name for the dog."
Leifitz scuttled backward to speak with Malik's neighbors.



George Malik was an unemployed house painter with too much credit card debt, an unfaithful wife who flaunted her affairs, and prostate cancer. Fourteen hours earlier, at two-twelve that morning, he had fired one shot above the heads of the police officers who had come to his door in response to a disturbance complaint. He then barricaded the door and threatened to kill himself unless his wife agreed to speak to him. The officers who secured the area ascertained from neighbors that Malik's wife, Elena, had left with their only child, a nine-year-old boy named Brendan. As detectives from Rampart Division set about locating her, Malik threatened suicide with greater frequency until Talley was convinced that Malik was nearing the terminal point. When the Rampart detectives reported what they believed to be a solid location obtained from the wife's sister, Talley took a chance. He told Malik that his wife had been found. That was Talley's mistake. He had violated a cardinal rule of crisis negotiation: He had lied, and been caught. He had made a promise that he had been unable to deliver, and so had destroyed the illusion of trust that he had been building. That was two hours ago, and now word had arrived that the wife had still not been found.
"I'm gonna kill this fuckin' dog, goddamnit! This is her goddamned dog, and I'm gonna shoot this sonofabitch right in the head, she don't start talkin' to me!"
Talley stepped out from behind the vehicle. He had been on the scene for eleven hours. His skin was greased with sweat, his head throbbed, and his stomach was cramping from too much coffee and stress. He made his voice conversational, yet concerned.
"George, it's me, Jeff. Don't kill anything, okay? We don't want to hear a gun go off."
"You liar! You said my wife was gonna talk to me!"
It was a small stucco house the color of dust. Two casement windows braced the front door above a tiny porch. The door was closed, and drapes had been pulled across the windows. The window on the left was broken from the phone. Eight feet to the right of the porch, a five-member SWAT Tactical Team hunkered against the wall, waiting to breach the door. Malik could not be seen.
"George, listen, I said that we'd found her, and I want to explain that. I was wrong. We got our wires crossed out here, and they gave me bad information. But we're still looking, and when we find her, we'll have her talk to you."



"You lied before, you bastard, and now you're lying again. You're lying to protect that bitch, and I won't have it. I'm gonna shoot her dog and then I'm gonna blow my brains out."
Talley waited. It was important that he appear calm and give Malik the room to cool. People burned off stress when they talked. If he could reduce Malik's level of stress, they could get over the hump and still climb out of this.
"Don't shoot the dog, George. Whatever's between you and your wife, let's not take it out on the dog. Is it your dog, too?"
"I don't know whose fuckin' dog it is. She lied about everything else, so she probably lied about the dog. She's a natural born liar. Like you."
"George, c'mon. I was wrong, but I didn't lie. I made a mistake. A liar wouldn't admit that, but I want to be straight with you. Now, I'm a dog guy myself. What kind of dog you got in there?"
"I don't believe you. You know right where she is, and unless you make her talk to me, I'm gonna shoot this dog."
The depths to which people sank in the shadowed crevasses of desperation could crush a man as easily as the weight of water at the ocean floor. Talley had learned to hear the pressure building in people's voices, and he heard it now. Malik was being crushed.
"Don't give up, George. I'm sure that she'll talk to you."
"Then why won't she open her mouth? Why won't the bitch just say something, that's all she's gotta do?"
"We'll work it out."
"Say something, goddamnit!"
"I said we'll work it out."
"Say something or I'm gonna shoot this damned dog!"
Talley took a breath, thinking. Malik's choice of words left him confused. Talley had spoken clearly, yet Malik acted as if he hadn't heard. Talley worried that Malik was dissociating or approaching a psychotic break.
"George, I can't see you. Come to the window so I can see you."
"STOP LOOKING AT ME!"
"George, please come to the window!"
Talley saw Leifitz return to the rear of the vehicle. They were close, only a few feet apart, Leifitz under cover, Talley exposed.
Talley spoke under his breath.



"What's the dog's name?"
Leifitz shook his head.
"They say he doesn't have a dog."
"OPEN YOUR GODDAMNED MOUTH RIGHT NOW OR I'M SHOOTING THIS DOG!"
Something hard pounded in the center of Talley's head, and his back felt wet. He suddenly realized that illusions worked both ways. The Rampart detectives hadn't found Malik's wife because Malik's wife was inside. The neighbors were wrong. She had been inside the entire time. The wife and the boy.
"Murray, launch the team!"
Talley shouted at Murray Leifitz just as a loud whipcrack echoed from the house. A second shot popped even as the Tactical Team breached the front door.
Talley ran forward, feeling weightless. Later, he would not remember jumping onto the porch or entering through the door. Malik's lifeless body was pinned to the floor, his hands being cuffed behind his back even though he was already dead. Malik's wife was sprawled on the living room sofa where she had been dead for over fourteen hours. Two tac officers were trying to stop the geyser of arterial blood that spurted from the neck of Malik's nine-year-old son. One of them screamed for the paramedics. The boy's eyes were wide, searching the room as if trying to find a reason for all this. His mouth opened and closed; his skin luminous as it drained of color. The boy's eyes found Talley, who knelt and rested a hand on the boy's leg. Talley never broke eye contact. He didn't allow himself to blink. He let Brendan Malik have that comfort as he watched the boy die.
After a while, Talley went out to sit on the porch. His head buzzed like he was drunk. Across the street, police officers milled by their cars. Talley lit a cigarette, then replayed the past eleven hours, looking for clues that should have told him what was real. He could not find them. Maybe there weren't any, but he didn't believe that. He had blown it. He had made mistakes. The boy had been here the entire time, curled at the feet of his murdered mother like a loyal and faithful dog.
Murray Leifitz put a hand on his shoulder and told him to go home.
Jeff Talley had been a Los Angeles SWAT officer for thirteen years, serving as a Crisis Response Team negotiator for six. Today was his third crisis call in five days.
He tried to recall the boy's eyes, but had already forgotten if they were brown or blue.
Talley crushed his cigarette, walked down the street to his car, and went home. He had an eleven-year-old daughter named Amanda. He wanted to check her eyes. He couldn't remember their color and was scared that he no longer cared.







From the Paperback edition.

Copyright 2001 by Robert Crais
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Customer Reviews

Average Rating 4
( 55 )
Rating Distribution

5 Star

(30)

4 Star

(11)

3 Star

(8)

2 Star

(4)

1 Star

(2)

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See All Sort by: Showing 1 – 20 of 55 Customer Reviews
  • Anonymous

    Posted April 5, 2012

    Recommended - a very satisying read.

    I have always been drawn to writer's who have strong characters in their books. I prefer the Elvis Cole/Joe Pike books, but Jeff Talley certainly rates as an intelligent, honorable character in a dramatically, chilling book. Like all of the books by Robert Crais, and I have now read all of them, I could not put it down.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 5, 2013

    Super!

    I could not read this book fast enough ( and I saw the movie )! What a great.suspense filled book!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 24, 2013

    I highly recommend this book. Great reading.

    I enjoyed it to the point I didn't want to put it down.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 8, 2013

    Great Story

    Couldn't stop reading. Not you same old hostage story, lots of interesting complications in the plot. It all comes together well in the end too. Great fun.

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  • Posted February 24, 2013

    A good original read.

    A good original read.

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  • Posted October 28, 2011

    Crais is a gifted story teller

    This story about Jeff Talley is a page turner. He just keeps on going no matter what he is dealt. Kept me guessing on the inside man right down to the last. Robert Crais creates characters that you can reach out and touch.

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  • Posted March 3, 2011

    more from this reviewer

    Great Characters - Action Packed!

    Fast paced, hard hitting book by Crais. The characters were well-developed. I was rooting for Jeff Talley as he battled for the hostages and against his own personal demons. Crais does a masterful job of attaching the reader to the characters. Suspense and tension from cover to cover really made this one of those "hard to put down" books.

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  • Anonymous

    Posted June 1, 2010

    SPOILER REVIEW--Had I not seen the movie, probably 5 stars

    I saw the movie, "Hostage," with Bruce Willis and loved it, which sparked my interest in the book. There were several things in the movie that I liked better than in the book--the house and its location, Mars infatuation with Jennifer, the mysterious characters as opposed to knowing names in the book, the way Kevin was described in the book compared to the way he came across as being a decent guy with a conscience, the way Talley found out his wife and daughter had been taken hostage in the movie compared to the way he had found out in the book, etc. Had I not seen the movie first, I may have felt differently about the book.

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  • Posted February 21, 2010

    more from this reviewer

    High Speed Thrill Ride

    Quite simply, this is a great read. I've read Demolition Angel and, based on reviews, thought that would be the better of Crais' books. If you liked Demolition Angel (I didn't!) - then you will love this book. If you've seen the movie, read the book anyway. The movie was good, and I'm a Willis fan, but the book is outstanding. Crais grabs your attention at the very beginning and never lets go. You feel and root for the main character, develop some sympathy for one of the hostage takers, and are surprised as the twists and turns pop up.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 26, 2005

    Way To GO Robert!

    This is the best book I have ever read. The way Mr. Crais pulls you into the story is pure genius. I read this book in two days. Once I opened it I could not put it down. I am so glad it has become a movie and cannot wait to see it. This has to be the best written book of all time in my opinion. If you have never read a Robert Crais book this one is a good start. So go out and get Hostage and I hope you will enjoy it as much as I did. Keep up the good work Mr. Crais.

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  • Anonymous

    Posted February 11, 2005

    suspenseful story masterfully read

    Readers of 'Demolition Angel,' 'L.A. Requiem' or any other fast-paced thrillers by Robert Crais know what a compelling author he is. His scenes are so vivified that one loses sight of words on a printed page and sees technicolor pictures of the action. Thanks to the abilities of voice performer James Daniels that is also the case in listening to 'Hostage.' A Chicago actor, Daniels gives new meaning to the term multi-talented - he plays guitar, swing dances, and with his wife co-authored a historical romance. He captures such dissimilar voices as that of Police Chief Jeff Talley and a sociopathic killer to perfection, thus rendering a totally enthralling reading. Talley, a former hostage negotiator, had hopes for leaving that life far behind. A convenience store robbery north of Los Angeles changes his plan.. Police are in pursuit of three men, turning thieves into desperate quarry. They gain access to a tony gated community where they break into a home and hold at gunpoint a father and his two young children, a son and daughter. Once more Talley is called upon. However, the invaded house is home to a bookkeeper for notorious mob boss, Sonny Benza. Fearful that his records will fall into the hands of the Law, Benza has Talley's wife and daughter grabbed. Play, match play, how will it end? Crais is a master of suspense and Daniels is a master at presenting it. Enjoy the goosebumps!

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  • Anonymous

    Posted September 8, 2004

    A great book but an incomplete ending

    I read this book after reading all the great reviews online about it from this sight. The beginning of the book was slow to take off. It was excellent in the middle, but the ending was very poor. I was really into the book and then the author ended the book abruptly and confusingly. I was diapointed.

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  • Anonymous

    Posted December 20, 2003

    The Best Book I Have Ever Read

    This is the best book i have ever read. It is hard for me to read and this book was a nice and easy to read. i hope you give this book a concideration i enjoyed it and i know you will to. Hope you read it.

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  • Anonymous

    Posted August 25, 2003

    Excellent, quick read!

    Great novel and the only reason I don't give it four stars is that we have seen some of this in other thrillers. Nonetheless, the author catches your attention from the outset and never lets go. I read it on vacation within a couple of days. Tough to put down.

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  • Anonymous

    Posted April 12, 2003

    Why are you looking at reviews, GO GET THE BOOK!

    Robert Crais is one of, if not the best author in his respective genre. Hostage is a heart racing ride that never stops up until the very end. My hands and eyes were glued to this book and I finished it in less than two days. Do yourself a favor,get this book, find a quiet place to read, and don't make any plans up until you finish it. You'll be glad you did.

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  • Anonymous

    Posted May 6, 2003

    1 of the best

    I agree with everyone here that gave this book 5 stars. I finished it in 3 days, it is very fast paced and you won't want to put it down. I've never read anything from Crais before, but now I guess I'll have to look into it, I hope his other ones can at least match this one(not possible)

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  • Anonymous

    Posted December 2, 2002

    " Huge Winner "

    It took me a few pages to get into the story, but when I did it took off! A non-stop rollercoaster ride! Treat yourself to some find reading. Not to be missed!!!

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  • Anonymous

    Posted September 10, 2002

    Tormented Soul

    Robert Crais is so masterful at describing a tormented soul, a man at the depths of despair, that the reader quickly experiences a strong sense of empathy with his main protagonist, Jeff Talley. Talley, a former SWAT crisis negotiator with the LAPD, carries psychological wounds from a hostage intervention gone bad. His own soul is now held hostage by his failure. Retreating from his former life at the cost of his marriage and family, he has moved on to a small suburban police department and lives an unfulfilling life in his quest to leave his anguish behind. Then BAM!...Crais catapults his emotionally tortured main character and you, the empathetic reader, into a horrific crime scene and a terrifying hostage situation. Now, the reader becomes Talley in a race against time to save not only the obvious hostages, but his family and himself. Crais has the reader feeling what Talley feels throughout the exhilarating non-stop action and suspense. If your heart pounded walking the psychological tightrope with emotionally tormented hero, John "Lilly" Lelankevitch in "Evil, Be Gone," get back on the highwire with Jeff Talley in "Hostage."--Robert John Estko, author of "Evil, Be Gone"

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  • Anonymous

    Posted March 7, 2002

    Amazing

    I bought this book when it first came out and I was instantly hooked on it. I especially find it very interesting since it takes place where I live here in the Antelope Valley. Robert Crais is brilliant He brings you into the story and you dont want to let it go. The twists are amazing and you wont know what is going to happen next. I highly recommened this book Trust me you will love it.

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  • Anonymous

    Posted December 12, 2001

    Gripping, Fabulous Read!!!!!!

    Robert Crais is the best mystery-thriller writer today. In 'Hostage' he once again demonstrates his talent in weaving an action filled plot with many twists and turns. 'Hostage' is a nonstop page-turner, a well-crafted thriller. Crais wastes no verbiage here. Robert has the knack of getting into the heads of his characters and explaining to you what drives them. And, here in 'Hostage', as in Crais' previous novels, you literally get to know the characters individual temperaments and emotions. Another gift/talent of Crais, which he demonstrates in 'Hostage', is the ability to create descriptive visuals, allowing you to feel as though you are standing right there, in the middle of all the action, watching with great intensity, waiting to see what happens next. 'Hostage' grabs you from the first page and only lets you go on the final. This is a riveting novel, a many layered exploration of love, hate, fear, courage, and revenge. A definite MUST read!!

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