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Hot Generation: 1960's Punk From Down Under
     

Hot Generation: 1960's Punk From Down Under

 
"Punk From Down Under" seems like more of a marketing tag than a dead-on description of the 30 mid-'60s Australian rock cuts on this compilation, all taken from the vaults of the country's Festival label. If anything, that subtitle under-sells the CD, which is plenty energetic, but also a good deal more melodic and therefore memorable than the average '60s punk (i.e.,

Overview

"Punk From Down Under" seems like more of a marketing tag than a dead-on description of the 30 mid-'60s Australian rock cuts on this compilation, all taken from the vaults of the country's Festival label. If anything, that subtitle under-sells the CD, which is plenty energetic, but also a good deal more melodic and therefore memorable than the average '60s punk (i.e., '60s garage) compilation. Australian rock of the time had closer stylistic ties to British Invasion music than '60s American garage did, so what you get here is something that's somewhat rawer and more juvenile than much of British Invasion's mid-'60s mod and freakbeat sounds, yet more tuneful and professional than many U.S. '60s garage bands. No famous acts are here, though several have large-to-modest reputations among international '60s rock collectors, including the Sunsets, the Purple Hearts, the Black Diamonds, and Steve and the Board; others, such as Normie Rowe, Tony Worsley, Johnny Young, and Ray Brown, had some substantial commercial success in their homeland, though this comp focuses on their most raucous material. Some of the sides are just OK, but others are good or close to great, like the Sunsets' surf-cum-mod "The Hot Generation"; Ray Brown & the Whispers' mesmerizing, tough, Merseybeat-ish "Go to Him"; the Black Diamonds' "See the Way," a superb piece of reverberant '60s guitar pop; Robbie Peters' giddy "She Does Everything for Me," surely one of the finest Zombies covers ever done; and Johnny Young's "Good Evening Girl," written by three of the Easybeats but never recorded by that group, although it's easily up to the standards of their better songs. Even the occasional covers of the well-known American or British rockers have original twists to offer, like Worsley's molten rendition of the Birds' "How Can It Be" and Peter Doyle's version of the Spencer Davis Group's "High Time Baby."

Product Details

Release Date:
08/20/2002
Label:
Big Beat Uk
UPC:
0029667421621
catalogNumber:
216
Rank:
91516

Related Subjects

Tracks

Album Credits

Performance Credits

Bruce Johnston   Saxophone
Steve Kipner   Vocals
Ian Thomas   Bass
Laurie Allen   Organ
Lindsay Bjerre   Guitar,Vocals
Ray Brown   Vocals
John Cartwright   Guitar
Johnny Green   Guitar
Mike Hadley   Vocals
Tony Hamilton   Guitar,Harmonica
Lobby Loyde   Guitar
Dave Miller   Guitar,Vocals
Terry Paul   Guitar
Terry Richards   Guitar
Geoff Smith   Drums
Peter Best   Guitar
King James Fisher   Trumpet
Ian Walsh   Organ
Glenn Bland   Vocals
Malcolm Clarke   Guitar
Alan Gregory   Drums
Bill Billings   Guitar
John Robinson   Guitar
Jeff St. John   Vocals
Normie Rowe   Vocals
Baden Hutchins   Drums
Alex Hill & His Sepians   Guitar
Geoff Bridgeford   Drums

Technical Credits

Alec Palao   Liner Notes,Concept

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