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| Euge Groove | Primary Artist, Flute, Soprano Saxophone, Tenor Saxophone, Hammond B3 |
| Lenny Castro | Conga |
| Trevor Lawrence | Drums |
| Cornelius Mims | Electric Bass |
| John Jubu Smith | Electric Guitar |
| Dan Needham | Drums |
| Lee Thornberg | Trumpet |
| Tracy Carter | Piano, fender rhodes |
| Paul Brown | Guitar, Soloist |
| Jeffrey Osborne | Composer |
| Robert Hadley | Mastering |
| Euge Groove | Arranger, Programming, Producer |
| Albert Mata | Engineer |
| Chioma | Composer |
| Steven Eugene Groove | Composer, Liner Notes |
Editorial Reviews
All Music Guide - Jonathan Widran
The smooth jazz genre in the 2000s and 2010s has had two very vocal apostles in Kirk Whalum and Jonathan Butler, who made gospel albums to complement their more mainstream output, and have spoken freely on-stage about their faith. One who has done this more quietly, but no less eloquently, is Euge Groove, whose muscular tenor sax-doubling and lilting soprano have helped him score numerous radio hits and develop a ready-to-party audience as he subtly infuses a little church in the mix. In many ways, House of Groove falls right in line with the versatile saxman's core array of sounds -- dreamy, lilting, and sexy on the expansive opening track "Knock! Knock! Who's There?" ...