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The House of the Seven Gables

The House of the Seven Gables

3.2 64
by Nathaniel Hawthorne

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Though perhaps best known for his work The Picture of Dorian Gray, Wilde also wrote fairy tales for children that are still popular today. A House of Pomegranates contains four of these works. His writings reflect his wit and way with words.


Though perhaps best known for his work The Picture of Dorian Gray, Wilde also wrote fairy tales for children that are still popular today. A House of Pomegranates contains four of these works. His writings reflect his wit and way with words.

Editorial Reviews

School Library Journal
Gr 9 UpHawthorne's tale about the brooding hold of the past over the present is a complex one, twisting and turning its way back through many generations of a venerable New England family, one of whose members was accused of witchcraft in 17th century Salem. More than 200 years later, we meet the family in its decaying, gabled mansion, still haunted by the presence of dead ancestors: Hepzibah, an elderly gentlewoman fallen on had times; her ineffectual brother, Clifford; and young Phoebe, a country maiden who cheerfully takes it upon herself to care for her two doddering relations. There's also Holgrave, a free-spirited daguerreotypist, who makes a surprising transformation into conventional respectability at the story's end. These people seem to be symbols for Hawthorne's theme more than full-bodied characters in their own right. As such, it can only be difficult for today's young adults to identify with them, especially since they are so caught up in a past that is all but unknown to present day sensibilities. Talented Joan Allen, twice nominated for Academy Awards, reads the tale in a clear, luminous voice. Because she has chosen not to do voices, however, it is sometimes difficult to tell which character is speaking. Still, she is more than equal to the task of handling Hawthorne's stately prose in a presentation that will be a good curriculum support for students of Hawthorne or those seeking special insight into this work of fiction.Carol Katz, Harrison Library, NY
From the Publisher
"A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction."
—Henry James

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The Floating Press
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Read an Excerpt

Half-way down a by-street of one of our New England towns, stands a rusty wooden house, with seven acutely peaked gables facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon-street; the house is the old Pyncheon-house; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon-elm. On my occasional visits to the town aforesaid, I seldom failed to turn down Pyncheon-street, for the sake of passing through the shadow of these two antiquities; the great elm-tree and the weather-beaten edifice.

The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also of the long lapse of mortal life, and accompanying vicissitudes that have passed within. Were these to be worthily recounted, they would form a narrative of no small interest and instruction, and possessing, moreover, a certain remarkable unity, which might almost seem the result of artistic arrangement. But the story would include a chain of events extending over the better part of two centuries, and, written out with reasonable amplitude, would fill a bigger folio volume, or a longer series of duodecimos, than could prudently be appropriated to the annals of all New England during a similar period. It consequently becomes imperative to make short work with most of the traditionary lore of which the old Pyncheon-house, otherwise known as the House of the Seven Gables, has been the theme. With a brief sketch, therefore, of the circumstances amid which the foundation of the house was laid, and arapid glimpse at its quaint exterior, as it grew black in the prevalent east wind pointing, too, here and there, at some spot of more verdant mossiness on its roof and walls, we shall commence the real action of our tale at an epoch not very remote from the present day. Still, there will be a connection with the long past; a reference to forgotten events and personages, and to manners, feelings, and opinions, almost or wholly obsolete; which, if adequately translated to the reader, would serve to illustrate how much of old material goes to make up the freshest novelty of human life. Hence, too, might be drawn a weighty lesson from the little-regarded truth, that the act of the passing generation is the germ which may and must produce good or evil fruit, in a far-distant time; that, together with the seed of the merely temporary crop, which mortals term expediency, they inevitably sow the acorns of a more enduring growth, which may darkly overshadow their posterity.

The House of the Seven Gables, antique as it now looks, was not the first habitation erected by civilized man on precisely the same spot of ground. Pyncheon-street formerly bore the humbler appellation of Maule's Lane, from the name of the original occupant of the soil, before whose cottage-door it was a cow-path.

Meet the Author

About the Author

American writer Nathaniel Hawthorne (1804 - 1864) was a novelist and short story writer born in Salem, Massachusetts. His ancestors include John Hathorne, the only judge involved in the Salem witch trials. Hawthorne published his first work, a novel titled Fanshawe, in 1828. He also published short stories in periodicals, which he collected in 1837 as Twice-Told Tales.

He married and moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels.

Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.

Brief Biography

Date of Birth:
July 4, 1804
Date of Death:
May 19, 1864
Place of Birth:
Salem, Massachusetts
Place of Death:
Plymouth, New Hampshire
Bowdoin College, Brunswick, Maine, 1824

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The House of the Seven Gables 3.2 out of 5 based on 0 ratings. 64 reviews.
Anonymous More than 1 year ago
read this book years a go great book, you do no understand the book until you travel there and see the house in real life .. the house is something to see,to see how he lived hundred years ago is some to see. loved the hiding stair case .. they dont build houses and counting house like that any more.. any one who doesnt like the book needs to go see the house ..
Guest More than 1 year ago
'The House of the Seven Gables' is a more difficult but potentially more rewarding book than the more popular 'Scarlet Letter.' In 'The House of the Seven Gables' Hawthorne is, in effect, arguing with himself about man's nature--are we all subject to original sin? He sets the novel inside a mansion that has been cursed from its very beginning because its owner stole part of the house's land from someone who didn't have as much legal influence. Thus cursed, the house became a gloomy haven for a decayed and decadent aristocracy for the following 180 years, roughly 1665-1845. Like the house, are we cursed by original sin, condemned to repeat the patterns of our ancestors? (There are other interpretations of this book; I'm just leading with the most common one.) Hawthorne would best be described as a romantic realist. His narrative style is free of the supernatural but it is rife with symbolism--and often he will interpret the symbolism for you! There is not much 'action' in the conventional sense; a person could describe the goings-on in the book in ten minutes, including flashbacks. The novel's resolution will surprise you--but there still are some fundamental questions that haven't been answered! Hawthorne depends on descriptions for much of his work--e.g., how a particular rose looks on a particular morning, and that ties in with all the symbolism. As was common in Victorian times, sentence length was 2-3 times longer than today, with compound/ complex sentences the norm. If you can read Dickens without difficulty, though, you can read this book too. I'd recommend 'The House of the Seven Gables' for anyone interested in quality American literature, especially the early realist period, for people interested in how the Puritan strain haunted (haunts?) Americans, or indeed just for an interesting tale that is told with very little action, mostly mood and symbolism.
Anonymous More than 1 year ago
There were little errors here and there that while annoying and inconvenient I did my best to ignore them. I had to stop reading when I got to page 72 and it was missing a page or so to where I felt I had missed something.
Anonymous More than 1 year ago
This is the kind of book i like to curl up with on the sofa and read with an apple- and i dont give that praise lightly! I luv Hawthorne. Of course, im only on the 5th or 6th chapter
Anonymous More than 1 year ago
Rated it 3only because of the garbled script, what i could read of this book was exelent
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This version has a lot of problems with words being misspelled. It is hard to read!
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Kara Smith More than 1 year ago
Completely agree after seeing the incredible property love this book even more!