The House on Dream Street: Memoir of an American Woman in Vietnam by Dana Sachs | Paperback | Barnes & Noble
House on Dream Street: Memoir of an American Woman in Vietnam

House on Dream Street: Memoir of an American Woman in Vietnam

4.3 3
by Dana Sachs
     
 

View All Available Formats & Editions

In this heartfelt memoir, Dana Sachs takes the reader on a sensual and textured voyage to a country most Americans think about only in terms of war. A finalist for the Independent Publisher Book Award, this deftly written narrative reveals how Sachs settled in with slick, warmhearted Tung and his quietly tenacious wife Huong in Hanoi and made a place for herself in

Overview

In this heartfelt memoir, Dana Sachs takes the reader on a sensual and textured voyage to a country most Americans think about only in terms of war. A finalist for the Independent Publisher Book Award, this deftly written narrative reveals how Sachs settled in with slick, warmhearted Tung and his quietly tenacious wife Huong in Hanoi and made a place for herself in “enemy” territory. With vivid descriptions of the community—the noodle stalls and roaring motorcycles, the vestiges of French colonialism, and the encroachment of glittering high-rises—Sachs explores the tenuous balance between the traditions of old Vietnam and a country in the throes of modernization. Sachs’s honest depiction of her difficulties renders her triumphs and love for the country and its people all the more poignant and compelling. This edition includes a new afterword by the author.

Editorial Reviews

The Oakland Press
spellbinding.
Elle Magazine
Candid and largehearted.
Vietnamese Adventures.com
Travelers who desire to understand the Vietnamese people will thoroughly enjoy The House On Dream Street.
—(five out of five stars)
Publishers Weekly - Publisher's Weekly
Sachs calls the bustling Hanoi thoroughfare where she lived in the early 1990s "Dream Street" because of the prevalence there of the city's most sought-after motor bike--the Honda Dream. During the nine transformative years over which she has visited and lived in Vietnam, the "sleek and elegant" Dream, and others of its ilk, muscled out the ubiquitous bicycle. Her memoir covers the time from her initial plunge into the country, as a touring backpacker in 1989, to her triumphant return in 1998 with the husband and son her Vietnamese friends had long prodded her to obtain (even the cyclo driver who first ferried her to "Dream Street" announced her as "Twenty-nine years old. Not married yet"). Most of this engrossing book is devoted to detailing the blissful and exhausting six months Sachs spent settling into a corner of Hanoi in 1992. A journalist who has written for Mother Jones and the Philadelphia Inquirer, Sachs deftly conveys the strange circumstance of being an American walking "comfortably through the streets of Hanoi." Her first Vietnam--the war-torn country she knew from TV--haunts her. She feels compelled to apologize when she meets an injured Vietnamese veteran, and is perplexed when she encounters people who suffered terrible losses in the war who harbor no ill will. However, Sachs is careful not to dwell too much in the past. The real joy in her work is the engaging street-level view of Hanoi that she provides: of a run-in with two men who strongly desire to sing ABBA songs to her; of the social life of the neighborhood tea stall and the warm and gossipy grandmother who runs it; and the effects of the vacillating economy on her new friends. In moments like these--and there are many of them--Sachs bravely renders Vietnam through fresh eyes. Agent, Sarah Lazin. (Sept.) Copyright 2000 Cahners Business Information.|
Library Journal
Yet another American goes to Asia for a year or so and must write about the experience. This time the trip is to Hanoi, Vietnam, where Sachs (journalism and Vietnamese literature, Univ. of North Carolina, Wilmington) makes the usual observations: people staring at her, the difficulties of the language, the natives speaking poor English but wanting her to teach them, the strange food served to her, and the kindness she finds. She also has the requisite romantic encounter. The author makes much of being in former enemy territory, though other Asian countries have also been enemies of the United States. She also makes too much of feeling at home even though she stays only six months, goes back to the United States for a year, and then returns to Hanoi for another six months or so. Nevertheless, Sachs is an engaging and sensitive writer who tells her story ably. Recommended for larger public libraries.--Kitty Chen Dean, Nassau Community Coll., Garden City, NY Copyright 2000 Cahners Business Information.\
Kirkus Reviews
An American journalist's low-key but affectionate account of her extended visits to Vietnam, beginning in the early 1990s, that reflect more personal than political reactions to a country recovering from its war-torn past and tentatively embracing western culture.

Product Details

ISBN-13:
9781580051002
Publisher:
Avalon Publishing Group
Publication date:
09/10/2003
Pages:
357
Product dimensions:
5.51(w) x 8.28(h) x 0.98(d)

Read an Excerpt



Chapter One


Through the Green Gate


The cyclo pulled to a stop in front of an enormous green gate. I turned around and looked at the driver, but he only gave me a smug smile from his seat on the pedicab. "This is number four," he said, gesturing toward the address beside the gate. I glanced at the number, then at the address in my hand, then glared at him. When he had first approached me as I stepped off the bus in central Hanoi, he had insisted that my destination was ten kilometers away and that he, in turn, deserved a hefty fee for pedaling me there. But we had traveled less than a kilometer and arrived in five minutes.

"Stay here," I said as sternly as I could in my miserable Vietnamese. I clambered over my backpack and out of the basketlike passenger seat, unwilling to pay him before I knew if this place was, indeed, the home of the only person I knew in Hanoi. The cyclo driver shrugged, then twisted around on his bicycle seat and immediately leapt into a discussion with the people gathered around a sidewalk tea stall across the narrow street. "She's an American. Came here to study Vietnamese. Twenty-nine years old. Not married yet," he told them, making quick work of all the information I had given him on the ride over.

I stood for a moment, looking around. I remembered Hanoi from my previous visit, in the late winter two years before, and much that I saw around me now felt familiar. Today's sky was the same impermeable gray, the color of the rice porridge I'd watched people swallow quickly on their way to work. The air had the same chilly moistness, carrying hints of motorbike exhaust, overripefruit, and chicken broth simmering all day over tiny charcoal stoves. Across the road, a group of pale-faced old women sat at the tea stall. They wore scarves around their heads and held tiny cups of Hanoi tea between their fingers. I remembered that tea as well. In Saigon, people had drunk endless glasses of iced tea. At restaurants and sidewalk food stalls, every order, even coffee, came with tea. But Saigon tea was weak as water, barely yellow. The copper-colored Hanoi tea was a different drink entirely, whiskey strong and drunk in shots. On my first trip to Hanoi, I had sipped it and gagged.

From across the road, the tea drinkers stared at me with speculative interest. Pulling my scarf tighter against the wind, I wished I could take a little break, maybe just sleep in my own bed tonight in San Francisco, then try Hanoi again tomorrow. But the tea drinkers didn't disappear. One of them, perched on a stool with her knees tightly folded against her chest, lifted a hand and briskly waved me toward the gate. Her face, as infinitely lined as cracked porcelain, broke into a great, wide grin, revealing two rows of deeply red, betel-nut stained teeth. I looked at her for a moment, forcing my mouth into a smile of its own. Then, mustering all my courage, I turned around, walked over to the doorbell, and rang. I'd come all this way. It was too late to change my mind.

After a minute, I heard a shuffling behind the gate. A latch turned and a husky, pale-skinned teenage girl appeared in the doorway. She looked out at me in shock. I stammered in Vietnamese, "Uh. Is Tra here? I want to meet Nguyen Thi Tra."

The expression on her face did not change. "Nguyen Thi Tra!" yelled the cyclo driver from behind me. The girl's mouth twitched in some form of recognition, and she disappeared again behind the gate.

I had met Nguyen Thi Tra less than a year before, when she taught Vietnamese at a summer-long intensive language course I'd attended in upstate New York. All the students adored her, not because she was such a fine language teacher—she was actually an economist drafted for a job outside her field—but because she had that rare and very lucky quality of being completely attractive. She was less than five feet tall, but maintained an energy that, even compressed inside that tiny body, could expand to fill a room.

Although Tra was Vietnamese, she was not an easy person to imagine living in Vietnam. I had only known her as a resident of the States, where she had been studying business at the University of Michigan for the past three years. America suited her well. There, she had guzzled diet Cokes, developed a preference for poppy-seed bagels, and become a jogger who worried about her weight. The only thing that tied her to Vietnam, it had seemed to me, was that she had a husband and young son who still lived there. I was anxious to see how this fiery spirit, so thrilled by America, would appear in Hanoi, an ancient city of crumbling colonial mansions and wizened old ladies who could make an afternoon out of staring at a foreigner.

I heard a squeal on the other side of the wall. The teenager pulled back the gate to reveal a young woman bounding toward me. She was wearing a burly white sweater, Day-Glo aquamarine biker shorts, and brand new Nike sneakers. With her hair pulled back into a high ponytail, she looked more like a college gymnastics star than a Hanoi wife and mother. I smiled. It was Tra. We passed the next minutes in a frenzy of loud, American-style greetings. The neighbors, the cyclo driver, and the teenage girl watched us as if we were enacting the reunion of long-lost sisters in a traditional folk play. "Don't just stand there," Tra said, finally, ready to drag me by the hand into her house. I paid the cyclo driver and grabbed my backpack. As the gate slammed shut behind us, I felt, for a moment at least, that I was safe.

The yellow, two-story house curled around the sides of a courtyard. The older section at the left looked over the high wall into the street outside and had the elegant symmetry of French colonial architecture. Behind it sat a more modern U-shaped addition, a utilitarian two-story structure with a balcony running the length of the second floor. Together in its two parts, Tra's house looked like a stately Paris mansion run up against a Motel 6.

The two of us stood in the blue fluorescent glow of the kitchen. We'd spent an hour or two catching up over tea and candy and now I'd offered to help cook dinner. Tra was planning to serve rice pancakes wrapped around grilled pork, a sort of Vietnamese version of the burrito. To accompany the dish, she was preparing a platter of rice noodles, lettuce, bean sprouts, sliced lemons, hot chilis, and a variety of herbs. Tra pushed a bowl of herbs in my direction.

"This is what you do," she said, the tone in her voice reminding me of the way she used to beat the blackboard with a nub of chalk while trying to explain some complicated rule of Vietnamese grammar. Today's lesson centered on a sprig of basil, from which she plucked off the smooth green leaves. "What do you call this vegetable in English?" she suddenly paused mid-demonstration to ask. Tra believed that her chances for success in the world outside of Vietnam were directly related to her aptitude in English. "Basil" was a word she needed to know."You should learn to say these things in Vietnamese, too," Tra said, after I had carefully pronounced "basil," "cilantro," and "mint" for her. Slowly, she said each word for me in Vietnamese, adding the names for several mysterious-looking herbs that sat before us on the table. The one called t´ia tô was maple-shaped, green on one side and royal purple on the other. Chewing the leaves, Tra said, would cure a sore throat. The rau r<breve>am had long, thin leaves and a spicy smell. Tra held it up and looked at me with one of her wicked grins, the kind of expression that she would describe as meaning, "I have something in my sleeves." Rau r<breve>am, she whispered now, "is for the monks to eat, so they won't want to have the sex." Then she dissolved into laughter.

I tried to pronounce the new words correctly, but I couldn't absorb a thing. At this point, I could hardly recall the Vietnamese for "eat" or "buy." Meanwhile, Tra stood next to me, slicing cucumbers and repeating "basil," "cilantro," and "mint" to herself as if she were trying to remember the recipe for some complicated salad.

I moved slowly through the bowl of basil. Back in the States, I might have rushed to finish such a task, but here I took my time. I didn't have anywhere else to go. Tra had described some possible rooms for rent, but nothing sounded promising. My great secret hope had been dashed when she told me that she didn't have government permission to house a foreigner. At this moment, Tra and her house felt like my only refuge. I picked through the basil carefully, hoping that if I were a good enough guest at least she'd invite me back.

What People are saying about this

John Balaban
Really, I know of no other book that enters so thoroughly into the live of Vietnamese. A wonderfully told story, full of bright, telling details of endurance, risk, and romance. Sachs has seen Vietnam as few Westerners have: from the other side of the mirror. ‘Go out one day," the village proverb says, "and come back with a basket full of wisdom.
—(John Balaban, author of Locusts at the Edge of Summerand Remembering Heaven's Face

Meet the Author

Born in Memphis, Tennessee, Dana Sachs is a freelance journalist who has written for a number of magazines and newspapers, including Mother Jones, the San Francisco Chronicle, and the Philadelpia Inquirer. She has translated Vietnamese novels into English and codirected the award-winning documentary about Vietnam Which Way Is East. A graduate of Wesleyan University and the MFA program at UNC-W, she teaches journalism and Vietnamese literature courses at UNC-W and lives with her husband and son in Wilmington, North Carolina.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >