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| Sinéad O'Connor | Primary Artist, Vocals |
| Kevin Armstrong | Guitar |
| Caroline Dale | Cello |
| Sam Dixon | Bass |
| Marco Pirroni | Guitar |
| Julian Wilson | Keyboards |
| Justin Adams | Guitar |
| Damien Dempsey | Acoustic Guitar |
| Tim VanDerKuil | Guitar |
| Clare Kenny | Bass |
| John Reynolds | Piano, Drums |
| Kenny Bogan | Acoustic Guitar |
| Marco Pirroni | Composer, Guitar Arrangements |
| Sinéad O'Connor | Composer |
| G. Smith | Composer |
| Adrian Hall | Engineer |
| Justin Adams | Composer |
| J. Grant | Composer |
| John Reynolds | Composer, Producer |
| Joseph O'Connor | Liner Notes |
| A.B. O'Neill | Composer |
| Neil Condron | Cover Painting |
Editorial Reviews
All Music Guide - Fred Thomas
With more and more years between proper studio albums as time goes on, often confrontational Irish pop powerhouse Sinéad O'Connor's decades-spanning career becomes less about her music and more about Sinéad as an institution, political figurehead, worn punch line, or in the worst cases a caricature of herself. With her ninth studio album, How About I Be Me (And You Be You)?, O'Connor smacks the focus back onto her powerful voice and uncanny ability to weave sadly gorgeous narratives into catchy pop songs. That's not to say a generous smattering of all the things that have made O'Connor a controversial character over the years are not touched on over the course of the ...