How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

    In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.

    Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.

1126390722
How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

    In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.

    Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.

9.99 In Stock
How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

by William Froug
How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

How I Escaped from Gilligan's Island: And Other Misadventures of a Hollywood Writer-Producer

by William Froug

eBook

$9.99 

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers

LEND ME® See Details

Overview

    In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.

    Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.


Product Details

ISBN-13: 9780299250638
Publisher: University of Wisconsin Press
Publication date: 10/05/2005
Series: A Ray and Pat Browne Book
Sold by: Barnes & Noble
Format: eBook
Pages: 360
File size: 6 MB

About the Author

Emmy-winning William Froug is professor emeritus and former chair of the School of Theater Arts, Film, and Television at the University of California, Los Angeles. He has written five popular books on screenwriting, including The Screenwriter Looks at the Screenwriter, Screenwriting Tricks of the Trade, and Zen and the Art of Screenwriting.

Table of Contents

Contents

Illustrations 000

Acknowledgements 000

Introduction 000

1. Welcome to Hollywood 000

2. Hello, I Must Be Going 000

3. Going, Going, Gone 000

4. Volcano Man 000

5. The King of Game Shows or "Shoot Her in the Stomach" 000

6. Paradise Found, Paradise Lost 000

7. Skinny Knows 000

8. Bombs on the Left, Cannon on the Right 000

9. Chew Vass Expectun Mebbe Too Loose Latrek? 000

10. The Sunset of The Twilight Zone [AM1]000

11. Banished to Gilligan's Island 000

12. Bewitched . . . Plenty Bothered and Bewildered 000

13. One Subchaser Missing In Action 000

14. So You Want To Be In Pictures? 000

15. One Last Fling 000

16. Free At Last 000

17. Hollywood, UCLA 000

18. Perks 000

19. Jack Webb Widens His Dragnet 000

20. Only Sometimes A Happy Ending 000

21. Fresh Blood 000

Index 000

From the B&N Reads Blog

Customer Reviews