How Pleasure Works: The New Science of Why We Like What We Like

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More About This Book

Overview

The thought of sex with a virgin is intensely arousing for many men. The average American spends more than four hours a day watching television. Abstract art can sell for millions of dollars. People slow their cars to look at gory accidents, and go to movies that make them cry.

Pleasure is anything but straightforward. Our desires, attractions, and tastes take us beyond the symmetry of a beautiful face, the sugar and fat in food, or the prettiness of a painting. In How Pleasure Works, Yale University psychologist Paul Bloom draws on groundbreaking research to unveil the deeper workings of why we desire what we desire. Refuting the longstanding explanation of pleasure as a simple sensory response, Bloom shows us that pleasure is grounded in our beliefs about the deeper nature or essence of a given thing. This is why we want the real Rolex and not the knockoff, the real Picasso and not the fake, the twin we have fallen in love with and not her identical sister.

In this fascinating and witty account, Bloom draws on child development, philosophy, neuroscience, and behavioral economics in order to address pleasures noble and seamy, highbrow and lowbrow. Along the way, he gives us unprecedented insights into a realm of human psychology that until now has only been partially understood.

Editorial Reviews

Robin Marantz Henig
Bloom…has written a book that is different from the slew already out there on the general subject of happiness. No advice here about how to become happier by organizing your closets; Bloom is after something deeper than the mere stuff of feeling good. He analyzes how our minds have evolved certain cognitive tricks that help us negotiate the physical and social world—and how those tricks lead us to derive pleasure in some rather unexpected places.
—The New York Times
Publishers Weekly
Bloom (Descartes’ Baby), a psychology professor at Yale, explores pleasure from evolutionary and social perspectives, distancing himself from the subject’s common association with the senses. By examining studies and anecdotes of pleasure-inducing activities like eating, art, sex, and shopping, Bloom posits that pleasure takes us closer to the essence of a thing, be it animal, vegetable, or mineral. He argues that humans seem to be hard-wired to give, as well as receive, pleasure. A study using mislabeled, cheap bottles of wine, wherein “Forty experts said the wine with the fancy label was worth drinking, while only twelve said this of the cheap label,” demonstrates the complicated sociological components behind what we find pleasurable. Bloom even briefly examines positive reactions to very hot food and other “controlled doses of pain.” And a study where rhesus monkeys chose pictures of female hindquarters and high-status monkeys over fruit juice allows the author to surmise that “Two major vices--pornography and celebrity worship--are not exclusively human.” (June)
More Reviews (1) Fewer Reviews
Kirkus Reviews
Bloom (Psychology/Yale Univ.; Descartes' Baby: How Child Development Explains What Makes Us Human, 2004, etc.) presents essentialism as a weighty determinant of our pleasures. "What matters most is not the world as it appears to our senses," writes the author. "Rather, the enjoyment we get from something derives from what we think that thing is." In this scholarly yet spry book, the author strives to convey a sense of that mojo, surely one of the most elusive of qualities. A blind tasting of wine is always a good illustration of this point, as is the letdown we feel if we discover that the watch or painting we bought is a fake. The things that give us pleasure may bestow evolutionary advantage, excite pure sensuality or carry psychological significance. Bloom salts the book with all manner of pungent, apposite points-"females were drawn to males who gave them sexual pleasure, leading to the evolution of a better penis"-and stresses that we experience pleasure through the thing's real or imagined history. A record-setting, home-run baseball, the unwashed T-shirt of a celebrity, the purity of spring water, an original piece of sheet music or art-these have elemental stories, and we want to be part of those stories, to be transported, transformed and enriched. Adding to the thrill is a sense of the numinous, that there is something in operation beyond our ken. The author probes the history of sentimental objects, the contact and context that give them meaning; how we hope that qualities of the things we eat will pervade us; the ways in which we are attracted to the process of making art and storytelling; and the strange case of giving and receiving pain. A heartening, well-developed argument. Agent: Katinka Matson/Brockman, Inc.

Product Details

  • ISBN-13: 9780393340006
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 6/20/2011
  • Edition description: Reprint
  • Pages: 280
  • Sales rank: 392,155
  • Product dimensions: 5.40 (w) x 8.10 (h) x 0.90 (d)

Meet the Author

Paul Bloom is a professor of psychology at Yale University. He is the author of Descartes’ Baby and How Pleasure Works. He has contributed to The Atlantic, the New York Times, Science, and Nature. He lives in New Haven, Connecticut.

Customer Reviews

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  • Anonymous

    Posted June 6, 2010

    FASCINATING, ABSORBING BOOK!

    How Pleasure Works is a great book - it's entertaining and informative, and also surprising - as well as surprisingly funny. It examines different sources of pleasure - from food, to sex, to art, different forms of entertainment, and so on - and discusses recent findings in cognitive science (including a few of the author's own) that tell us about the surprisingly complex and sometimes deeply puzzling nature of human pleasure. The author argues that pleasure is not primarily a response to certain perceptual & sensory experiences, but instead has a significant cognitive component - what we think about something (whether or not we're correct) has a huge impact on how much pleasure we derive from it. The book contains many examples, which range from mildly surprising, to deeply puzzling, to just plain weird; some are very funny. The author has a fresh, engaging and easy style of writing, unlike what one finds in many science books for the lay public - this is enormously fun to read. Opening it up to any random page you'll almost certainly find yourself pulled in and getting caught up in the discussion - this book is hard to put down!

    5 out of 5 people found this review helpful.

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