How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.

Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity--how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized.

Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them--including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens--and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.

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How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.

Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity--how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized.

Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them--including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens--and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.

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How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

by Jean Lee Cole
How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920

by Jean Lee Cole

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Overview

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.

Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity--how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized.

Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them--including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens--and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.


Product Details

ISBN-13: 9781496826527
Publisher: University Press of Mississippi
Publication date: 01/27/2020
Pages: 214
Product dimensions: 6.00(w) x 9.00(h) x 0.00(d)

About the Author

Jean Lee Cole is professor of English at Loyola University Maryland. She is author of The Literary Voices of Winnifred Eaton: Redefining Ethnicity and Authenticity; editor of Freedom's Witness: The Civil War Correspondence of Henry McNeal Turner; and coeditor of Zora Neale Hurston: Collected Plays. She is editor of the scholarly journal American Periodicals and a former president of the Research Society for American Periodicals.
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