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From the Trade Paperback edition.
| Acknowledgments | ||
| Introduction: The Joy of Genre | 1 | |
| 1 | Narrative Drive | 17 |
| 2 | Plotting | 24 |
| 3 | Openings | 44 |
| 4 | Scene Construction | 51 |
| 5 | Hooks & Tales | 56 |
| 6 | Clarity | 60 |
| 7 | Sex | 68 |
| 8 | Violence | 74 |
| 9 | Finding Material & Characters | 79 |
| 10 | Character | 85 |
| 11 | Heroes & Heroines | 112 |
| 12 | Procedure | 123 |
| 13 | What Is Action? | 127 |
| 14 | Dialogue | 130 |
| 15 | Details & Descriptions | 140 |
| 16 | Subject Matter | 150 |
| 17 | Research & Details | 155 |
| 18 | Themes | 162 |
| 19 | First Person, Third Person | 164 |
| 20 | From Cozies to Crime Novels | 174 |
| 21 | Editors & Editing | 182 |
| 22 | Promotion & Self-Promotion, Career, Luck & Sincerity, Agents, Miscellaneous Rules | 190 |
| 23 | Better | 199 |
| 24 | Doing It | 205 |
| 25 | Writing Teachers/Writing Books | 210 |
| Chapter Last: Can You Write a Book Following These Instructions? | 215 |
Anonymous
Posted February 16, 2012
No text was provided for this review.
Overview
So you want to write a mystery. There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good ...