Howards End (Norton Critical Editions Series)

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Overview

"Backgrounds and Sources" presents a rich selection of Forster’s previously unpublished journals and letters and his working notes, which bring readers into the long and painstaking creative process that culminated in Howards End.

"Criticism" presents a superb selection of critical writing about the novel.

The critics include Edward Garnett, A. C. Benson, Katherine Mansfield, Frieda Lawrence, D. H. Lawrence, and Virginia Woolf, and six interpretations by Wilfred Stone, Barbara Rosecrance, Perry Meisel, Kenneth Graham, Elizabeth Langland, and Fredric Jameson.

A debate on the successes and shortcomings of cinematic adaptation is presented through "Reviews of the Merchant-Ivory Film."

Howards End, published in 1910, concerns the relationships that develop between the imaginative, life-loving Schlegel family -- Margaret, Helen, and their brother Tibby -- and the seemingly cool, pragmatic Wilcoxes -- Henry and Ruth and their children Charles, Paul, and Evie.

Margaret finds a soulmate in Ruth, who before she dies declares in a note that her family's country house, Howards End, should go to Margaret. Her survivors choose to ignore her wishes, but after marrying Henry, Margaret ultimately does come to own the house.

Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
Readers familiar with E. M. Forster will recognize the words "only connect" as the anthem of his 1910 novel, Howards End, in which he portrays the often-strained relationships between the bohemian Schlegels (Margaret, Helen, and their brother Tibby, so labeled both because of their expressiveness and their passion for the arts and because of their part-German ancestry) and the coolly aristocratic Wilcoxes. Forster further uses these relationships to explore the changes taking place in Edwardian England, including the rise of the middle and working classes and the first hints of the crumbling of the British Empire. Margaret first becomes connected to the Wilcox family when she befriends Ruth, the matriarch, with whom she feels a kinship that transcends both family and class lines. Ruth's dying wish — to leave her family's country house, Howards End, to Margaret — reveals the depth of their bond, but the Wilcoxes close ranks and vow never to disclose this wish to Margaret, determined to save their heritage from the racially mixed and caste-defying Schlegels. Ironically, Margaret later marries Henry Wilcox, Ruth's widower, and so comes into possession of Howards End anyway. But their marriage is doomed, in part, by their irreconcilable temperaments, and Margaret late in the novel expresses her wish for her overly reserved husband, the one thing that might save him: "Only connect."

This all-too-often-quoted line has, in my opinion, done both Forster and the novel more harm than good, burying the novelist's otherwise avidly political writing under a wave ofmushysentimentalism. "Only connect" has left too many readers with a mistaken impression of Forster the spiritualist, Forster the proto-new ager. This impression has only been augmented by the Merchant-Ivory-ization of the novels into films that have largely ignored and glossed over the quite oppositional political stances that Forster's novels advocated. Instead, to appreciate the complexity of Forster's writing, we need to read "Only connect" in its parallels to Rodney King's "Can't we all just get along?" — a lovely sentiment, but one that the embedded structures of race and class conflict in our culture make all but impossible. To take Forster's "Only connect" too literally is to ignore both the irony and the critique implied in the line. Time and time again we see in Forster's work that merely connecting, just getting along, simply isn't enough in a world divided by ideological conflict.

Many of Forster's overtly political pieces — particularly his radio broadcasts — are collected in Two Cheers for Democracy, in which Forster not only takes a firm anti-Nazi stance, but also turns that critical lens on Britain itself, pointing out that :
[I]t is very easy to see fanaticism in other people, but difficult to spot in oneself. Take the evil of racial prejudice. We can easily detect it in the Nazis; their conduct has been infamous ever since they rose to power. But we ourselves — are we guiltless? We are far less guilty than they are. Yet is there no racial prejudice in the British Empire? Is there no colour question?
These are the sorts of questions that haunt the pages of Forster's novels. In A Passage to India, perhaps the most obvious example, a Muslim doctor is wrongly accused of assaulting a young English woman. In the stridency of the reaction of the Anglo-Indian community — and the vehemence with which that community turns on the young woman when she realizes her error and withdraws her charges — we see the ways in which racial prejudice was an inescapable component of the Empire. This prejudice is so strong, and the division between the ruling class and the "natives" so distinct, that no amount of "connecting" can undo its damage. We watch, heartsick, at the end of the novel, as the now-exonerated doctor and his lone English defender, once on the verge of a genuine friendship, part for the last time, the doctor claiming that only when the English have been driven out of India will they be friends:
"Why can't we be friends now?" said the other, holding him affectionately. "It's what I want. It's what you want."
But the horses didn't want it — they swerved apart; the earth didn't want it, sending up rocks through which riders must pass single file; the temples, the tank, the jail, the palace, the birds, the carrion, the Guest House, that came into view as they issued from the gap and saw Mau beneath: they didn't want it, they said in their hundred voices, "No, not yet," and the sky said, "No, not there."
And again, the mystical here is not the end to be settled with, as though the eternal, unchangeable nature of man dictates the separation of the races. It is, rather, a cover for the human politics that have created this separation, seen in the oppositions of temple and jail, palace and Guest House.

In other Forster novels, the politics in question are less national and more personal in tenor. In A Room With a View, Lucy Honeychurch must defy her family, her class, and all of British convention in order to marry George Emerson, a passionate young man who may be the son of a socialist. And, more notably, in Maurice, a novel written in 1913 but not published until 1971, Forster depicts a young man confronting his homosexuality, creating an overwhelmingly sympathetic — and far in advance of its time — portrait of the possibilities of genuine love between men. But it is in Howards End that we see the personal and the political most intertwined. While Margaret is embarked upon her adventure with the Wilcoxes, her sister Helen takes under her wing a young clerk who is struggling to rise out of the working class. They do connect — in more ways than one — but this relationship is ultimately disastrous for the young man. Despite the Schlegels' infinite goodwill, their unthinking manipulation of this man brings him into conflict with the power of the Wilcoxes and finally destroys him.

It is indisputable that the sense of connections across class and racial lines embodied in Margaret's injunction to "only connect" is a key element, for Forster, in solving many contemporary political crises. But it is the complex, nuanced exploration of the connections between the political and the personal, the material and the spiritual, that is the great strength of Forster's work. The "only" in that injunction is as much a critique of Margaret's easy liberalism as it is a benediction, reminding us that, while the world might be different if we could all just get along, some substantive things need to change before the getting-along can begin.

Kathleen Fitzpatrick

From Barnes & Noble
The story of two sisters of liberal and artistic temperament whose lives collide with those of a hard-headed, haughty, and status-driven father and son. Forster's masterpiece about the ways in which social class and money impose themselves between people and the world.

Product Details

  • ISBN-13: 9780393970111
  • Publisher: Norton, W. W. & Company, Inc.
  • Publication date: 1/28/1998
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 496
  • Sales rank: 521,139
  • Lexile: 0820L (what's this?)
  • Series: Norton Critical Editions
  • Product dimensions: 5.10 (w) x 8.40 (h) x 1.00 (d)

Meet the Author

E.M. Forster
A graceful writer with a keen eye for the bittersweetness bound in differences of class and culture, E. M. Forster had an abbreviated but remarkably successful career as a novelist and established himself as one of England's most insightful 20th-century writers.

Biography

Edward Morgan Forster was born in London in 1879, attended Tonbridge School as a day boy, and went on to King's College, Cambridge, in 1897. With King's he had a lifelong connection and was elected to an Honorary Fellowship in 1946. He declared that his life as a whole had not been dramatic, and he was unfailingly modest about his achievements. Interviewed by the BBC on his eightieth birthday, he said: "I have not written as much as I'd like to... I write for two reasons: partly to make money and partly to win the respect of people whom I respect... I had better add that I am quite sure I am not a great novelist." Eminent critics and the general public have judged otherwise and in his obituary The Times called him "one of the most esteemed English novelists of his time."

He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Maurice, his novel on a homosexual theme, finished in 1914, was published posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian State of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross in the First World War); and, with Eric Crozier, the libretto for Britten's opera Billy Budd. He died in June 1970.

Author biography courtesy of Penguin Group (USA).

    1. Also Known As:
      Edward Morgan Forster
    1. Date of Birth:
      January 1, 1879
    2. Place of Birth:
      London
    1. Date of Death:
      June 7, 1970
    2. Place of Death:
      Coventry, England

Table of Contents

About the Series
Abut This Volume
Introduction: Biographical and Historical Contexts 3
The Complete Text 21
A Critical History of Howards End 295
Psychoanalytic Criticism and Howards End 313
Picturing the Self as Other: Howards End as Psychobiography 329
Cultural Criticism and Howards End 345
Howards End: Fiction as History 364
Feminist and Gender Criticism and Howards End 379
Gesturing toward an Open Space: Gender, Form, and Language in Howards End 400
Marxist Criticism and Howards End 416
Howards End: Gasoline and Goddesses 432
Deconstruction and Howards End 447
Just Reading Howards End 467
Glossary of Critical and Theoretical Terms 483
About the Contributors 497
Customer Reviews
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  • Anonymous

    Posted March 29, 2011

    I Also Recommend:

    Interesting

    I don't usually have an issue getting into books but reading this was a new experience. It was more like reading about the lives of three families in a casual way than an actual storyline. There is a lot of interaction between the characters and a lot of discussion about how society is changing. As far as classics go I feel like the time period it is taking place is no longer victorian but it is still before world war 1, I have not read a lot of books that take place in this time period. The whole time I read this book I didn't really like it, the relationships seemed trifling and were uninteresting to me, but now that I have finished I keep thinking about this book for some reason.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 29, 2012

    So many typos!

    The typos made a challenging book even more difficult to read. The story was interesting enough, but the characters were difficult to relate to.

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  • Anonymous

    Posted November 18, 2011

    Good read

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  • Posted November 2, 2011

    Classic Literature at its best

    Perhaps E. M. Forster is not known as a classic author but he should be. This novel, along with his other famous one "Remains of the Day", give you an veritable new world to explore. The characters are well rounded and insightful. The locations are breathtaking and memorable. And the story itself is like a long walk on a beautiful day...something to be treasured.

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  • Anonymous

    Posted July 26, 2011

    Full version??? Hardly

    Seeing as how the story begins in Chapter 12, p 76, I don't see this as a "full version." I'm contacting B&N about this. Maybe a download error or glitch? I can't give a good rating w/o the actual full book. It's annoying.

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  • Posted July 20, 2011

    Terrific

    Excellent read!

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  • Posted May 1, 2011

    A great classic novel

    This classic is a must read for ones who enjoy a good 'love story' with characters with flaws and unknown strengths that bring this story to an unexpected climax.

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  • Posted January 6, 2011

    ANOTHER worthless sample

    B&N WHY do you offer samples that contain little or none of the story?
    I have had samples containing 1-2 paragraphs at least, this sample is 28 pages of the Table of Contents, timeline & an editorial.
    Absolutely none of the story. This is a big complaint I have regarding my Nook.

    0 out of 3 people found this review helpful.

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  • Posted December 8, 2008

    I Also Recommend:

    Not His Finest....

    Not his finest, but an interesting interplay between people with money - those who spend their time and money advancing the ideas and the arts and those who spend their money to preserve their way of life. Interestingly enough both seem to be equally detrimental in their dealings with the lower classes.

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  • Anonymous

    Posted April 5, 2008

    Outstanding Classical Novel!

    Personal Review I really enjoyed the novel Howards End by EM Forster. I found it to be a very intriguing and classical book about the difference between two families in the nineteenth century. During some parts of my reading I also noticed that I was able to become very interested in the book. Since I had such a strong liking of the book I would highly recommend it. I would recommend it to anyone who enjoys classical texts, but also to anyone who would like to expand on the type of books that they read. Literary Analysis Two of the main characters in Howards End are the Schlegel sisters. The sisters are Helen and Margaret (aka Meg). Helen was a little irresponsible but yet charming. Margaret was the more responsible one but also was known to ask questions at the wrong time. ¿You would say the wrong thing to a certainty you would. In your anxiety for Helen¿s happiness you would offend the whole of these Wilcoxes by asking one of your impetuous questions- not that one minds offending them,¿ Said their Aunt Juley about Margaret. At the beginning of the story I noticed that the sisters were very close. As the story kept going I noticed different events that seemed to be moving them apart from each other. One of the major events that I thought showed this was Margaret¿s marriage to Henry. Since Henry and Helen did not particularly get along, Helen and Margaret didn¿t see one another as often. There was an instance towards the end of the story when Margaret didn¿t even know where Helen was. To get a hold of Helen again she wrote a letter to her saying that their Aunt had become very ill, this was the only idea she could come up with to get Helen to visit. I think the author created these characters to show how different conflicts really can take place. I find the characters in the story to be very believable. This is something that I think is important in a story in order for the story to even seem realistic. The setting of this story was in England during the early nineteen-hundreds. During this time there was some conflicts between the English and the German. This is also part of the reason that I believe they chose to use the Schlegel¿s and the Wilcoxes. They were two very different families. A specific place that the climax of the story takes place is at Howards End. This is the house that the Wilcoxes owned before Margaret inherited the property from her husband Henry¿s mother. This property creates a place that all of the characters are very familiar with. It is also the place where Helen stayed with the Wilcoxes causing the two families to have such a strong connection. After reading the book I was able to observe something I found interesting about the home. I believe that it is a comfort zone for the family, a place where they can all connect. Another important aspect to the story is the point of view. The point of view the author has in this story is third person. An example of this view is proved by the following piece of text: ¿She recovered herself, but not before Charles had observed her. Stupid and attentive, he was watching the scene.¿ This piece of text from the book shows the words she, he, and her, which are all examples of words used in third-person point of view. This point of view doesn¿t cause the reader to choose sides with any of the characters. Instead the reader can choose their own sides and also know what all of the characters think. That is the reason why I believe that the author chose to use third-person view. This was an amazing novel by EM Forster that encourages me to read more of his novels.

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  • Anonymous

    Posted December 14, 2006

    Howards End (Barnes & Noble Classics Series)

    I would suggest that while the books seems to be well written, the story deals mostly with relationships, and maybe somewhat classified as a 'chic' book. The men in this novel all seem to have character flaws that are glariingly weak and sad. It starts off with Paul Wilcox who appears at the very beginning and at the very end, but is mentioned throughout the novel and portrayed as a very weak individual. Tippy, Margaret's brother, really is an insignificat character in the story, but his character is always portrayed as immature and self centered and he cannot be relied upon in hard times. Leonard Bast is pathetically weak and has no backbone. Charles Wilcox is a self centerd bully. Henry Wilcox though he is at times descibed as 'kind' his kindness is somewhat superficial. It seems his lack of character is what leeds to his falling apart in the end. While the two sisters have falts, it weems to only make them more endering. If these tow women are of such high inellledtual and noble character, then why are they constantly inolved, by their own choosing, with such pitiful portraits of manhood. Tis is not the worst thing you can read, but it is nt the best either.

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  • Anonymous

    Posted December 27, 2006

    Howards End (Barnes & Noble Classics Series)

    The novel seems to be will written. The main focus of the story is always on relationships and so makes it somewhat of a chick novel. None of the men in this novel seem to have any character and their flaws are always glaring and makes it hard to like them. Paul Wilcox is mentioned only brifly but is a Mama's boy and is easly manipulated by the opinion of others. His brother Charles Wilcox is a bully and somewhat of a dim bulb. Tippy Schliegal, Margaret and Helen's brother plays a minimal role but always appears to be immature and self absorbed and can never be counted on in a time of crisis. Leonard Bast whom the girls chose to help is weak and spineless and does not have the ability to make a good decision. Finally Henry Wilcox from the very first appears to be self absorbed and confused and it is never apparent why Margaret marries him in the first place. He is a man who cannot forgive others for the very things he has done. While the women have faults these faults are always shown in a more endearing light. Forster may not have taken sides in the struggle between different classes, but he certainly did in the struggle between genders. The property, Howards End belonged to the late Mrs Wilcox. In a suprise move, after her surprise death, in her will, Howards End is left to one of the Schlegels. None of the Wilcoxes really wanted Howards End, but they didn't want the Schlegels to have Howards End either. (Mostly the men). While it is not a complete waste of time, there are better books out there to read.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 4, 2005

    Good literature, great history.

    This is an excellent read, and its focus on male/female relationships provides highly enlightening information about the era in which it was written.

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  • Anonymous

    Posted August 4, 2003

    A work of art!

    I found this book to be very descriptive and artistic, I love the way the author describes all his characters, even the lesser ones. (For example, the wife of Charles Wilcox.) He puts things in a way that seems to be the makings of a very beautiful film, though I am sure there probably is a movie out already about this book! I would reccomend this to just about any classic book lover, perhaps even to Jane Autsen fans!

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  • Anonymous

    Posted July 5, 2001

    Probably the Best Example of Great 20th Century British Literature

    'Howards End' is a glimpse of the interaction between the social classes in England. The characters could be real; they are even represented in the society in which we live today. The book captures your sympathy not only for the poor clerk L. Bast, but for the snobbish, but confused Mr. Wilcox, as well. The story is beautifully written, and it is very fast paced. I read it in a day.

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  • Anonymous

    Posted May 3, 2001

    A Britsh Novel by E.M. Forster

    E.M. Forster's Howard's End draws an excellent image of life in England during the early part of the Twentieth Century. Forster's setting and diction are very well written. While I was reading, I was able visualize the scene in my mind. The first few chapters of the novel seem slow. I find that novels and short stories that begin the first paragraph with a letter to some other character irritating and a turn-off. It was not until Leonard Bast was introduced that I started to become more interested in book. I was cheering for Leonard throughout the novel. On the contrary, I felt that Henry Wilcox was cold and ruthless. He did not realize how important it is to help out other people who are less fortunate. It was no surprise that in a recent movie adaptation of Howard's End, in the movie the role of Henry Wilcox was performed by Anthony Hopkins. The characterization was also developed very well. Every character was tied in to the main plot in some manner. The novel was in my opinion a little too long. It was complex reading mainly because it was written in early Twentieth Century British English. There was a great deal of conflict between many of the important characters. To me that was one of the high points of the novel. It kept my interest in the book. But I found it very hard to understand what Margaret Schlegel saw in Henry in the first place. Certainly it wasn't that he had good looks and a great sense of humor! I would recommend Howard's End to other readers, especially those who enjoy early Twentieth Century British literature. The story was entertaining. This novel is without a doubt a British classic. >

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    Posted June 20, 2009

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    Posted May 8, 2011

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