The Hunter (Parker Series #1)

The Hunter (Parker Series #1)

4.1 31
by Richard Stark
     
 

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You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling

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Overview

You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.

They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.

Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir.  Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.

In The Hunter, the first volume in the series, Parker roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption.
 
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
 
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
 
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
 

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Editorial Reviews

New York Times Book Review

“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call romans noirs.”—Anthony Boucher, New York Times Book Review



— Anthony Boucher

Los Angeles Times
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
Entertainment Weekly

“Parker is refreshingly amoral, a thief who always gets away with the swag.”—Stephen King, Entertainment Weekly



— Stephen King

New York Times

“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”—William Grimes, New York Times

— William Grimes

Bookforum

“Richard Stark’s Parker novels . . . are
— John Banville

Washington Post Book World
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
Christian Science Monitor
“If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s."

New York Review of Books

"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."—Luc Sante, New York Review of Books

— Luc Sante

Commentary

"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."

— Terry Teachout

Virginia Quarterly Review

"If you're a fan of noir novels and haven't yet read Ricahrd Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."

— John McNally

Vue Weekly

"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."

— Josef Braun

Los Angeles Times - Richard Rayner
“Writing a couple of years ago . . . John Banville reckoned the Parker novels to be 'among the most poised and polished fictions of their time and, in fact, any time.' That's high praise from an impeccable source, and Banville is right to single out the technical excellence of these books. The Parkers read with the speed of pulp while unfolding with an almost Nabokovian wit and flair. . . . Original editions of these books, and even later reprints, change hands for scores or hundreds of dollars on the Net, and it’s excellent to have them readily available again—not so much masterpieces of the genre, just masterpieces, period. . . . . The Hunter glitters with seemingly effortless intricacy, being aimed at one episode—a stunner, the kind of moment in fiction that really does have you leaping from your chair and exclaiming in surprise and glee.”

Entertainment Weekly - Stephen King
“Parker is refreshingly amoral, a thief who always gets away with the swag.”

New York Times - William Grimes
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”

Elmore Leonard
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
Bookforum - John Banville
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
New York Times Book Review - Marilyn Stasio
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
Lawrence Block
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
New York Times Book Review - Anthony Boucher
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call romans noirs.”
New York Review of Books - Luc Sante
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
Commentary - Terry Teachout
"Whether early or late, the Parker novels are all superlative literary entertainments."
Virginia Quarterly Review - John McNally
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
Vue Weekly - Josef Braun
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
Globe and Mail - H. J. Kirchoff
“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
Library Journal

“Parker represents the antihero with dubious morals. Stark’s clever plot structure, moving back and forth in time, is totally engrossing.”--Library Journal

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Product Details

ISBN-13:
9780226770994
Publisher:
University of Chicago Press
Publication date:
08/28/2008
Series:
Parker Series, #1
Edition description:
Reprint
Pages:
208
Sales rank:
170,671
Product dimensions:
5.20(w) x 7.90(h) x 0.60(d)

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