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| Jesca Hoop | Primary Artist, Guitar, Vocals, Background Vocals |
| Tony Berg | Harmonium |
| Stuart Johnson | Percussion |
| David Mansfield | Violin |
| Ian Walker | Bass |
| Patrick Warren | Synthesizer |
| Frank Lenz | Vibes |
| Guy Garvey | Vocals |
| Quinn | Guitar, Drums |
| Kaveh Rastegar | Bass |
| Z. Berg | Background Vocals |
| Blake Mills | Bass, Guitar, Percussion, Drums, Vocals |
| Lissie | Background Vocals |
| Nicole Eva Emery | Vocals, Background Vocals |
| Roddy Cabello | Guitar |
| Joe Karnes | Bass |
| Stewart Johnson | Drums |
| Tony Berg | Producer |
| Frank Lenz | Wind Arrangements |
| Blake Mills | Composer, Producer, Contribution |
| Carrie Smith | Layout |
| Jesca Hoop | Composer, Producer |
| Shawn Everett | Engineer, Artwork |
| Hans Dekline | Mastering |
| Damian Anthony | Producer |
DirectCurrentMusic
Posted October 1, 2010
"As a follow up to her provocative 2007 debut album Kismet, Hoop says her new songs offer "a more clarified distillation of what I do as an artist", a flurried mix of artful folk/pop, theatrical cabaret elements and songs that seem, at times, turned inside out and upside down...Working with producer/guitarist Tony Berg and a troupe of talented players, Hoop has created miniature vocal sonicscapes of startling originality, building songs that flit and dart, build and then break down again all against a backdrop of stark guitar runs, boldly progressive time measures and a tiny grab bag of head-turning production surprises."
http://www.directcurrentmusic.com/music-news-new-music/2010/7/1/jesca-hoop-hunting-my-dress.html
Editorial Reviews
All Music Guide - J. Allen
Even if she had nothing beyond her autobiography to bring to her songwriting, Jesca Hoop would have plenty of tales to tell, being the child of folksinging Mormons, then going on to roam around the country as part of a pack of traveling Deadheads before winding up as the nanny for Tom Waits' family. But the California-bred Hoop does indeed have plenty of additional idiosyncratic ideas to offer, not just lyrically but musically, on her second album, Hunting My Dress. Perhaps the most impressive thing about Hoop's work is the way she writes her own rulebook. Plenty of iconoclastic artists have decided to abjure musical convention in the past without coming up with anything ...