The Hunting of the Snark [NOOK Book]


A masterpiece of nonsensical verse by the enigmatic author of Alice In Wonderland inspired by the serendipitous line "For the Snark was a Boojum, you see", which Lewis Carroll claimed occurred to him while on a stroll one day. The adventures of a motley crew in search of an elusive prey, The Hunting Of The Snark is a fantasy that sails along on magical language, surreal images, and an undercurrent of sly humor.
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The Hunting of the Snark

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A masterpiece of nonsensical verse by the enigmatic author of Alice In Wonderland inspired by the serendipitous line "For the Snark was a Boojum, you see", which Lewis Carroll claimed occurred to him while on a stroll one day. The adventures of a motley crew in search of an elusive prey, The Hunting Of The Snark is a fantasy that sails along on magical language, surreal images, and an undercurrent of sly humor.
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Editorial Reviews

From the Publisher
"Delightfully this book for the brightest and most adventurous young word-worms on your holiday shopping list...Singh's daring illustrations will appeal to older children eager to leave the world of candy-colored cuteness behind."
New Yorker

"At last, the legend of the brave, if peculiar, companions who set out to bag a snark (arming themselves "with forks and with hope") gets lavish treatment from [Mahendra] Singh....These may be the fittest illustrations ever created for Carroll's distinctively Victorian nonsense concoctions."
—Laura Miller, Salon

"[C]hallenging and delightful."
Marilyn Dahl, Shelf Awareness

"It is not children who ought to read the words of Lewis Carroll."
G.K. Chesterton

"Singh's black-and-white surrealistic treatment of Carroll's classic poem is perfect...takes the ideology of Carroll's nonsense to new visual levels. Far beyond a simplistic, literal depiction of the poem, each panel is thoughtfully created, filled with puzzles, jokes, and allusions."
Library Journal

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Product Details

  • ISBN-13: 9781470903671
  • Publisher:
  • Publication date: 10/21/2011
  • Sold by: LULU PRESS
  • Format: eBook
  • Sales rank: 653,134
  • File size: 2 MB

Meet the Author

Lewis Carroll
About the Author
Oxford University mathematics professor Charles Lutwidge Dodgson (1832 – 1898), under his pen name Lewis Carroll, created some of the most brilliant, original and uniquely inventive literature in the English language. He is most famous for three magical works: Alice's Adventures in Wonderland, Through the Looking-Glass, and the witty, whimsical and ever-elusive The Hunting of the Snark.
When pressed to explain the meaning of The Hunting of the Snark, Carroll invariably replied that he did not know. “I’m very much afraid I didn’t mean anything but nonsense!” he wrote in a letter to friends, “Still, you know, words mean more than we mean to express when we use them: so a whole book ought to mean a great deal more than the writer meant. So, whatever good meanings are in the book, I’m very glad to accept as the meaning of the book. The best I’ve seen is…that the whole book is an allegory on the search for happiness. I think that fits beautifully in many ways.”
About the Artist
Mahendra Singh is an illustrator and longstanding Lewis Carroll aficionado. He is a member of the Lewis Carroll Society of North America and an editor for their journal, the Knight Letter. For Singh, creating the illustrations for The Hunting of the Snark "has been a labor of love—fitting Lewis Carroll into a proto-Surrealist straitjacket with matching Dada cufflinks."


Charles Lutwidge Dodgson, known by his pen name, Lewis Carroll, was a man of diverse interests -- in mathematics, logic, photgraphy, art, theater, religion, medicine, and science. He was happiest in the company of children for whom he created puzzles, clever games, and charming letters.

As all Carroll admirers know, his book Alice's Adventures in Wonderland (1865), became an immediate success and has since been translated into more than eighty languages. The equally popular sequel Through the Looking-Glass and What Alice Found There, was published in 1872.

The Alice books are but one example of his wide ranging authorship. The Hunting of the Snark, a classic nonsense epic (1876) and Euclid and His Modern Rivals, a rare example of humorous work concerning mathematics, still entice and intrigue today's students. Sylvie and Bruno, published toward the end of his life contains startling ideas including an 1889 description of weightlessness.

The humor, sparkling wit and genius of this Victorian Englishman have lasted for more than a century. His books are among the most quoted works in the English language, and his influence (with that of his illustrator, Sir John Tenniel) can be seen everywhere, from the world of advertising to that of atomic physics.

Author biography courtesy of Penguin Group (USA).

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    1. Also Known As:
      Charles Lutwidge Dodgson (real name)
    1. Date of Birth:
      January 27, 1832
    2. Place of Birth:
      Daresbury, Cheshire, England
    1. Date of Death:
      January 14, 1898
    2. Place of Death:
      Guildford, Surrey, England

Read an Excerpt

Hunting the Snark with Pen and Ink
By Mahendra Singh
One afternoon a Christ Church mathematics tutor was taking a stroll when a curious and unexpected thought came to him, a random line of Nonsense verse that suddenly flashed through his mind:
“For the Snark was a Boojum, you see.”
The day was July 18, 1874, and it had been nine years since the Reverend Charles Lutwidge Dodgson, under the pen name of Lewis Carroll, had written Alice’s Adventures in Wonderland and three years since he had written Through the Looking Glass. Both books had been enormously popular, not only with children but also with the many adults who relished the sophisticated paradoxes and clever games of language, mathematics and logic with which the author had filled Alice’s dream-like world. This style of literature was called Nonsense and Carroll was universally acknowledged to be its undisputed master.
He had written some poetry before that fateful morning (his Jabberwocky is a high point of Through the Looking Glass) but the verses which grew out of that single line were entirely different; they would become The Hunting of the Snark, the finest Nonsense poem ever written and an epic masterpiece which would fascinate readers and stir up more controversies and conflicting theories than anything else he ever wrote.
Carroll worked for two more years to finish the poem; he couldn’t stop himself from cramming more and more references into it, references to just about everything under the Victorian sun: English banking practices and naval history, sea-side bathing, life insurance policies, Shakespeare, music hall jokes and even billiards-playing. There were personal and professional references also : the Baker’s boxes numbering 42, which was Carroll’s age at the time; the Bellman’s Rule of Three and the Beaver’s Lesson which both seem to poke fun at Carroll’s own profession of teaching mathematics to less than willing students. There were hints at contemporary events and culture : the Banker’s Fate is an obvious parody of a Victorian minstrel show while the Barrister’s Dream might refer to the trial of the Tichbourne Claimant (a notorious Australian swindler) or even the popular Gilbert and Sullivan operetta, Trial by Jury.
There was much in common with the Alice books; Carroll himself admitted that the Snark could be found on the same island where the Jabberwock had been slain. The Snark and the Alice books were equally populated by Bandersnatches and Jubjub birds and more importantly, the inhabitants all spoke the oddest sort of English full of ingenious portmanteau words (further explained in Carroll’s Preface) such as beamish, frumious, galumphing and mimsy. Carroll labored hard to expand and improve upon Alice’s Nonsense universe with even more impossible beasts and characters, all of them launched into galloping rhymes to chase after the Snark, faster and faster till the sudden, grim end.
And this is where Carroll departed from the Alice books, for although they also involved a quest, the hunt for the Snark was far darker. Perhaps the lunacy of the Mad Hatter’s Party had finally taken over Carroll’s Nonsense world, for it’s clear that the Snark’s hunters (most of them characters taken from everyday Victorian life) were not quite right in the head. Unable to count properly, going backwards with blank maps, chasing a mass delusion whilst armed with bits of paper, soap and eating utensils, things would only get worse and worse for them until one went utterly mad and another literally vanished away.
It was pretty strong stuff coming from a children’s author such as Lewis Carroll, so much so that some critics still think the poem is best kept out of the hands of young people. But we know for a fact that Carroll did intend the poem to be read by both adults and children. In fact, the Snark was dedicated to a child, Gertrude Chataway; her name forms not only the first letter of each line but also the first word of each stanza of the dedicatory poem at the beginning of the book.
Carroll had a higher opinion of children’s intelligence and curiosity than certain critics and he was confident that although some young people might not be interested in make-believe such as Snarks and Boojums and Bandersnatches, many others would be. He knew they would quickly understand that this was a kind of game of words and ideas with some very ingenious rules, complicated enough to challenge adults yet enjoyable enough to satisfy a curious child’s sense of fun.
Certain critics also get quite worked up about the Snark’s ultimate meaning. Naturally, most poems and books have some sort of meaning and the Snark is no different. The odd thing is that no one has ever quite figured out what it is (which may be part of the game, when one thinks about it). Curiouser and curiouser, we also know that whenever Carroll was asked what the poem meant, he always replied that he did not know. But as we’ve seen, the poem is full of all sorts of references to very real ideas, things and events and many readers have been tempted to solve the puzzle themselves by using these hints.
Some people believe that the poem is a satire on capitalism and its quest for wealth. Some think it is a self-portrait of Carroll himself. Others think it is about Christianity or philosophies such as Existentialism and Idealism. There are some who even think it’s all about the colonization of Australia or Arctic exploration or even tuberculosis!
In any case, these controversies will go on forever, the Snark is that kind of story, so complicated and so full of riddles that just about any theory might fit to some degree. We should note that Carroll did admit in a letter to some children that he thought the meaning which seemed to fit the poem most beautifully was that it was an allegory of mankind’s search for happiness.
Which finally brings us to this particular version of the Snark. It is a version illustrated with the techniques of Surrealism, a style of making art and literature which began in the aftermath of World War I at a time when many people were convinced that human nature itself must change if we were ever to be happy again after such an immense slaughter. The Surrealists hoped that by using the images and ideas of our dreams and our unconscious world to make art, the people who saw and read their work would themselves wake up something dreamlike inside themselves. They might then change the way they lived and worked and thought, they might learn to sleepwalk with their eyes wide open, so to speak, and then the world around them would slowly turn into a dream itself — a happy dream, hopefully!
The Surrealists thought very highly of Lewis Carroll and in particular his Snark, for it is a very Surrealist poem in the way it rearranges and distorts the real world according to half-hidden rules that seem based on the logic of dreams. And so I thought it best to use the techniques of Surrealism to illustrate my Snark, in particular the visual puns and riddles of such artists as Giorgio de Chirico, René Magritte, Alberto Savinio and Salvador Dalí.
But even the considerable resources of Surrealism were not sufficient to flesh out this Snark. I had to rummage through the entire history of art to explain certain verses, all the way from the Classical Rome of the Laocoön to the Late Medieval Flemish nightmares of Hieronymus Bosch and even the drawings of the Pre-Raphaelite artist, Henry Holiday, the original illustrator of the Snark. Our modern pop culture also proved useful. Look carefully and you’ll spot references to the Fab Four and The Hitchhiker’s Guide to the Galaxy and even to George Herriman’s Krazy Kat. Some of the puns and puzzles that I used to expand and explain the verses are based on pertinent places and things and even foreign languages; I have to admit that the coincidence of the word “bander” in Bandersnatch also meaning “monkey” in Hindi was just too juicy to ignore!
In short, I’ve enjoyed making my little jokes and puzzles, just as much as Lewis Carroll enjoyed making his. I’ve tried not to cheat—each drawing should make some sort of sense of the verse it explains or at least, make Nonsense! And equally important, perhaps my readers, in particular the younger ones, will be intrigued enough by what they glimpse here to further pursue on their own that immense cultural heritage which silently — and so faithfully — awaits them.
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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted January 30, 2012

    Poor edition

    I would not recomend buying this edition. It has no footnotes or illustrations. But worst of all they have left out Carroll's dedication.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted June 20, 2012



    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 11, 2010

    No text was provided for this review.

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