Hurt and Pain: Literature and the Suffering Body

by Susannah B. Mintz

Overview

Hurt and Pain: Literature and the Suffering Body examines the strategies authors have used to portray bodies in pain, drawing on a diverse range of literary texts from the seventeenth century to the present day. Susannah B. Mintz provides readings of canonical writers including John Donne, Emily Dickinson, and Samuel Beckett, alongside contemporary writers such as Ana Castillo and Margaret Edson, focusing on how pain is shaped according to the conventions-and also experiments-of genre: poetry, memoir, drama, and fiction. With insights from disability theory and recent studies of the language of pain, Mintz delivers an important corrective to our most basic fears of physical suffering, revealing through literature that pain can be a source of connection, compassion, artistry, and knowledge. Not only an important investigation of authors' formal and rhetorical choices, Hurt and Pain reveals how capturing pain in literature can become a fundamental component of crafting human experience.

Product Details

ISBN-13:	9781474245425
Publisher:	Bloomsbury Academic
Publication date:	06/18/2015
Edition description:	Reprint
Pages:	208
Product dimensions:	6.10(w) x 9.00(h) x 0.50(d)

About the Author

Susannah B. Mintz is Professor of English at Skidmore College in Saratoga Springs, NY. She is the author of Unruly Bodies: Life Writing by Women with Illness and Disability and co-editor of a critical volume on the essayist Nancy Mairs.

Table of Contents

1. Introduction
2. Our Stories, Our Pain: Autobiographical Utterances
3. The Drama of Pain: Plays and Performance Art
4. The Poetry of Pain: Hurting Made Lyrical
5. The Shape of Pain: On Narration and Plot
6. Bystander Pain: On Witnessing and Touch
7. Conclusion
Index

Editorial Reviews

"After Elaine Scarry, it has become commonplace to say that pain defies expression - that it is essentially a private, and thus isolating, phenomenon. But, as Susannah Mintz demonstrates in this original, economical, and compelling study, creative writers have long brought their talents to bear on this inevitable human experience, rendering it according to the capabilities of various genres. Literature is no antidote to pain - no anodyne - but Mintz shows how the literary communication of pain may help us live through it and with it. A richly nuanced, beautifully written, and surprisingly heartening book." --Tom Couser, Professor Emeritus of English, Hofstra University, USA

"A brilliant analysis of pain refracted through genre, Hurt and Pain operates as itself a kind of pain scale-it weighs, measures, and strikes chords of familiar dissonance. In this pain-averse culture, those of us who wake up in pain every morning may feel in the wrong, blame-worthy, alone. Susannah Mintz intervenes in such ableist conceptualizations, offering community and solace through a kaleidoscope of aching, stinging, limping, grieving texts. Mintz resists the transcendence paradigm that tells us to rise above-or get over-our pain, reminding us through careful readings of poems, plays, novels, and memoirs that, beyond good and bad or right and wrong, pain is interesting. Far from the dismissive truism that misery loves company, Mintz clearly demonstrates that the literature of pain is, for many readers, a source of psychological support and palliative touch." --Merri Lisa Johnson, Associate Professor of Women's Studies, University of South Carolina, USA and author of Girl in Need of a Tourniquet: Memoir of a Borderline Personality

"Susannah Mintz brings together poetry, memoir, drama and fiction to show that pain is "inescapable" and "magnificently variable" in the many ways it can destroy and affirm the power of language and selfhood. Discussing writers from John Donne and Emily Dickinson to the present day, she sets the personal experience of pain in tension with the medical understanding of pain. An informed, provocative, important book." --Sara van den Berg, Professor of English, Saint Louis University, USA

From the Publisher

Susannah Mintz brings together poetry, memoir, drama and fiction to show that pain is "inescapable" and "magnificently variable" in the many ways it can destroy and affirm the power of language and selfhood. Discussing writers from John Donne and Emily Dickinson to the present day, she sets the personal experience of pain in tension with the medical understanding of pain. An informed, provocative, important book.

Sara van den Berg

A brilliant analysis of pain refracted through genre, Hurt and Pain operates as itself a kind of pain scale-it weighs, measures, and strikes chords of familiar dissonance. In this pain-averse culture, those of us who wake up in pain every morning may feel in the wrong, blame-worthy, alone. Susannah Mintz intervenes in such ableist conceptualizations, offering community and solace through a kaleidoscope of aching, stinging, limping, grieving texts. Mintz resists the transcendence paradigm that tells us to rise above-or get over-our pain, reminding us through careful readings of poems, plays, novels, and memoirs that, beyond good and bad or right and wrong, pain is interesting. Far from the dismissive truism that misery loves company, Mintz clearly demonstrates that the literature of pain is, for many readers, a source of psychological support and palliative touch.

Merri Lisa Johnson

After Elaine Scarry, it has become commonplace to say that pain defies expression - that it is essentially a private, and thus isolating, phenomenon. But, as Susannah Mintz demonstrates in this original, economical, and compelling study, creative writers have long brought their talents to bear on this inevitable human experience, rendering it according to the capabilities of various genres. Literature is no antidote to pain - no anodyne - but Mintz shows how the literary communication of pain may help us live through it and with it. A richly nuanced, beautifully written, and surprisingly heartening book.

Tom Couser