Hybrid Culture: Japanese Media Arts in Dialogue with the West

Overview

This book grew out of Yvonne Spielmann's 2005—2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art—which was known for pioneering interactive and virtual media applications in the 1990s. Spielmann discovered an essential hybridity in Japan's media culture: an internal hybridity, a mixture of digital-analog connections together with a non-Western development of modernity separate from but not immune toWestern media aesthetics; and external hybridity, ...

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Overview

This book grew out of Yvonne Spielmann's 2005—2006 and 2009 visits to Japan, where she explored the technological and aesthetic origins of Japanese new-media art—which was known for pioneering interactive and virtual media applications in the 1990s. Spielmann discovered an essential hybridity in Japan's media culture: an internal hybridity, a mixture of digital-analog connections together with a non-Western development of modernity separate from but not immune toWestern media aesthetics; and external hybridity, produced by the international, transcultural travel of aesthetic concepts. Spielmann describes the innovative technology context in Japan, in which developers, engineers, and artists collaborate, and traces the Japanese fondness for precision and functionality to the poetics of unobtrusiveness and detail. She examines work by artists including Masaki Fujihata, whose art is both formally and thematically hybrid; Seiko Mikami and SotaIchikawa, who build special devices for a new sense of human-machine interaction; Toshio Iwai, who connects traditional media forms with computing; and Tatsuo Miyajima, who anchors his LED artwork inBuddhist philosophy. Spielmann views hybridity as a positive aesthetic value—perhaps the defining aesthetic of a global culture. Hybridity offers a conceptual approach for considering the ambivalent linkages of contradictory elements; its dynamic and fluid characteristics are neither conclusive nor categorical but are meant to stimulate fusions.

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Editorial Reviews

Art in America

Sharing a high regard for precision, Japanese artists and engineers collaborate in ways that subtly meld Eastern and Western concepts, pure art and technical prowess, futurity and tradition.

Art in America
Sharing a high regard for precision, Japanese artists and engineers collaborate in ways that subtly meld Eastern and Western concepts, pure art and technical prowess, futurity and tradition.
Read More Show Less

Product Details

  • ISBN-13: 9780262018371
  • Publisher: MIT Press
  • Publication date: 11/30/2012
  • Series: Leonardo Book Series
  • Pages: 280
  • Sales rank: 1,160,581
  • Product dimensions: 6.10 (w) x 9.10 (h) x 0.70 (d)

Meet the Author

Yvonne Spielmann is Dean of the Faculty of Fine Arts at Lasalle College of the Arts inSingapore. She is the author of Video: The Reflexive Medium (MIT Press, 2007),which won the Lewis Mumford award in 2009.

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